A New Ave Maria
by Maureen Buja April 23rd, 2026 First created in 1853 as work for piano and cello, Gounod combined an improvisation with Bach ’s Prelude No. 1 in C major, BWV 846, from Book 1 of the Well-Tempered Clavier . By superimposing his melody over the 1722 work, Gounod created a piece that still lives today. The Ave Maria verse as done in historiated initials, ca 1480–1496 (From the Heures de Charles d’Angoulême , folio 52r) (Gallica, btv1b52502694t/f. 133) Originally, Gounod had just improvised over Bach’s Prelude . His future father-in-law, the composer and pianist Pierre Zimmerman, transcribed the work and wrote it out as a work for a string instrument (violin or cello) over keyboard (piano and harmonium). It was published under the title of Méditation sur le 1er prélude de piano de S. Bach. Bayard & Bertall: Charles Gounod , 1860 (Gallica, btv1b84542916) The same year, the words to Alphonse de Lamartine’s poem, ‘Le livre de ...