Klaus Döring's Classical Music/Klaus Döring's Klassische Musik

0:00 10th Place: Francesca Caccini - Primo Libro delle Musiche, XII. Aria: Lasciatemi qui solo, 1618 0:32 9th Place: Élisabeth Jacquet de La Guerre - Céphale et Procris, Act IV, Scene III, Funeste mort, 1694 1:05 8th Place: Louise Farrenc - Trio for Flute, Cello, and Piano, Op.45, I. Allegro deciso, 1857 1:46 7th Place: Lili Boulanger - 2 Pieces for Violin and Piano, I. Nocturne, 1911/1914 2:30 6th Place: Amy Beach - Romance, Op.23, 1893 3:07 5th Place: Barbara Strozzi - Che si puó fare?, 1664 3:49 4th Place: Clara Schumann - Piano Concerto, Op.7, I. Allegro maestoso, 1833-1835 4:13 3rd Place: Fanny Mendelssohn - Notturno, H.337, 1838 4:49 2nd Place: Cécile Chaminade - Concertino pour flûte, Op.107, 1902 5:25 1st Place: Hildegard of Bingen - O virga ac diadema, 12th Century

  By Emily F. Hogstad, Interlude Artistic types are famous for their big personalities and the beef and rivalries that result. Over the centuries, classical composers have had more than their fair share of tiffs. Today we’re looking at the stories and personalities behind five of the most famous feuds in classical music history. Salieri v. Mozart Wolfgang Amadeus Mozart and Antonio Salieri © slavicwritings.com Everyone who saw the 1984 movie “Amadeus” knows the story.  Antonio Salieri  was a mediocre composer who was blindingly jealous of his young and impish colleague,  Wolfgang Amadeus Mozart . In fury, he sabotages his career – and ultimately, his life. That said… It’s not true. In real life, Salieri was a generally well-liked and well-regarded man, and a prolific and talented composer. He even taught Mozart’s son after Mozart died. And he didn’t poison Mozart. The core of the legend came from letters that Mozart and his father wrote to each other in the 1780s, po...