Bringing out the National Song: Liszt’s Hungarian Rhapsodies

by Maureen Buja , Interlude

Franz Liszt

In 1839, Franz Liszt (1811-1886) returned to Hungary, which he had left in 1822 at age 11. In the new nationalism that was sweeping Europe, he was hailed as a true Hungarian champion. As part of his musical explorations of his home country, he was fascinated by gypsy music and started to transcribe it for inspiration. Later researchers, such as Bartók and Kodály, found that Liszt’s gypsy music was regular art music played in a gypsy style, rather than their original music, but no matter, it served as an inspiration for Liszt.

Auguste Alexis Canzi: Franz Doppler (1853)

Liszt wrote a series of piano works between 1839 and 1847 and published them under the title Magyar dallok / Ungarische National-melodien (Hungarian Songs / Hungarian National Melodies). These included 15 Hungarian Rhapsodies; 4 more were written later. Six of the Hungarian Rhapsodies were orchestrated by Franz Doppler. Flautist, conductor and composer Doppler had met Liszt in Weimar in 1854 where Doppler and his brother had been performing. Later, Doppler was in Pest, Hungary, as principal flautist at the German Theatre and then, from 1841-58, as flautist and ballet conductor at the Hungarian National Theatre. Doppler’s role as orchestrator is unknown, but in Liszt’s will of 1860, he insisted that the orchestration for the Hungarian Rhapsodies had to be credited as ‘orchestrated by F. Doppler and revised by F. Liszt.’

Franz André

The Hungarian Rhapsody No. 3 in D major is an orchestration of the piano Hungarian Rhapsody No. 6 in D flat major. It was dedicated to Count Antal Apponyi. It is made up of 4 popular Hungarian songs, It opens with a march-like theme before moving to a quicker Presto. Next follows a Lassu, which originally had a text of surprising sadness: My father is dead, my mother is dead, and I have no brothers and sisters, and all the money that I have left will just buy a rope to hang myself with.’ This traditional text of despair is followed by a lively Friss to change the mood.

Franz Liszt - His Music and Life

Franz Liszt was born on October 22. 1811 in Raiding im Burgenland/Austria and passed away in Bayreuth/Germany on July 31, 1886.

Liszt's father, an estate-trustee of Prince Esterhazy, resigned from his job, because his son as a six years old lad showed a surprising music-talent. At the age of 9, Franz Liszt gave concerts in a sensational performance. Art-sensible Hungarian noblemen donated a scholarship for six years.

Liszt and his parents moved to Vienna in 1821, where he got Carl Czerny (Vienna 1791-1857) and Antonio Salieri (Italy, Austria 1750-1825) as wonderful teachers. In Vienna, he was allowed to play something for the great Ludwig van Beethoven. In 1823, Liszt made his first concert tour to Paris. Luigi Cerhubini (1760-1842) rejected Liszt as student of the Conservatoire de Paris, because he didn't like child prodigies.

Liszt learned a lot from Niccolo Paganini and Frederic Chopin. The meaningful piano work started in 1826 with "24 Grandes Etudes pur le piano" followed by the "3 Nocturnes Dreams of Love" (1850). No. 3 became a well known orchestral version up tonow.

The 19 "Hungarian Rhapsodies" didn't get their original extraction from Hungarian melodies or folk dances, as Liszt erroneously thought about. His "Piano Concertos No. 1 in e-flat major" (1855) and "a-major" (1857) are music treasures and are regularly included in my playlist of my radio show.

Liszt's more or less 40 orchestral works came into being within 10 years, such as "Tasso" (1854), "Les Preludes" (1854), "Faustus Symphony" (1857) or "Dance of Death" (1858), a para-phrase on "Dies Irae" for piano and orchestra.

All in all Franz Liszt composed 673 musical works and became valid as founder of the General German Music Association in 1861.