Iberomania: Lalo’s Symphonie espagnole
by Maureen Buja We’ve noted many times the fascination the northern Europeans had with southern Europe: musical trips to Greece, Italy, and Spain seemed to be de rigeur in the 19th century if you were Scandinavian, German, or French. French composer Édouard Lalo (1823-1892) was born in Lille; his father had been a member of Napoleon’s army. His fascination with Spain culminated in his Symphonie espagnole , Op. 21, which really isn’t a symphony, but is now considered a violin concerto. The use of Spanish motifs set the tone for the northern fascination with Spain, with Bizet’s Carmen , which had its premiere at the Opéra-Comique in Paris only a month after Lalo’s work. Pierre Petit: Édouard Lalo , 1965 (Gallica: btv1b8421663h) The work was written for the Spanish virtuoso violinist Pablo Sarasate and received its premiere in Paris on 7 December 1875. Its five-movement structure and its symphony name caused many early 20th-ce...