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Übersetzerdienste - Translation Services Even after retiring as German Consul, I am still accredited as a German translator and interpreter for the German, Swiss and Austrian Embassy as well as for Regional Trial Court Davao City and all courts nationwide. Please pm for via doringklaus@gmail.com further information. I'll be answering your messages as soon as possible. Please be patient. Auch nach meiner Pensionierung als deutscher Konsul bin ich weiterhin als deutscher Übersetzer und Dolmetscher für die deutsche, schweizerische und österreichische Botschaft sowie für das Regional Trial Court Davao City landesweit akkreditiert. Für weitere Informationen senden Sie bitte eine PN an doringklaus@gmail.com. Ich werde Ihre Nachrichten so schnell wie möglich beantworten.

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Showing posts with label Figaro's Hochzeit.. Show all posts
Showing posts with label Figaro's Hochzeit.. Show all posts

Thursday, February 21, 2019

Someone has made a techno-pop remix of ...

... The Marriage of Figaro – and we’re very confused


A techno mash-up of Mozart's opera The Marriage of Figaro exists, and it's interesting.
A techno mash-up of Mozart's opera The Marriage of Figaro. Picture: Ayda Classics
By Sofia Rizzi, ClassicFM London
Mozart’s opera The Marriage of Figaro gets a retro make-over in this cover of ‘Non so più’.
Classical music can be heart-breaking, awe-inspiring – and will sometimes leave you completely lost for words.
We think the latter is an appropriate description for this new-age take on Mozart’s opera The Marriage of Figaro.
So, what’s happening here?
Well, it’s a fresh – and frankly, slightly perplexing – take on ‘Non so più’, an aria sung by the character Cherubino in Mozart’s opera The Marriage of Figaro
One vocalist has replicated herself singing to create vocal layering in a techno-pop remix of the aria. She has added in an 80s-inspired backing band of drums, bass guitar, electric guitar and even a retro keytar (a keyboard guitar) to create a synthetic disco sound.
The vocals are layered to create a harmony on the main melodic line, and there’s even a counter-melody whose vocals are (dare we say?) reminiscent of Ennio Morricone’s The Good, the Bad and the Ugly theme.