Ten Movies About Musicians

by: Fanny Po Sim Head, Interlude

Classic films such as Amadeus, Immortal Beloved, and Lisztomania have brought the stories of our legendary composers to life. While these movies are known widely, I want to share some lesser-known movies about the music world that you might want to check them out!

1. Topsy-Turvy (1999)

This 1999 film features the lives and partnership of Gilbert and Sullivan. W. S. Gilbert (1836–1911) was the dramatist, and Arthur Sullivan (1842–1900) was the composer. They collaborated on fourteen comic operattas between 1871 and 1896, including legendary The Mikado (1885). Topsy-Turvy, directed by Mike Leigh, is about the drama between Gilbert and Sullivan during the production of The Mikado. It won several awards, including the Best Costume and Makeup at the 72nd Academy Award and Best Picture and Best Director at the 1999 New York Film Critics Circle Awards.

Songcatcher

2. Songcatcher (2000)

This movie is about a musicologist, Lily Penleric (Janet McTeer), who discovers beautiful Scottish music in the mountains of Appalachia. Penleric then decides to stay in the hills and traces the history of the Scottish immigrant and the songs. The movie reminds me of Béla Bartók and Percy Grainger, who collected many folk music from different regions.

The Lady in the Van

3. The Lady in the Van (2015)

This comedy-drama, directed by Nicholas Hytner, is based on playwright Alan Bennett’s memoir. The Lady in the Van is about the interaction of Alan Bennett with Mary Shepherd (portrayed by Maggie Smith), who was an old woman living in a van on his driveway for 15 years. Bennett later discovered Shepherd was used to be a gifted pianist and a pupil of Alfred Cortot. However, her musical career only lasted for a short period. Paranoia and mental illness led to her being homeless. Early in her life, Shepherd performed at the Proms. Original footage of the performance is shown in the film.

Florence Foster Jenkins

4. Florence Foster Jenkins (2016)

Based on a true story, Jenkins (starred by Meryl Streep) was a New York socialite. After an injury, which stopped her dream of becoming a concert pianist in Carnegie Hall, she decided to become an opera singer.

Florence Foster Jenkins

Despite her terrible singing voice, she eventually performed at Carnegie Hall in 1944. Foster Jenkins once said, “People may say I couldn’t sing, but no one can ever say I didn’t sing.” This is an inspiring movie filled with humor. Even though Jenkins could never sing professionally, her story encourages us to keep trying.

Nodame Cantabile: The Movie I

5 and 6. Nodame Cantabile: The Movie I (2009) and Movie II (2010)

Nodame Cantabile comes from a series of Japanese manga. It became very popular in Asia when the TV series was released in 2006. Following the success of the tv series, three movies were made with the same crews, including Movie I and Movie II. It is about a handsome violinist, Chiaki Shinichi (Hiroshi Tamaki), his footsteps of becoming a famous conductor, and his love story with Nodame (Juri Ueno), who is a virtuosic pianist with quirky personality. Both Movies I and II take place in Europe, and Shinichi has already started his conducting career, and Nodame works her way towards a concert pianist.

The Conductor

7. De Dirigent (The Conductor, 2018)

De Dirigent is a Dutch movie based on the 1920s true story of Antonia Brico who wanted to be a conductor.

Antonia Brico

It was a real challenge for a woman to be accepted as a conductor back in the day due to gender bias. Brico eventually succeeded and entered Berlin State Academy of Music, studying with a famous conductor, Karl Muck. This movie is inspiring, especially to many female musicians even today.

Secret

8. Secret (2007)

This award-winning Taiwanese film was about a piano prodigy, Ye Xianglun (played by Jay Chou), who was enchanted as well as haunted by a beautiful pianist, Lu Xiaoyu. They later fell in love, but Xianglun later found out the secret of Xiaoyu. The piano theme music, Secret, became very popular, and many of my students wanted to play it when the movie came out. The film has referenced the competition that happen among music students in their daily lives. Let’s watch this piano battle scene, the music was based on Chopin’s Etude Op.10 No.5 (Black Key Etude) and Waltz in c-sharp minor.

Tous Les Matins du monde

9. Tous Les Matins du monde (All the Mornings of the World, 1991)

Tous Les Matins du monde is a French movie based on Pascal Quignard’s book of the same title. It is about a French Baroque composer, Marin Marais, and his relationship with his teacher, Monsieur de Sainte-Colombe. Award-winning actor Gérard Depardieu and his son, Guillaume Depardieu, play the adult and younger version of Marais in the movie. The film features some elegant baroque music played with the viola da gamba.

Playing for Time

10. Playing for Time (1980)

Playing for Time was a movie about musicians in Auschwitz concentration camp during the Second World War. Based on an autobiography, The Musicians of Auschwitz, by Fania Fénelon, the story begins with Fénelon, a well-known French-Jewish singer, who was sent to the Auschwitz concentration camp.

Playing for Time

She later joined the women orchestra in the camp, whose conductor was Gustav Mahler’s niece, Alma Rosé. This film is a testament of a power of music to bring light and hope to the darkest and hopeless places.

(C) 2021 by Interlude

Emmanuel Chabrier Suite Pastorale

Emmanuel Chabrier - his music and his life

 

Emmanuel Chabrier, in full Alexis-Emmanuel Chabrier, (born January 18, 1841, Ambert, Puy-de-Dôme, France—died September 13, 1894, Paris), French composer whose best works reflect the verve and wit of the Paris scene of the 1880s and who was a musical counterpart of the early Impressionist painters.

In his youth Chabrier was attracted to both music and painting. While studying law in Paris from 1858 to 1862, he also studied the piano, harmony, and counterpoint. His technical training, however, was limited, and in the art of composition he was self-taught. From 1862 to 1880, while he was employed as a lawyer at the Ministry of the Interior, he composed the operas L’Étoile (1877; “The Star”) and Une Éducation manquée (“A Deficient Education”), first performed with piano accompaniment in 1879 and with orchestra in 1913. Between 1863 and 1865, working with the poet Paul Verlaine, he sketched out but never finished two operettas. Chabrier was closely associated with the Impressionist painters, and he was the first owner of the celebrated A Bar at the Folies-Bergère (1882) by his friend Édouard Manet.

After hearing Richard Wagner’s Tristan und Isolde at Munich in 1879, Chabrier left the Ministry of the Interior to devote himself exclusively to music. As chorus master at the Concerts Lamoureux he helped to produce a concert performance of Tristan and became associated with Vincent d’Indy, Henri Duparc, and Gabriel Fauré as one of the group known as Le Petit Bayreuth. Chabrier’s best music was written between 1881 and 1891 when, after visiting Spain (where he was inspired by the folk music), he settled in Touraine. His works during this period include the piano pieces Dix pièces pittoresques (1880), Trois valses romantiques for piano duet (1883), and Bourrée fantasque (1891); the orchestral works España (1883) and Joyeuse marche (1888); the opera Le Roi malgré lui (1887; “The King in Spite of Himself”); and six songs (1890). The last three years of his life were marked by both mental and physical collapse.

Chabrier’s music, frequently based on irregular rhythmic patterns or on rapidly repeated figures derived from the bourrée (a dance of his native Auvergne), was inspired by broad humour and a sense of caricature. His melodic gifts were honed by performances of popular songs in Paris cafés-concerts. In his piano and orchestral works he developed a sophisticated Parisian style that was a model for the 20th-century composers Francis Poulenc and Georges Auric. His orchestration was remarkable for novel instrumental combinations. In España, for example, his use of brass and percussion anticipated effects in Igor Stravinsky’s Petrushka (1911).

What started as a tour of Spain for six months in 1882, turned into a research trip on the folk music and dances of Spain. Chabrier’s tour took in most of the principal cities of Spain, starting in San Sebastián, and then on to Burgos, Toledo, Sevilla, Granada, Málaga, Cádiz, Cordoba, Valencia, Zaragoza and ending in Barcelona. In writing to a friend, he detailed his discoveries of the various regional dance forms, providing musical examples along with his text.

Although España was originally conceived as a work for piano duet, he turned it into a work for orchestra quite quickly. The original title was ‘Jota,’ a genre of music and dance from Aragon and other regions, but he decided to encompass the whole of the country under its new title, España (Spain). Although Chabrier was known to call it ‘a piece in F and nothing more,’ composers such as de Falla praised it, with even Mahler calling it ‘the start of modern music.’