Thursday, September 21, 2023

Soloist barred from flight – after Ryanair claimed 18th-century violin ‘too big’ for the plane


Soloist unable to board flight – after Ryanair said her 18th-century violin was ‘too big’ for the plane
Soloist unable to board flight – after Ryanair said her 18th-century violin was ‘too big’ for the plane. Picture: Photographer Marco Borggreve / Alamy

By Maddy Shaw Roberts

Romanian-born violinist Mihaela Martin claims airline staff said her violin, a Guadagnini dating from 1748, was “too big to take onboard.” 

A leading violinist claims she was denied boarding by Ryanair after being told her violin was too large to take on board.

Mihaela Martin, a Romanian-born soloist who plays in a string quartet with Michael Barenboim, was travelling from the capital, Bucharest, when she was prevented from boarding her flight.

Martin said she had booked her musical instrument, a 1748 Guadagnini violin, as cabin baggage, but was told by staff that she “should have checked it in” as it was too large to take onboard.

“I explained that violins are never checked in and offered to buy [one] more ticket,” she added.

Martin claims the air host told her that “violins are never taken onboard” and that he would “be sacked if he doesn’t go by the book.”

Ryanair’s musical instrument policy states that violins, cellos and guitars that “exceed cabin baggage requirements” can be carried in the cabin “if a seat for it has been reserved and the appropriate fare paid.”

It is unclear whether Martin’s instrument exceeded the requirements. Classic FM has contacted Ryanair for comment.

Read more: Ryanair passenger films baggage handler ‘slamming’ his musical instruments onto airport luggage belt

Kodály: Duo for Violin & Cello, Op. 7: III | Mihaela Martin & Frans Helmersson

After being denied boarding, Martin stayed for one more night in the Romanian capital.

“So one more night in Bucharest where luckily they kept my room at the hotel,” she added in her Facebook post. “Now I have to search [the] internet for a flight tomorrow.

“Never ever again,” she concluded.

Martin performs prolifically across Europe, giving performances with the Bucharest Philharmonic and Staatsorchester Hamburg and featuring at the Verbier Festival and Budapest Academy Festival this season.

A member of the leading Michelangelo String Quartet, Martin has also collaborated in the past with her string quartet colleague’s legendary father Daniel Barenboim.

Alongside her concert commitments, Martin is a professor at the University of Music in Cologne, at the Barenboim-Said Academy in Berlin, and at the Kronberg Academy in Germany.

She also gives masterclasses around the world and is on the judging panel for competitions including Belgium’s Queen Elisabeth International Music Competition, Romania’s George Enescu International Competition, and the International Tchaikovsky Competition.

10 best musicals by Andrew Lloyd Webber – ranked


10 best musicals by Andrew Lloyd Webber: from 'Phantom of the Opera' to 'Cats'
10 best musicals by Andrew Lloyd Webber: from 'Phantom of the Opera' to 'Cats'. Picture: Getty/Alamy

By Maddy Shaw Roberts

Andrew Lloyd Webber is one of musical theatre’s most prolific voices. His famous stage works range from biblical to animal – we rank his 10 best. 

Since Joseph and the Amazing Technicolour Dreamcoat in the 1960s, Andrew Lloyd Webber has made a name for himself as King of the killer show tune, penning some of musical theatre’s catchiest melodies and most rousing choruses.

The subject matter he chooses is startlingly unpredictable. Who would have thought that an obscure Victorian gothic novel – Phantom of the Opera – or a collection of whimsical T.S. Eliot poems about feline psychology – Cats – would be the basis for two of the last half-century’s biggest musical hits?

The last 25 years have seen Lloyd Webber made a life peer, making him a Baron. He is the winner of 45 awards including seven Oliviers, seven Tonys and four Grammys, and owns a number of successful West End theatres through his theatre company.

And so, with more than 60 years of music to choose from, here are 10 of Lloyd Webber’s all-time greatest shows!


  1. Love Never Dies

    Love Never Dies, the fan favourite sequel to Lloyd Webber’s megahit Phantom of the Operawas first previewed on the West End in 2010, but closed soon after and never made it to Broadway.

    The musical was deemed to lack a bit of meat on the bone. But what it lacks in plot, it makes up for in music. The show has a sweeping score and soaring ballads which, when performed by the likes of Sierra Boggess and Ramin Karimloo, transport it to tenth place on the all-time best list.

    'Love Never Dies' Anna O'Byrne | Love Never Dies

  2. Aspects of Love

    A revival of this 1989 musical reopened in London this year starring Michael Ball and Danielle De Niese but will soon be closing in West End, three months ahead of schedule.

    Its slightly sinister plot includes multiple love affairs with a large age gap. But it has a great energy and a lovely piano-led score, with a strong hit song ‘Love Changes Everything’ – if you can turn a head to the subject matter…


    'Love Changes Everything' Michael Ball | Aspects Of Love

  3. School of Rock

    Lloyd Webber’s rock musical had a strong foundation from the off, being based on the 2003 movie hit starring Jack Black as Dewey Finn, a rock guitarist-cum-substitute teacher.

    It’s a classic lovable underdog story, featuring the almighty banger ‘Teacher’s Pet’, as well as an original new rebel anthem, ‘Stick it to the Man’. With a time-tested combination of driving rock rhythms, and soaring musical melodies, this is signature Lloyd Webber and remains a firm audience favourite.

    Alex Brightman & the Cast Sing 'Stick it to the Man' From Broadway-Bound SCHOOL OF ROCK

  4. Cinderella

    Cinderella was Lloyd Webber’s 13th new musical, and it earned the composer some of the best reviews of his career. Its leading lady, powerhouse musical theatre star Carrie Hope Fletcher, delivers the heart-wrenching ballad ‘I Know I Have a Heart’ with aplomb, and the book, by Oscar-winning Emerald Fennel (The Crown) is funny and charming.

    It was a musical hit by bad timing – not aided perhaps by its renaming to Bad Cinderella for a Broadway crowd – and Covid closures, over which the composer threatened to go to jail to save his show. But after that incredible run on Broadway, we reckon Lloyd Webber went out on a musical high.

    Andrew Lloyd Webber & Carrie Hope Fletcher - Bad Cinderella (Official Music Video)

  5. Cats

    Neatly fitting into the Venn diagram of completely mad and total genius, Cats marked the end of Lloyd Webber’s run of successful shows with lyricist Tim Rice, instead being based on lyrics from T.S. Eliot’s ‘Old Possum’s Book of Practical Cats’. It’s filled with memorable moments including the glorious power ballad ‘Memory’.

    Cats has made headlines in the last few years following a Hollywood film adaptation by which Lloyd Webber said he was so “emotionally damaged”, that he had to buy a therapy dog. “The one good thing to come out of it is my little Havanese puppy,” the composer dryly told a journalist.


    'Memory' Elaine Paige | Cats The Musical

  6. Sunset Boulevard

    Sunset Boulevard is a deliciously intense adaptation of Billy Wilder’s 1950 film. Coming back to the West End this year starring Nicole Scherzinger as the immortal Norma Desmond, its hit songs ‘As If We Never Said Goodbye’ and ‘With One Look’ put it up there with Lloyd Webber’s best. And no one does it like Glenn Close...

    The Fabulous Glenn Close Sings 'With One Look' | Sunset Boulevard | The Shows Must Go On!

  7. Joseph and the Technicolour Dreamcoat

    Now we move into the reliable realm of the longlasting Lloyd Webber-Tim Rice partnership. After meeting as teenagers, the duo would work prolifically together in a fruitful musical collaboration which produced three hit shows: Evita, Jesus Christ Superstar, and Joseph.

    Based on the Bible’s book of Genesis and originating from a cantata written for school choir, it’s one in a line of Lloyd Webber musicals with unpredictable origins that work startlingly well in musical form. Joseph is jam-packed with catchy tunes including the wide-eyed ballad ‘Any Dream Will Do’, and is a favourite at school productions today.

    Andrew Lloyd Webber, Jason Donovan - Any Dream Will Do

  8. Evita

    Did you know this Tony-winning show started as a rock opera concept album? The unlikely 70s hit show, containing the heartaching ‘Don’t Cry For Me Argentina’ – which repeats rather a lot in various iterations throughout the musical, not that we’re complaining – has yet another unlikely subject matter, being based on the wife of an Argentinian president.

    'Don't Cry For Me Argentina' Elaine Paige | EVITA

  9. Jesus Christ Superstar

    It’s hard to imagine this being written today, but boy does it have an impact. This adrenaline-pumping rock opera is well within the Lloyd Webber-Tim Rice partnership, and before it was taken over by Cats in the 80s and 90s, it was the West End’s longest running musical.

    The music is thrilling, especially the moment Lloyd Webber forgot his ‘Jesus’ actor was human and gave him a stratospheric G5 to sing at the climax of ‘Gethsemane’.

    Gethsemane (Steve Balsamo) - 'Musicals in Ahoy' Concert 2004 | Jesus Christ Superstar

  10. The Phantom of the Opera

    The most successful British musical in history, The Phantom of the Opera is an 80s extravaganza of decadent visuals and ageless music. It’s by far Lloyd Webber’s strongest score, from the delicate soprano plea ‘Think Of Me’ to the bare-chested, full throttle ‘The Point of No Return’. Devastatingly romantic, it’s been an incredible showcase over the years for some of the most dizzying soprano voices – from Lesley Garrett to Sierra Boggess.