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Showing posts with label Frederick Delius. Show all posts
Showing posts with label Frederick Delius. Show all posts

Friday, June 3, 2022

Frederick Delius - Song of Summer


Frederick Delius, in full Frederick Theodore Albert Delius, (born January 29, 1862, Bradford, Yorkshire, England—died June 10, 1934, Grez-sur-Loing, France), composer, one of the most distinctive figures in the revival of English music at the end of the 19th century.



The son of a German manufacturer who had become a naturalized British subject in 1860, Delius was educated at Bradford Grammar School and the International College, Isleworth, London. After working as a traveler for his father’s firm, he went in 1884 to Florida, U.S., as an orange planter and devoted his spare time to musical study. In 1886 he left Florida for Leipzig and there underwent a more or less regular musical training and became a friend of the Norwegian composer Edvard Grieg. Two years later he went to live in Paris, and from 1897 he made his home at Grez-sur-Loing (Seine-et-Marne), near Paris, with the painter Jelka Rosen, whom he married in 1903. Some songs, an orchestral suite (Florida), and an opera (Irmelin) were all written before he had a work published, that being Legend for violin and orchestra (1893). These were followed by more ambitious works that aroused considerable interest, especially in Germany, during the first decade of the 20th century. Three of his six operas (Koanga, 1895–97; A Village Romeo and Juliet, 1900–01; and Fennimore and Gerda, 1908–10) and several of his larger choral and orchestral works (Appalachia, 1902; Sea Drift, 1903; Paris: the Song of a Great City, 1899) were first heard in Germany. Later his reputation spread to England, mainly through the persuasive advocacy of Sir Thomas Beecham, who was his finest interpreter.

Night and Day and Delius

by Maureen Buja , Interlude

Frederick Delius: 2 Pieces for Small Orchestra - Summer Night on the River

Frederick Delius (1907)

Two works written in close proximity give us two different times of day. Frederick Delius (1862-1934) was a quiet master of the tone poem. Summer Night on the River (1912) is part 2 of his Two Pieces for Small Orchestra (part 1 is On Hearing the First Cuckoo in Spring) and conveys us to a quiet night scene. The river flows by, with occasional leaves or flowers, on the sound of woodwinds. In its quietness and need for dynamic shading, it’s regarded as one of the most difficult of Delius’ scores to perform.

His tone painting is done at a whisper, with small colours appearing in the shadows to the side and just catching your ear as they disappear. It takes all the colours of the day and begins to dilute them.

The matching piece, A Song Before Sunrise, was written in 1918. From the beginning, with his marking of “Freshly” instead of a more traditional tempo marking, Delius has given us the clue to the potential of the day. The rhythm carries us forward and releases us into our new dawn.

Delius was master of the miniature tone poem. These two works, just 7 and 5 minutes long, capture in their sound times of the day that are so elusive. A summer night can be one of a perfect temperature, and when sitting by the river and watching the light so gradually fail, it can be a magical time, as captured by Delius. Before sunrise, on the other hand, is all about potential and what the day can become.

Dream a bit with Delius – his aesthetics are of the most delicate colours and feelings.