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Thursday, November 14, 2024
12 best movie adaptions of musicals, ranked
7 November 2024, 14:24
We take a look at the greatest film adaptations of musicals across the eras.
There is nothing quite like the thrill of Broadway, the bustle of the West End, the atmosphere of anticipation before the curtain rises on a top-tier . For more than half a century, film producers and directors have tried to translate this feeling onto the big screen.
From the streets of 50s New York to the epic panorama of the Austrian Alps, we count down 12 of the greatest film adaptations of musicals.
A Funny Thing Happened on the Way to the Forum (1966)
Zero Mostel reprieved his stage role for the film adaption of this wild romp, inspired by the farces of ancient Rome. It has all the ingredients required for an entertaining film: a ridiculous plot, cross-dressing, and a brilliant score by the late great Stephen Sondheim.
Director Richard Lester perfectly adapts the mayhem of the original production to the screen, bringing Rome to life. Whilst songs such as ‘Everybody Ought to Have a Maid’ at first glance might seem a little dated, they offer a hilarious and astute critical commentary on 60s American life – a world of Don Draper-style executives – in a way which few other musicals of the time were able to do so effectively.
Les Misérables (2012)
Do you hear the people sing? Well, we almost didn’t, as following the release of the stage musical in 1980, a film adaptation faced numerous setbacks, as the rights were passed on to several major studios, and various directors and actors were considered and disregarded.
The wait was worth it though, as this film turned out to be epic. The cast list reads as a who’s-who of Hollywood A-listers, all piling in to showcase their (ahem) ‘vocal talents’.
My Fair Lady (1964)
“Few genres of films are as magical as musicals, and few musicals are as intelligent and lively as My Fair Lady," opined critic James Berardinelli about this fantastic adaptation.
Staring Audrey Hepburn – who replaced Julie Andrews from the stage musical – Rex Harrison and directed by George Cukor, the streets of London are brought vividly to life, supported by the full armoury of Warner Bros.
Sweeney Todd (2007)
Dark, brooding and frankly disturbing, the Dickensian universe is brought to life in this gothic slasher musical by .
Depp and Bonham Carter are at their villainous best, and Alan Rickman completely inhabits the role of Judge Turpin. Sondheim admitted that the film version differed significantly from the stage production, but in his own words, “if you just go along with it, I think you'll have a spectacular time”.
Oklahoma! (1955)
With a plethora of show-stopping tunes, including ‘Oh, what a Beautiful Mornin’’, ‘Surrey with the Fringe on Top’ and ‘People Will Say We’re in Love’, to name a few, this classic Rodgers and Hammerstein wartime hit was adapted into an all-singing, all dancing technicolour blockbuster in 1955.
Featuring some of the era’s biggest stars, such as Gloria Grahame and Gordon MacRae, Oklahoma! was a critical and commercial success picking up a rave review from The New York Times and winning a host of awards. In 2007, Oklahoma! was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.
Fiddler on the Roof (1971)
Containing some of the catchiest melodies written for a musical, Fiddler on the Roof received its Hollywood calling in 1971. Like the best adaptations, it manages to retain the feelings of intimacy from the original stage production, but with the added depth offered by filming on location. Chaim Topol – who plays Tevye – carries the show, with a multi-faceted performance that shows Tevye’s inner struggle and conflicts, pitted against a brutal world descending into the horrors of the 20th century. This was also the film that won , later of Jaws and Harry Potter fame, his first Academy Award.
Guys and Dolls (1955)
Featuring an incredible cast including Marlon Brando AND Frank Sinatra, this film – again from 1955 – hits all the right notes. Set on the streets of New York, Sinatra plays Nathan Detroit, a well-meaning small-time criminal gambler, who bets the mysterious Sky Masterson (Brando) that he can’t take Sister Sarah Brown to Havana on a date.
Sinatra is on top form here, elevating Frank Loesser’s glittering music, which gets a suitably luscious revamp for the silver screen.
With rumours of a new adaption from the Chicago team, this classic tale looks set to endure for the next generation.
Chicago (2002)
This vaudeville-style show has been making waves since its original Broadway run in 1975, and the 2002 film manages to capture the essence of the 70s production whilst bringing to life the swinging, corrupt, probation world of 1920s Chicago.
Renée Zellweger is exquisite as Roxie Hart, and Catherine Zeta-Jones revels in her roots as a musical theatre actress. In short: everyone brings their A-game to make this film an absolute riot from start to finish.
Oliver! (1968)
Another adaptation from the swinging 60s, Oliver! has all the charm and appeal of the original West End production, but with the added gloom and drama of Victorian London, bought to life on the big screen. Ron Moody is absolutely exceptional as Fagan, supported by an all-British cast who all help make this one of the best musical theatre films ever made.
West Side Story (1961)
West Side Story caused a storm when it premiered on Broadway in 1957. It also marked the debut of future musical titan, Stephen Sondheim, who wrote the lyrics for .
A modern revamp of Shakespeare’s Romeo and Juliet, brought to contemporary 50s New York, this film adaptation shows a grittier side to the fun and comedic Big Apple of Guys and Dolls. A stellar cast helps bring this to life on screen, with Natalie Wood captivating audiences with her portrayal of Maria, the love interest of Tony. Incredibly, Elvis Presley was approached for Tony, but his manager, Colonel Tom Parker turned down the part.
Irwin Kostal beefed up Bernstein’s orchestration for the film with a full-sized orchestra making the music even more impactful than Bernstein’s original.
Grease (1978)
Despite the haunting memories of having to awkwardly dance to ‘Summer Nights’ at your school disco, Grease is, for want of a better expression, an absolute banger.
It’s a testimony to how enduringly popular this film is that its songs continue to be played worldwide.
An iconic 1970s film set in the 50s, this film was set to be a classic as soon as it was made. John Travolta and Olivia Newton-John found the right chemistry to win over audiences’ hearts and minds.
The Sound of Music (1965)
Arguably not just the greatest musical adaptation but the greatest film of all time, it’s impossible not to love this classic. Beautiful panoramic shots of the Austrian Alps enhance the drama of Richard Rodgers’ technicolour score, and Julie Andrews gives a career-defining performance. – who played Captain Von Trapp – was dismissive of the film’s success, never seeming to understand why it achieved such popularity until his grandchildren turned him around in the later years of his life.
Conductor reacts to himself conducting Grieg’s ‘In the Hall of the Mountain King’!
Ben Palmer – the conductor of the last two Classic FM Live shows – sat down to talk us through how a conductor thinks, in a Classic FM exclusive.
Have you ever been sat at a concert and found yourself observing the figure on the podium, frantically gesturing at the orchestra and pondered, ‘what are they actually doing?’
Thankfully, Ben Palmer is here to answer that very question in a video exclusive, where he brilliantly shines a light on the mysterious and murky world of the conductor, in a review of a performance of Grieg’s show-stopping In the Hall of the Mountain King.
Ben led the Royal Scottish National Orchestra in a show-stopping rendition of the hit tune at Classic FM Live with Viking at the Royal Albert Hall, in April.
The conductor, who is renowned for his engaging and inspiring performances worldwide, highlights the importance of gestures in gently reminding players to bring certain features to the fore and shares his feelings of excitement when the choir makes its blistering entry.
Ben shows us that the role of the conductor is to bring together the skill and experience of the many musicians who are on the stage, as opposed to being a dictator, telling us that “when you are working with a brilliant orchestra like the RSNO, everyone is bringing their own collective experience of the piece; that’s why it’s so fun to play.”
Einaudi surprises commuters with train station piano performance
13 November 2024, 12:37 | Updated: 14 November 2024, 15:44
Einaudi has played an impromptu concert at St Pancras International Station, dazzling commuters.
International classical phenomenon Ludovico Einaudi has given a concert in St Pancras station, much to the delight of the crowd who were lucky enough to catch the event.
The Italian pianist and composer – known as the ‘King of Calm’ – performed some of his best known works, including ‘I Giorni’, alongside music from his new album, The Summer Portraits, which will be released on January 31 on Decca Records.
Einaudi performed the special concert whilst in between two sold-out concerts at the London Palladium, adding a much-needed dose of calm to the otherwise hectic atmosphere of one of London’s busiest terminals.
He is not the first superstar to use St Pancras’ vast space for musical performances, with the St Pancras piano being played by international superstar pianist Lang Lang, as well as John Legend, James Arthur and Tom Odell. Grammy Award winners Alicia Keys and Nora Jones have also showcased their musical talents in the station’s main arcade.
Public piano performances have become a part of the culture at the London terminal, with the famous St. Pancras piano becoming a hit with the public.
Pianos were first introduced in 2012, when the City of London Festival celebrated its golden anniversary and have remained available to play ever since. This iconic transport hub is now home to two public pianos, the most recent of which was generously donated by Andrew Lloyd Webber Musicals to ensure that music remains part of the atmosphere at the station.
The station’s main arcade – where the pianos are hosted – has grown into a hub of cultural activity, creating a strong sense of community and a lively destination for exciting arts activities.
“Our station is proud to be known as a hot spot for musical performances, creating an exciting and lively experience for travellers and shoppers alike. We are delighted that Ludovico Einaudi chose to stop in and perform for our visitors, in between his sold-out shows in London this week,“ said Wendy Spinks, Chief Commercial Officer at St Pancras International and HS1 Ltd. “We have no doubt that his evocative music and surprise performance will have brought smiles to all.”
We look forward to more surprise performances at the station in the future!
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