It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
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Rachmaninoff: Piano Concerto no.2 op.18 - Anna Fedorova - Complete Live ...
Rachmaninov’s Piano Concerto No.2 tops Classic FM Hall of Fame in composer’s 150th anniversary year
By Classic FM
@ClassicFMThere’s a new number one in the Classic FM Hall of Fame, as Rachmaninov’s second piano concerto tops the chart for the first time in 10 years.
Rachmaninov’s Piano Concerto No.2 has topped the Classic FM Hall of Fame for the first time in 10 years, in the year that marks 150 years since the composer was born.
A long-time favourite in the world’s biggest survey of classical music tastes, the monumental work has reached the No.1 spot eight times since the chart began in 1996.
In recent years it has lost out to Vaughan Williams’ enduringly popular The Lark Ascending, which has enjoyed four consecutive years in the top spot before being knocked off in 2023.
The new chart, which was revealed live across the four-day Easter weekend on Classic FM, also sees a record number of film music entries with 35 soundtracks voted in.
View the full Top 300 >
Rachmaninov finished writing his second piano concerto in 1901, as he emerged from a period of particularly troubling mental health. He dedicated the piece to the neurologist Nikolai Dahl as thanks for his treatment and support throughout his illness.
The piece was premiered in November of that year to great acclaim, and remains a firm favourite more than a century later. It featured prominently in the soundtrack of the 1945 romantic drama, Brief Encounter, and provided Eric Carmen with the inspiration for his hit pop power ballad, ‘All by Myself’, in 1975.
The tune cemented its popularity in 1996, when Canadian vocal powerhouse Celine Dion famously released her cover – and further still, when it was featured to great comedic effect in the 2001 film Bridget Jones’ Diary.