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#EnnioMorricone #TheMission

Morricone conducts Morricone: The Mission (Gabriel's Oboe)

6,657,661 views Jul 10, 2020 Live recording at the Philharmonie im Gasteig, 20 October 2004, The Mission's main theme performed by Munchen Radio Orchestra under the direction of Morricone himself and recorded by Giovanni Morricone. Watch Morricone conducting Once upon a Time in America: https://youtu.be/gwrzoyw_X8E Click here to watch "Morricone Duel - The Most Dangerous Concert Ever": https://bit.ly/MorriconeDuel Subscribe to EuroArts: https://goo.gl/jrui3M Morricone received the Academy Honorary Award in 2007 "for his magnificent and multifaceted contributions to the art of film music." He also received 5 Oscar nominations and he won 3 Grammy Awards, 2 Golden Globes as well as numerous other awards, which are too many to mention. A composer of music for the cinema, whose music was an element in itself.

Symphony No. 2, Op 27: III

Symphony No. 2, Op 27: III

31 views  Sep 14, 2022  Provided to YouTube by IIP-DDS

Symphony No. 2, Op 27: III · Silver State Orchestra · Rachmaninov

A Time For Reflection: Classical Music

℗ 2016 Black Barn Music

Released on: 2022-09-14

Composer: Rachmaninov

An Affair to Remember (Our Love Affair)

The Opera in the Symphony: Weber’s Symphony No. 1

We are most familiar with Carl Maria von Weber (1786-1826) from his opera Der Freischütz. Weber’s connections with the theatre began in childhood where he grew up in his father’s traveling theatre. His father, uncle to Mozart’s wife Constanze Weber, had been, with his brother, a member of the orchestra in Mannheim. Weber went on to write other operas, including Silvana (1810), Euryanthe for Vienna (1822-23), Oberon for London (1825-26) and, at his death, left the unfinished opera Die drei Pintos, which was completed by Mahler some 60 years later in 1888.

In 1807, Weber wrote two symphonies. At the time, he was in Carlsruhe working for Duke Eugen, who was himself a talented oboist. The orchestration of the symphonies matches the staff of the duke’s orchestra: a single flute, pairs of oboes, bassoons, horns, and trumpets, but no clarinets. There was the usual string complement, although sometimes the double basses are permitted freedom from being always tied to the cellos.

Weber’s Symphony No. 1 has closer ties with his operatic work than with the changes in symphonic form that Beethoven was experimenting with at the same time. Weber’s work would have fallen right in the middle between Beethoven’s Eroica (1805), his 4th symphony (1807), and his 5th (1807-8).

Just like an opera overture, the first movement starts with a call for attention. The first theme comes in the lower strings and the second theme was for the wind players. Even Weber described the movement as more of an overture than a symphonic movement.

This recording comes from a radio concert in April 1951 from Carnegie Hall in New York, with the New York Philharmonic led by Greek conductor Dimitri Mitropoulos. From 1949, Mitropoulos was co-conductor of the New York Philharmonic with Leopold Stokowski and in 1951 became the sole music director. Under his tenure, the Philharmonic expanded their repertoire, both through commissioning new works and by championing the music of forgotten composers, including, at the time, the symphonies of Gustav Mahler, a task that was taken up by his protégé, Leonard Bernstein.