Showing posts with label The Best of Mozart. Show all posts
Showing posts with label The Best of Mozart. Show all posts

Friday, May 8, 2026

Twenty Trivia Questions About Classical Music

  

Today we’re looking at the history of classical music for trivia inspiration. Learn about everything from a composer who murdered his wife, to a Venetian orchestra of talented orphans, to forbidden love affairs, a deaf composer at the premiere of his groundbreaking symphony, and hypnotherapy that inspired a piano concerto.

50 Times Great Composers Insulted Other Great Composers

© classicalregister.com

Without further ado, here are our twenty trivia questions from classical music history:

Which composer from Bingen is also known as a saint?

Hildegard of Bingen!

Hildegard of Bingen was born around 1098 in present-day Germany. She started having visions at an early age and joined a Benedictine monastery as a child.

Around 1150 she composed a famous sacred music drama called Ordo Virtutum, or Order of the Virtues.

Hildegard of Bingen wasn’t just a composer. She also wrote theological works based on her visions, as well as scientific and medical texts.

Some modern popes have referred to her as a saint.   

Which composer murdered his first wife and was never punished for it?

Carlo Gesualdo!

In 1586, when he was twenty, Gesualdo married his first cousin, Donna Maria d’Avalos. They had one son.

Four years later, Gesualdo came home and discovered his wife in bed with another man. Gesualdo killed both his wife and her lover with a gun and sword.

The authorities decided he had not committed a crime.   

Which composer died after striking his foot with a staff he used while conducting?

Jean-Baptiste Lully!

Italian composer Jean-Baptiste Lully was both a dancer and musician.

He got a job in the court of Louis XIV. In 1687, to celebrate Louis’s recovery from surgery, he conducted a performance of his Te Deum.

He conducted by pounding a staff on the floor. In the process, he accidentally hit his foot. Gangrene developed and he refused to amputate because he still wanted to be able to dance.

Lully died on 22 March 1687 of his injuries.   

Which composer had seven kids with his second cousin, and thirteen kids with his second wife?

Johann Sebastian Bach!

In 1707, Johann Sebastian Bach married his second cousin, Maria Barbara Bach.

She died tragically and unexpectedly in July 1720.

The following year, Bach married an accomplished young singer named Anna Magdalena. She was twenty and he was thirty-six.

They had thirteen children together. Their youngest child, a daughter named Regina Susanna, was only eight years old when he died.   

Which composer wrote music for virtuoso orchestra of women who had been abandoned as babies?

Antonio Vivaldi!

He was a teacher at a facility known as the Ospedale della Pietà, which took care of orphaned or abandoned children.

As children, the most musically talented girls were chosen to perform in the figlie di coro, or daughters of the choir. They would both sing and play instruments.

Vivaldi wrote many of his works for them.   

Which composer had a dream that the devil played violin for him – and then woke up and wrote it down?

Giuseppe Tartini!

Giuseppe Tartini wrote in Jérôme Lalande’s Voyage d’un François en Italie:

One night, in the year 1713 I dreamed I had made a pact with the devil for my soul. Everything went as I wished: my new servant anticipated my every desire. Among other things, I gave him my violin to see if he could play. How great was my astonishment on hearing a sonata so wonderful and so beautiful, played with such great art and intelligence, as I had never even conceived in my boldest flights of fantasy. I felt enraptured, transported, enchanted: my breath failed me, and I awoke. I immediately grasped my violin in order to retain, in part at least, the impression of my dream.

Even so, Tartini insisted that the work was not nearly as impressive as the one he’d dreamed.   

Which composer was fired by an archbishop and kicked on the behind?

Wolfgang Amadeus Mozart!

In 1781, Mozart was aiming to ingratiate himself with Emperor Joseph II, while still remaining employed with Prince-Archbishop Hieronymus Colloredo in his hometown of Salzburg.

Unfortunately, Colloredo kept Mozart from making lucrative appearances, and acrimony grew between them.

Mozart tried to resign, but Colloredo refused to accept the resignation.

Meanwhile, Mozart’s father was horrified at his son’s behavior and was encouraging him to make nice with the archbishop.

The following month, Colloredo finally accepted the resignation…but not before having his steward kick Mozart on the behind.

Mozart decided to make a go at freelancing in Vienna. The decision would change his life and career and music forever.   

Which composer was also one of the best swordsmen in Europe?

Joseph Bologne, Chevalier de Saint-Georges!

Bologne was the illegitimate son of a white planter named Georges and an enslaved Black woman named Nanon.

When he was seven, he was brought to France to be educated. At thirteen, he enrolled in a fencing academy. He soon proved to be a talented student.

A fencing master derided him by labeling him an “upstart mulatto.” Bologne beat that fencing master in a match, to the intense pride of his father.

Bologne also studied music as a teenager and became a great violinist and composer as an adult.    

Which composer had his skull stolen out of his coffin?

Joseph Haydn!

Haydn died in 1809 in Vienna and was buried. Soon after, the gravedigger was bribed by two men named Joseph Carl Rosenbaum and Johann Nepomuk Peter.

They wanted to examine Haydn’s skull because they were interested in phrenology, the pseudo-science then in vogue of associating character traits or talents with physical features.

Haydn’s skull ended up in Rosenbaum’s possession, and a series of darkly zany misadventures occurred.

Haydn’s skull and body were only reunited in the twentieth century, when a descendent of Haydn’s employer built a tomb for him.  

Which composer went deaf and had to be turned around to see the audience at the premiere of his ninth symphony?

Ludwig van Beethoven!

Beethoven was only in his mid-twenties in the 1790s when he first started noticing that his hearing was deteriorating.

By the time of the premiere of his ninth symphony in 1824, he had been completely deaf for a decade.

After the work’s first performance was over, he didn’t realize how the audience was applauding, and so singer Caroline Unger turned him around so he could see.  

Which composer and pianist were kept from marrying by the pianist’s father?

Robert Schumann and Clara Wieck!

Clara Wieck was born in 1819 and her music teacher father was insistent on molding her into a great musician.

Between his strict teaching regimen, his daughter’s astonishing inborn talent, and a little luck, Clara became one of the greatest pianists in Europe.

Another older piano student named Robert Schumann was rooming with the Wiecks. To Wieck’s horror, Robert and Clara fell in love. Robert proposed when she was eighteen, and she accepted.

Robert and Clara actually went to court to bypass Wieck. The court battle was bruising, but they were married in September 1840, the day before Clara’s 21st birthday.

Their love affair has since become one of the best-known love stories in the history of classical music.

Which composer and violinist did people think had made a deal with the devil?

Niccolò Paganini!

The violin has always had a bit of a demonic connotation (see the Devil’s Trill sonata!). This may have started because portable violin-like instruments were popular in dances during the Renaissance and had connections with physical love.

Violinist Niccolò Paganini was born in Italy in 1782, and he was so good at playing the instrument that audiences struggled to believe his talent had a natural explanation.

His appearance contributed to the myth. He was pale and vampiric, and looked like a cadaver.

He was also said to be a dangerous womanizer, which didn’t help his reputation!  

Which composer almost carried out a mass shooting – but didn’t because he was a composer?

Hector Berlioz!

Berlioz was a promising young composer when he became involved with pianist Marie Moke, sometimes known as Camille Moke. They became engaged when she was nineteen.

Berlioz traveled to Italy to compose. While there, he got news that she’d broken off the engagement and married an heir to a major piano making business by the name Camille Pleyel. (Yep: two Camilles in one marriage!)

Berlioz was so infuriated that he got on a carriage to go to Paris, carrying two pistols. He intended to shoot Moke, her mother, and then himself.

However, his rage eventually abated, and he decided not to go through with his violent plan, in part due to the music that the world would lose out on if he’d kill himself at the start of his career.

Beyond a doubt, it’s one of the most disturbing stories in classical music history.   

Which composer fell in love with Clara Schumann…but never married her?

Johannes Brahms!

Brahms was only twenty years old when he came to visit Robert and Clara Schumann in the autumn of 1853.

Both Robert and Clara were hugely impressed by the young man and took him under their wings. Robert even wrote a famous article in which he hailed Brahms as the savior of music.

In February 1854, Robert’s mental health issues came to a head, and he went to an asylum for treatment, leaving behind a distraught pregnant Clara and seven other young children.

Brahms tried to help Clara how he could, and, awkwardly, fell in love with her.

For a variety of reasons, even after Robert’s death, they never married. But they continued to love each other deeply and inspire one another creatively until Clara died in 1896.   

Which composer died after getting cholera from drinking unboiled water?

Pyotr Ilyich Tchaikovsky!

Tchaikovsky was feeling uncharacteristically optimistic after writing and premiering his famous sixth symphony – also known as the Pathetique – in October 1893.

However, his life was cut short just a few days later, when he went to a restaurant and drank a glass of unboiled water. There was a cholera outbreak in St. Petersburg at the time. Tchaikovsky came down with cholera and after an illness of just a few days’ duration, died.

Rumors have circulated that Tchaikovsky’s death was suicide or forced suicide. The New Grove Dictionary of Music reports, “We do not know how Tchaikovsky died. We may never find out.”  

Which composer and pianist had to get hypnotherapy to cure his writer’s block?

Sergei Rachmaninoff!

In 1897 composer Sergei Rachmaninoff suffered a humiliating premiere of his first symphony. The conductor may have been drunk, and the critics panned the work.

For three years, he couldn’t compose a thing, and he sank into a deep depression. After months of this, his aunt suggested that he seek help from a mental health professional, which he did.

He began working with a doctor named Nikolai Dahl, seeing him daily for four months in early 1900. He was composing again by the summer.

His next big work is perhaps his most famous – his second piano concerto. He dedicated the work to Dahl in appreciation.   

Which composer once claimed he only ate white food?

Erik Satie!

Satie wrote in his book, the amusingly titled Memoirs of an Amnesiac:

My only nourishment consists of food that is white: eggs, sugar, grated bones, the fat of dead animals, veal, salt, coconuts, chicken cooked in white water, fruit-mould, rice, turnips, camphorated sausages, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuchsia. I am a hearty eater, but never speak while eating, for fear of strangling.

This portion of the memoir is somewhat satirical, but it’s unclear exactly how much he was exaggerating.   

Which composer left his first wife, who later shot herself?

Claude Debussy!

Debussy met and married his first wife, Lilly Texier, in 1899.

Within four years, Debussy had grown bored of her. She wasn’t a sparkling intellect, and he felt she was too dull. She also never gave birth to a child, which disappointed Debussy.

Debussy’s solution to his marital troubles was to have an affair with a glamorous married singer named Emma Bardac.

The day before their fifth wedding anniversary, Lilly shot herself at the Place de la Concorde. She didn’t die, but the dramatic gesture didn’t save their marriage.

Debussy would eventually divorce Lilly and marry Bardac  .

Which composer never married and had a houseful of Siamese cats?

Maurice Ravel!

The perpetually single composer lived in a magical house called Belvedere outside Paris. Instead of a wife or lover or children, he filled Belvedere with various mechanical trinkets, Siamese cats, and music.

In his opera L’enfant et les sortilèges Ravel wrote an aria called Duo miaulé, or Meowed Duet. This work was clearly inspired by his cats.   

Which American composer died of a brain tumor in his late thirties?

George Gershwin!

In the mid-1930s, at the height of his creative powers, Gershwin began complaining about headaches, stomach aches, and other symptoms.

In 1937, while soloing with the Los Angeles Philharmonic, he had a brief seizure, followed by an olfactory hallucination of burning rubber.

He began deteriorating mentally, rubbing chocolate on his body and trying to shove a man out of a car. Doctors labeled him a hysteric.

However, when he went to the hospital for the last time, it was clear to doctors something was physically wrong. Gershwin was diagnosed with a brain tumor and died on the operating table   .

Conclusion

Classical music trivia is full of facts about generations of musicians and performers. We hope you enjoyed these twenty, and that they’re a good jumping off point to learn more!

Friday, February 13, 2026

Mozart’s Musical Journey 13 February 1782: Piano Concerto No. 5, K. 175 with new Finale K. 382

  

Mozart at the Keyboard

Mozart at the Keyboard

Trying to establish himself in Vienna, Wolfgang Amadeus was incredibly busy as he writes to his sister. “You must not suppose, from my not answering you, that you and your letters are troublesome. I shall always, dearest sister, with the utmost delight receive a letter from you, and if indispensable business (in pursuit of my livelihood) permitted it, God knows I would answer you at once… Our father when he has finished his duties in church, and you when you have done with your few pupils, can both do as you please for the rest of the day, and write letters full of doleful litanies, but not so with me. At six o’clock in the morning I have my hair dressed, and have finished my toilet by seven o’clock. I compose till nine. From nine to one I give lessons. I then dine, unless I am invited out, when dinner is usually at two o’clock, sometimes at three. I cannot begin to work before five or six o’clock in the evening, and I am often prevented doing so by some concert, otherwise I compose till nine o’clock.”

Mozart PianoMozart was in a real rush as he was putting together the program for his first public concert in Vienna. Scheduled for 3 March 1782, Mozart revived one of his Salzburg piano concertos and composed a completely new Finale movement. He would subsequently report that the “new concerto finale was making a furor in Vienna.” Mozart also prepared the concerto K. 415, numbers from Lucio Silla and Idomeneo, and a free fantasy. But work was not the only thing to keep him busy, as he continues in his “I then go to my dear Constanze, though our pleasure in meeting is frequently embittered by the unkind speeches of her mother, which I will explain to my father in my next letter. Thence comes my wish to liberate and rescue her as soon as possible. At half-past ten or eleven I go home, but this depends on the mother’s humor, or on my patience in bearing it. Owing to the number of concerts, and also the uncertainty whether I may not be summoned to one place or another, I cannot rely on my evening writing, so it is my custom to compose for a time before going to bed. I often sit up composing until one, and rise again at six.”

Sunday, June 22, 2025

Writing in a Rush: Mozart’s Turkish Violin Concerto No. 5

by Maureen Buja

Anonymous: Wolfgang Amadé Mozart with a diamond ring, gift of Maria Theresa, ca 1775 (Internationale Stiftung Mozarteum)

Anonymous: Wolfgang Amadé Mozart with a diamond ring, gift of Maria Theresa, ca 1775 (Internationale Stiftung Mozarteum)

Mozart’s concertos are built on dialogues – a constant conversation between the soloist and the orchestra. This is true of his piano concertos as of his violin concertos. Most follow the same pattern: in the first movement, the orchestra presents most (but not all) of the thematic material with an additional theme being left for the soloist to present. The first movements, in sonata-allegro form, also have short development sections, but ones that can be full of surprises in terms of harmonies and themes. Themes may vanish for the development section, only to reemerge in the recapitulation to a greater effect.

Slow movements are built around long, singing, and often complex melodies. The soloist takes the fore, but the orchestra still has a valuable role to play, particularly in the development sections.

The rondo finales are where Mozart lets himself loose. Dance music of the day is used, or perhaps even a traditional melody (Violin Concerto No. 3 introduces a melody called the Straßburger) and in the fifth concerto, an ordinary minuet is disrupted by a Turkish dance scene. One writer referred to these as ‘burlesque inserts’ and saw them as appropriate for the Salzburg scene but not the more refined Parisian music scene. The interjection of the ‘temperamental and gruff’ in a minor key really breaks up the introspection of the minuet.

The Turks had first menaced Vienna in 1529, in their first unsuccessful siege of the city, which was barely defeated by the Viennese. Winter and epidemics helped to defeat the besieging Turks. The Second Turkish Siege of 1683 held Vienna in thrall for 2 months, until the Polish army under King John III Sobieski pushed the Turks out again. The Ottoman wars with southern Europe (Venice and Vienna included) didn’t end until the early 18th century. Although Mozart was writing some 60 years later, the Turks were still a concept to be reconciled with, albeit perhaps only as an uncultured figure of fun, here interrupting a civilised minuet.

These works are Mozart’s last compositions as a violinist. Following this, the new fortepiano caught his attention, and he changed instruments. At one point, in discussing a return to Salzburg, he made it a condition to return as a keyboardist and not a violinist.


This recording was made in 1952, with Marina Kozulupova as soloist, performing with the Soviet State Orchestra under Nikolaï Anossov.

Marina Kozulupova (1918–1978)

Marina Kozulupova (1918–1978)

Russian violinist Marina Semyonovna Kozolupova studied at the Moscow Conservatory and, in 1937, was awarded fifth prize at the International Ysaÿe Violin Competition in Brussels. She’s noted for her recordings of Beethoven and Bach. She taught at the Moscow Conservatory and became a professor there in 1967.

Nikolai Pavlovich Anosov

Nikolai Pavlovich Anosov

Russian conductor Nikolai Pavlovich Anosov (1900–1962) also studied at the Moscow Conservatory, although as an external student in composition. He made his debut as a conductor in 1930 and was active in more remote parts of the Soviet Union, being chief conductor of the Rostov Philharmonic Orchestra (1938–1939) and the Baku Philharmonic (1939–1940). In addition, during these years, he taught at the Azerbaijan Conservatory. Finally, he returned to Moscow in 1940 and taught opera and symphony conducting at the Moscow Conservatory. One of his students was his son, Gennady Rozhdestvensky. He was an active promoter of 20th-century foreign music and Russian music of the 18th and 19th centuries.

Mozart-Concerto pour violon, K. 219-Duos pour violon et alto-Marina Kozulupova-Nikolaï Anossov-Igor Oistrakh-Rudolf Barshai album cover

Performed by

Marina Kozulupova
Nikolaï Anossov
Soviet State Orchestra

Recorded in 1952

Official Website


Wednesday, March 6, 2024

The Best of Mozart


THE BEST OF MOZART 1. Eine Kleine Nachtmusik, K. 525: I. Allegro (00:00) - Budapest Scoring Symphonic Orchestra 2. Eine Kleine Nachtmusik, K. 525: II. Romanze - Andante (07:45) - Budapest Scoring Symphonic Orchestra 3. Eine Kleine Nachtmusik, K. 525: III. Menuetto - Allegretto (12:50) - Budapest Scoring Symphonic Orchestra 4. Eine Kleine Nachtmusik, K. 525: IV. Rondo - Allegro (14:50) - Budapest Scoring Symphonic Orchestra 5. Symphony No 35 in D major, K. 385 (Haffner Symphony): I. Allegro con spirito (20:08) - Budapest Scoring Symphonic Orchestra 6. Symphony No 35 in D major, K. 385 (Haffner Symphony): IV. Presto (25:54) - Budapest Scoring Symphonic Orchestra 7. Symphony No 40 in G minor, KV. 550: I. Molto Allegro (29:53) - Budapest Scoring Symphonic Orchestra 8. The Magic Flute: Overture (37:29) - Budapest Scoring Symphonic Orchestra 9. The Marriage of Figaro: Overture (44:41) - Budapest Scoring Symphonic Orchestra 10. String Quartet No. 23 in F major, K. 590: I. Allegro moderato (49:12) - Accord quartet 11. String Quartet No. 23 in F major, K. 590: IV. Allegro (58:13) - Accord quartet 12. String Quartet No. 20 in D major, K. 499: II. Menuetto and Trio. Allegretto (1:03:17) - Accord quartet 13. Violin Sonata No. 26 in B-flat major, K. 378: III. Rondo. Allegro (1:06:38) - Accord quartet 14. Piano Concerto No. 21 in C major, K. 467: II. Andante (1:10:46) - Csabay Domonkos 15. Piano Concerto No. 23 in A major, K. 488: I. Allegro (1:16:25) - Csabay Domonkos 16. Piano Sonata No. 11 in A major, K. 331: III. Alla Turca (1:27:15) - Csabay Domonkos 17. Clarinet Concerto in A major, K. 622: II. Adagio (1:29:35) - Budapest Scoring Symphonic Orchestra 18. Violin Concerto No. 3 in G major, K. 216: I. Allegro (1:36:36) - Budapest Scoring Symphonic Orchestra 19. Flute Concerto No. 2 in D major, K. 314: II. Adagio non troppo (1:46:08) - Budapest Scoring Symphonic Orchestra 20. Horn Concerto No. 3 in E-flat major, K. 447: II. Romance. Larghetto (1:51:36) - Budapest Scoring Symphonic Orchestra Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his early death have been much mythologized. He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years". Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Ravel, Dvorák…

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