Ottorino Respighi - His Music and His Life

The Italian Ottorino Respighi was born in Bologna on July 9, 1879.

Respighi studied in Italy with Guiseppe Martucci (1856-1909), in Russia with Nikolai Rimski-Korssakoff, and in Germany with Max Bruch.

He transferred the impressionism from France to Italy. The Italian instrumental music acquired standing because of Respighi.

In "Fontane di Roma" (1916), Respighi described his feelings and sentimentality at first sight of four Roman fountains. "Pini de Roma" (1924) went for the old pine tree groupings in Rome, and in "Feste Romane", Respighi tried to catch up fiesta joys in Rome.

Chamber music, mimic dramas and nine operas (i.e. "La Fiamme" - "The Flame") belong to an outstanding composition repertory.

Ottorino Respighi passed away in Rome on April 18, 1936.

Gaetano Donizetti - His Music and his Life

A native of Bergamo (born November 29, 1797), Donizetti was, for nearly a decade after the early death of Bellini in 1835, the leading composer of Italian opera. He had his first success with Zoraida di Granata in 1822. There followed a series of nearly sixty more operas and removal to Paris, where Rossini had been induced to settle to his profit. His final illness confined him to a hospital in France for some 17 months, before his return to Bergamo, where he died in 1848. Donizetti was not exclusively a composer of opera, but wrote music of all kinds, songs, chamber music, piano music and a quantity of music for the church.

The opera Anna Bolena, which won considerable success when it was first staged in Milan in 1830, provides a popular soprano aria in its final Piangete voi? Deserto in terra, from the last opera, Dom Sébastien, staged in Paris in 1843, has been a favourite with operatic tenors from Caruso to Pavarotti. The comedy Don Pasquale, staged in Paris in 1843, is a well-loved part of standard operatic repertoire, as is L’elisir d’amore (The Elixir of Love), from which the tenor aria Una furtiva lagrima (A hidden tear) is all too well known. Mention should be made of La Favorita and La Fille du régiment (The Daughter of the Regiment), both first staged in Paris in 1840 and sources of further operatic recital arias. Lucia di Lammermoor, based on a novel by Sir Walter Scott, provides intense musical drama for tenors in the last act Tomba degl’avei miei (Tomb of My Forebears).

Donizetti passed away on April 8, 1848 also in Bergamo.

Arcangelo Corelli - His Music and His Life

Arcangelo Corelli was born February 17, 1653, in Fusignano, Italy. He studied violin with Bassani at the Music school in Bologna. In Rome he studied composition under Matteo Simeoni, the singer of the pope's chapel. Corelli established himself as composer and violinist in the 1670s. In 1672 he made a sensational debut in Paris, then successfully toured Euripean capitals. In 1678-1680 Corelli was in the service of Queen Christina of Sweden, who had taken up residence in Rome after her abdication. In 1681 Corelli was the court musician for the Prince of Bavaria.

Back in Rome Corelli composed and dedicated music to his aristocratic patrons, such as, Queen Christina, Cardinal Pamphili, Francesco II the Prince of Modena, Cardinal Ottoboni, who was Pope Alexander VIII from 1689-1691. Corelli gained recognition for the nice tone of his playing and for his elegant presentation. He was very attractive, well-mannered, and known for his talent for creating a special ambiance. Corelli was well received in the highest circles of the aristocracy. He was the permanent leader of the famous Monday concerts at the palace of Cardinal Ottoboni, where he also resided for the most part of his life.

His rivalry and partnership with Georg Friedrich Haendel was legendary. Corelli was a great musician, but not a virtuoso. As it may be seen from his writings he never wrote or played above D on the highest string. Once Corelli refused to play the melody to the high A in the Handel's oratorio. Then Handel himself played the melody to the highest A, making Corelli very upset. Handel made a visit of respect to the great Corelli, as they both resided at the palace of Cardinal Ottoboni in 1708-1710. Handel also continued the tradition of Corelli's Concerti Grossi.

Corelli developed Concerto Grosso into a form of secular entertainment for the aristocracy. He used the idea of a musical competition between two groups of musicians during the Concerto. A smaller group has only two violins and a cello, while the larger group is the full orchestra. At the beginning of concerto each group presents their beautiful theme with arrangements. During the course of the concerto both groups develop musical interaction and their melody lines become intertwined until they reach mutual culmination in the climax of the grand finale.

Many of Corelli's Concerti Grossi were based on the beautiful flowing melodies from his own violin sonatas. Corelli composed violin sonatas for his solo performances before his high patrons. Corelli's dynamic markings in all of his written music show his use of traditional terrace method of forte and piano dynamics. While unmarked, crescendo and diminuendo were left to be played intuitively between the extremes of piano and forte. Corelli also liberated the accompanying parts from restrictions of the counterpoint rules.

Corelli was a highly reputable teacher of music and composition. Besides giving music lessons to his aristocratic patrons, he taught such composers as Francesco Geminiani and Pietro Locatelli. His strong influence was recognized by Antonio Vivaldi who became Corelli's successor at the palace of Cardinal Ottoboni. Johann Sebastian Bach studied Corelli's compositions. A remarkable tribute to Corelli was made by Serge Rachmaninoff in his concerto for piano and orchestra titled 'Rhapsody on a theme of Corelli' (aka.. Corelli Variations, Opus 42,1931).

Arcangelo Corelli died on January 8, 1713, in Rome and was laid to rest in the Pantheon of Rome.

Corelli's Concerti Grossi may be heard in film soundtracks as well as in numerous recordings of the Baroque music and in live concert performances.

Domenico Cimarosa - His Music and His Life

The Italian Domenico Cimarosa was born on December 17, 1749 in Naples as a bricklayer's and laundry helper's son.

At the age of 12, Cimarosa became an intellectual student of Francesco Durante (1648-1755), Alessandro Scarlatti (1660-1725), Antonio Sacchini (1730-1786), and Nicola Piccini (1728-1800). Especially spiritual compositions dominated in Cimarosa's life.

Suddenly charming insrumental works showed a master of compositions. In 1772, Cimarosa published his first opera comique - indisputable a masterwork. That opera has been remained as untitled and as a stage play without title role. Unbelievab he coule, but true!

Later, also in Rome,Milan, Vienna and Dresden/Germany, Cimarosa published innumerable operas and put even Nicola Piccini in the shade. In 1787, Climarosa moved to Saint Petersburg, but he couldn't survive the harsh Russian climate.

In 1792 - eight years after Wolfgang Amadeus Mozart's death - the Austrian capital Vienna celebrated the premiere of "Il matrimonio segreto" (The Secret Marriage). That opera became Cimarosa's greatest success. In Naples, "The Secret Marriage" has been on stage 167times.

An Italian cheerfulness and preciousness composition with a solo of the wrong-headed Cimarosa was "Il Maestro di Capello".

In 1799, Cimarosa was sentence to death because of plot participation. He passed away in Venice on January 11, 1801 alegedly because of poisoning. But even today, nobody knows the reall story of his death.

Ferruccio Busoni - His Music and His Life (II)

His own composition "Fantasia contrappuntistica" (1910), remains as idealism confession to Johann Sebastian Bach.

The "Comedy Overture" (1904) shows Mozart's cheerfulness. Classical dance compositions reminded us of Domenico Scarlatti (Italy, 1685-1757). The "Piano Concerto" from 1892 shows influences of Johannes Brahms.

Stringquartets from 1886 and 1889 as well as the '"Violin concerto" from 1899 captivate because of Beethoven's studies.

Busoni also loved the opera. "Die Brautwahl" (The bride's choice, 1912), "Arlecchino" (Commedia dell'arte, 1917) or "Doktor Faust" (1925) are great examples and evidences of operalistic composer handwork.

Busoni passed away on July 27, 1924 in Berlin/Germany.

Ferruccio Busoni - His Music and His Life

The Italian Ferruccio Busoni was born in Florenz on April 1, 1866. His father was also an Italian, but the father of Busoni's mother was a German.

At the age of 7, the child prodigy Busoni performed on stage for first time. At the age of 9, incredible piano performances in Vienna followed. When hes was 12, he conducted a symphony orchestra. At 15, Busoni became the youngest member of the Bologna Music Academy in Italy.

Busoni has been remembered as restless and have been all over the world. The cosmopolitan composer's biography shows really all colors of life: piano teacher in Leipzig,Germany; he married in Sweden; be became a chairman in Mosow; Boston followed; an artistic trip to Berlin; he became a General Director of Liceo musicales in Bologna, and much more... .

During World War I, Busoni lived in Switzerland. His glory and fame came through an incredible virtuoso. Bach's organ compositions had been arranged for piano by Busoni.

(To be continued!)

Ruggiero Leoncavallo - His Music and Life

Born in Naples on March 8, 1858, the Italian composer studied at the Naples College of Music and became a private music teacher and touring pianist in between those careers.

In 1892, Leoncavallo came out with the opera "I Pagliacci" (The Barber) in two acts. Together with the one act opera "Cavalleria Rusticana" by Pietro Mascagni (1863-1945), "The Barber" constitutes a wonderful one evening stage play in many concert houses and theatres. 

I have been blessed to experience several stage performances in different European cities.

The barber's part, the cheated comedian, has been holding great attractions for many world known tenors.

Unbelievable for me: all other operas of Leoncavallo flopped, even containing wonderful and incredible melodies, who might break your hearts. "Der Roland von Berlin" (1904, dedicated to the last German Emperor II). 

Leoncavalo passed away on August 9, 1919 in Montecatini Toscana County/Italy.

Guiseppe Verdi - His Music and his Life

The Italien Guiseppe Verdi was born near Busseto, Roncole, Parma on October 10,1813 and was one of the few composers whose genius was recognized while he as still alive. His reputation as the greatest of all Italian opera composers is beyond dispute.

It was the same year that the Great German Richard Wagner was born - a remarkable parallel to the year 1685 when Bach and Händel have been born.

Verdi started to work as clerk for the trader Antonio Barezzi. Barezzi, a great music lover, made it possible for Verdi to get a grant and scholarship.

Verdi studied also under a Milan Scala's music conductor and was lucky to get theatre practice. In 1835, Verdi became an organ musician. he later became a music conductor in his native town Bussett.

His first opera "Oberto" (1839) received a favorably appreciation. In 1840, Verdi composed his second "opera comique" ("Un Giorno de Rigno") - for him an objectionable work: during the composition period Verdi's wife and two children passed away.

Verdi didn't like to compose operas anymore, but when he read another songbook, his phantasm has been fulfilled with the composition of "Nabucco" (1842): "Fly my thought on golden wings!" Verdi received the name of honor "Maestro della rivoluzione italiana".

More operas followed: "I Lombardi" (1843), "Emani" (1844), Macbeth" (1847, after a drama by Shakespeare), and "Luisa Miller" (1849).

The operas "Rigoletto" (1851), "Il Travatore" (1853) and "La Traviata" (also 1853) remained as a grip musical three-constellation. "La Donna e Mobile" became Verdi's most popular opera song.

"Aida" (1871), "Othello" (1887) and "Falstaff" (1893) followed. Verdi belonged to one of the most blessed opera composers, while other music works of him never reached the same immense popularity.

Verdi passed away in Milan on January 27, 1901.