Monday, March 29, 2021

OPM icon Claire dela Fuente passes away at 62


by Robert Requintina, Manila Bulletin

OPM icon Claire dela Fuente passed away due to cardiac arrest this morning, March 30. She was 62.

Dela Fuente’s passing was confirmed by composer/producer Jonathan Manalo who is close to the family, according to a report by ABS-CBN.

Dela Fuente is the popular singer behind the immortal OPM songs “Sayang,” “Nakaw Na Pag-Ibig,” and “Minsan Minsan” in the 1980s.

During an exclusive interview in 2017, Dela Fuente said that she was thrilled to hear her songs on the radio on weekends. “Naririnig ko yan. Proud ako dahil ilang arttist ba ang may ganyan? Kokonti lang talaga kami.”

Dela Fuente also said that while her song “Sayang” is very popular, her biggest-selling record is “Minsan Minsan.”

“Yung ‘Minsan Minsan’ yun talaga ang nagconfirm sa akin sa stardom bilang sikat na singer,” she said.

Dela Fuente was discovered by noted composer George Canseco when she joined a singing contest at the age of 15. “Member ng board of judges si George nun sabi nya gusto mo bang kumanta sa commercial? Ako ang original voice sa Hope cigarettes commercial.”

When asked what she did with her first paycheck for her debut single “Sayang,” Dela Fuente said: “Naku ang liit lang nun! Ibinigay ko sa nanay ko pandagdag sa baon ko.” –

Sought to give advice to upcoming singers, Dela Fuente said: “Napakahirap kasi ngayon sa showbiz. If you want to succeed sa career, kailangan mo talagang mag-focus. At saka dapat alam mo ang sarili mo at realistic ka. Kung hindi ka naman ganun kagaling, paano? Kung hindi magaling, move on na. Sa ibang career na tayo pumunta. Ganun yun eh. Sa lahat ng bagay, pati sa negosyo, destiny rin ‘yan.”

In those days, Dela Fuente revealed she had cold war with rival singers Imelda Papin and Eva Eugenio.

“May iringan din kami nun. Mga bata pa kami nun syempre iba ang ugali namin. Pero ngayon, wala na yun. Nagkikita pa rin kaming tatlo,” she said.

Nico Dostal - His Music and His Life

 


Nico Dostal (full name: Nikolaus Josef Michael Dostal) (27 November 1895 – 27 October 1981) was an Austrian composer who later specialised in operetta and film music.

Dostal was born in Korneuburg, Lower Austria, and was the nephew of composer Hermann Dostal. He initially studied law at the University of Vienna, but turned to studying music at the Academy for Church Music in Klosterneuburg, and made a name for himself when his Great Mass in D major premiered in Linz in 1913.

After participating in World War I, Dostal worked as the theatre Kapellmeister in Innsbruck, St. Pölten, Vienna, Chernivtsi and Salzburg, before moving to Berlin in 1924, where he turned his hand to secular music. He worked in music publishing and as a freelance arranger for Oscar Straus, Franz Lehár and Robert Stolz, among others.

Whilst working as a Kapellmeister and composer, Dostal wrote the music for the film The Emperor's Waltz (1933) and enjoyed great success with his first operetta Clivia. This was followed by Die Vielgeliebte (1934) (The Much-Loved), Die ungarische Hochzeit (1939) (The Hungarian Wedding), and numerous pieces of film music.

In 1946 Dostal moved to Vienna, then in 1954 to Salzburg, where he continued to devote himself to composition, writing there among other pieces the chamber musical So macht man Karriere (1961) (How To Make a Career). Dostal also composed church music along with operettas and film music.

In 1942 he married the opera singer Lillie Claus, by whom he had one son, Roman Dostal, later a conductor. Dostal died in Salzburg, where he is buried in a grave of honour in the main cemetery, the Salzburger Kommunalfriedhof.

Works

Operettas

Die exzentrische Frau, 1922 (The Eccentric Woman)

Lagunenzauber, 1923 (Lagoon Magic)

Clivia, 1933

Die Vielgeliebte, 1934 (The Much-Loved)

Prinzessin Nofretete, 1936 (Princess Nefertiti)

Extrablätter, 1937 (Extra Sheets)

Monika, 1937

Die ungarische Hochzeit, 1939 (The Hungarian Wedding)

Die Flucht ins Glück, 1940 (The Flight into Happiness)

Die große Tänzerin, 1942 (The Great Dancer)

Eva im Abendkleid, 1942 (Eva in Evening Dress)

Manina, 1942

Verzauberte Herzen, 1946 (Enchanted Hearts)

Ein Fremder in Venedig, 1946 (A Stranger in Venice)

Süße kleine Freundin, 1949 (Sweet Little Girlfriend)

Zirkusblut, 1950 (Circus Blood)

Der Kurier der Königin, 1950 (The Queen's Courier)

de:Doktor Eisenbart, 1952 (Dr. Eisenbarth)

de:Der dritte Wunsch, 1954 (The Third Wish)

Liebesbriefe Operette, 1955 (Love Letters Operetta)

So macht man Karriere, 1961 (How To Make A Career)

Rhapsodie der Liebe, 1963 (Rhapsody of Love)

Der goldene Spiegel (The Golden Mirror)

Don Juan und Figaro oder Das Lamm des Armen, 1990 (Don Juan and Figaro, or the Lamb of the Poor)

Film music

Jedem seine Chance, 1930 (To Each, His Chance)

Three Days Confined to Barracks (1930)

Headfirst into Happiness (1931)

The Emperor's Waltz (1933)

The Cabbie's Song (1936)

Der Optimist, 1938, with Theo Lingen (The Optimist)

Mordsache Holm, 1938 (The Holm Murder Case)

Thirteen Chairs (1938)

Heimatland, 1939, with Wolf Albach-Retty (Homeland)

Das Lied der Wüste, 1939, with Zarah Leander, Gustav Knuth (The Desert Song)

The Vulture Wally (1940)

Black on White (1943)

Glück bei Frauen, 1944, with Johannes Heesters (Luck/Happiness with Women)

Child of the Danube (1950)

Spring on Ice (1951)

Das Herz einer Frau [de], 1951 (The Heart of a Woman)

Seesterne [de], 1952 (Sea Stars)

A Night in Venice (1953)

Die Ungarische Hochzeit, 1969, with Maria Schell (The Hungarian Wedding)