Friday, January 7, 2022

Six Types of Orchestral Musician

by Oliver Pashley, Interlude

Orchestral musicians are an odd bunch. It’s okay, I can say that – I speak as one of the oddest. Within any orchestra different personalities emerge, each with their own quirks and habits. Take this as a guide through the weird and wonderful world of orchestral musicians.

The foot shuffler

Different personalities in an orchestra, their quirks and habits

© violinist.com

Most musicians are foot shufflers at one point or another. For obvious reasons, musicians tend not to talk to each other while playing, so words transform into the foot shuffle, an inconspicuous gesture used to surreptitiously say ‘well done’ to other players after, for example, a big solo or exposed passage. However, foot shuffling can also signal a mistake. Context-dependent. Very confusing. Avoid if uncertain.

The last-minuter

For an orchestral musician, being ‘on time’ for a rehearsal means in effect being there half an hour early. Anything after that is considered by many to be cutting it fine. The last-minuter is that musician who drifts through the door five minutes before the rehearsal starts and is ready to go at the exact moment the tuning note sounds. Not at all worried by their last-minute approach to life. In fact, often much calmer and happier than most other musicians.

The question-asker

Every orchestra has that person, who can’t seem to hold back the irrepressible tide of questions bubbling up inside them. Bowings? Breath marks? Tempi? Articulation? There is no limit to the range of subjects the question-asker will address. Mostly harmless and good-intentioned.

The worrier

Different personalities in an orchestra, their quirks and habits

© houstonsymphony.org

Often but not exclusively confined to the world of reed instruments, the worrier frets about the state of their instrument, the state of their reed, the temperature and humidity in the room, what time of day it is, how illegible these old parts are, how long it took to get into work today, oh isn’t it awful with all this traffic and how do they expect us to see with this light and I think my chair is too low and don’t you think it’s really hard to hear in this room and I don’t like this piece very much how about you?

The tea break sprinter

That no-nonsense member of a section responsible for getting a round of refreshments in the break. Runs off as soon as the break is called in order to be at the front of the queue. Spends first half of rehearsal mentally planning quickest route to café with precision and detail of bank robber.

The warmer-upper

Ever had the calm background noise of orchestral musicians quietly warming up punctuated by the pyrotechnics of a Paganini caprice, or the brilliant passages of a virtuosic concerto? Then you might just be in the presence of a warmer-upper. Listen in amazement and contemplate how much harder their warm up sounds than yours. Sit in awe as they dazzle you with unnecessarily loud and fast playing. Roll your eyes when they can’t help but bring up that new concerto they’re learning. By some strange coincidence, often seated next to the tea break sprinter.

Looking Forward to 2022

by Maureen Buja, Interlude

Looking Forward to 2022 - Concert! Travel! So much to look forward to!

© musement.com

After reviewing the less-than-brilliant 2021, we can now go to the optimism side for looking forward to 2022! Concert! Travel! So much to look forward to!

Opera seasons are opening! I think the first opera we would all like to see is Un ballo senza Maschera but it probably won’t happen. I’m going to Rigoletto en masque in January. And the Metrpolitan opera’s for January 1 are both Cinderella and Die Zauberflöte – both operas of transformation. Cinderella into a princess and Tamino into a follower of Sarastro.

Perhaps another opera that might be appealing would be The Flying Dutchman. To get back to travel, to go personally to help those poor needy tourist areas that have been longing for your return. That’s the 2022 spirit!

Other inspirational holiday music might include Charles Ives’ Holiday Symphony or even something like Copland’s Rodeo, for when you take that trip to the west to a dude ranch (do they still have those?). What about Stravinsky’s Rite of Spring to start the year off right? Shake off that snow and get Spring moving again! Avoid the dancing to your death part at the end, though.

Vaughan Williams’ Songs of Travel might be a better inspiration. The opening song, The Vagabond, with its marching tempo, gets us out of our chairs and out into the open again!

Tom Flaherty’s Time to Travel pushes us forward with a work for 2 pianos – also urging us to move and explore.

British-Australian composer Michael Easton took inspiration from Gershwin’s An American in Paris to write his version, An Australian in Paris. Unlike Gershwin’s confident city explorer, Easton’s traveler is a bit shyer. His third movement, Alone and Lonely, catches a feeling that happens to many a world traveller – you’ve done the obvious things and now it’s day 5 and all you want to do is talk with someone who understands you in your own language.

Perhaps the best music for walking around is Mussorgsky’s Pictures at an Exhibition. Set by Mussorgsky as a representation of a stroll around an exhibition of his friend Victor Hartmann’s drawing and watercolours made as the artist travelled around Italy, France, Poland, Russia, and the Ukraine – remember when we could do that too? Plan for where you can go in 2022!

Looking Forward to 2022 - Concert! Travel! So much to look forward to!

© timesofindia.indiatimes.com

In his song cycle Sea Pictures, Edward Elgar takes us down to the sea and under the sea and in the sea with In Haven (Capri), linking the storms that sweep the sea with the discovery that no matter what happens, ‘love alone will stand,’ ‘…will last.’ ‘…will stay.’ The orchestral evocation of the waves is a lovely underlay to the text.


Canadian Composer Andrew Staniland, however, writes about a Dreaded Sea Voyage, inspired by a line in a Mahler biography about his dread of an impending sea voyage. The idea might have been the mental inspiration, but the other spark came from the music included on the Voyager space craft, which, some 36 years after its launch, was leaving our solar system. The music, from Bach’s Brandenburg No. 2 to Javanese gamelan music, all has its place in his composition. The dreaded sea is that of the universe, which will eventually be our final voyage.


You may not be heading for space and the final frontiers in 2022, but we hope you’re headed outside your house, outside your neighbourhood, and into wonderful new experiences.