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Showing posts with label Hermione Lai. Show all posts
Showing posts with label Hermione Lai. Show all posts

Friday, January 3, 2025

It’s All in the Stars

12 Greatest Composers of the Zodiac

By Hermione Lai, Interlude

In Western astrology, everything in the cosmos and here on Earth is tightly interconnected, and the movement of the celestial bodies determines outcomes here on Earth. Sun, moon, planets and even comets are observed across a circular map called the “zodiac.” That map divides the night sky into twelve segments named after various constellations. That’s just a fancy word for “a togetherness of stars,” and they are often interpreted as images of animals.

Venice Astrological Clock

Venice Astrological Clock

Astrology suggests that the position of celestial bodies at the time of birth can provide insight into the strengths and weaknesses, the natural inclination, and even the potential career path of individuals.

Some recent studies have shown that there is a correlation between brain function and astrological signs and that these signs can affect personalities and behaviour. We thought it might be fun to put this theory to the test by looking at the characteristics of the 12 Greatest Composers of the Zodiac.

Aries (The Ram)

Johann Sebastian Bach: Brandenburg Concerto No. 4 in G Major, BWV 1049 

Aries, the Ram, is indeed a very powerful sign, and the Sun transits this constellation between 20 March and 21 April. This astrological sign is ruled by Mars, the planet of war and energy, and people born under the sign of Aries, are said to be energetic, unstoppable, bold, devoted and encouraging. On a bad day, however, they tend to be proud and self-centred, stubborn, reckless, jealous, bossy and impulsive.

Elias Gottlob Haussmann: Johann Sebastian Bach, 1746

Elias Gottlob Haussmann: Johann Sebastian Bach, 1746

Johann Sebastian Bach was born on 31 March, and he could certainly be the Aries poster child. He was always fighting with authorities, and as he once said, “they caused a life of envy and hindrance.”

As we know, Bach had anger management issues, but he also had the capacity for tenderness. He had normal flaws and failings, which made him very approachable, but he had this unfathomably brilliant mind and a capacity to hear music and then deliver music that was beyond the capacity of pretty well any musician before or since. In short, Bach was unstoppable in his determination and his work ethic; he was a true Aries.

Taurus (The Bull)

Pyotr Ilyich Tchaikovsky: Nutcracker Suite Op. 71a 

Between 20 April and 20 May, the Great Bull of Heaven charges across the celestial sky. This powerful constellation is ruled by Venus, the planet of love, attraction, beauty, satisfaction, creativity and gratitude. Individuals born under this sign are supposedly firmly grounded and have the ability to see things from a practical and realistic perspective. Their tender nature makes them excellent cooks, gardeners, lovers, and artists.

Pyotr Il’ych Tchaikovsky

Pyotr Ilyich Tchaikovsky

Born on 7 May 1840, Pyotr Ilyich Tchaikovsky was indeed a keen gardener who “loved our Russian nature more than any other.” He had a fantastic personal garden in Klin, and he loved flowers. I am not sure if Tchaikovsky was a good cook, but he loved to eat “kulebyaka,” a kind of pie filled with fish and rice. And when it comes to the pleasure of the flesh, he certainly had an active sex life.

Tchaikovsky was artistically supremely gifted, with his music reflecting the rollercoaster ride of the human experience. Tchaikovsky tellingly wrote, “I have found nothing to ease my troubled soul. But I would go mad were it not for music.” Tchaikovsky took the criticism to heart, and he was prone to extended bouts of guilt, depression and self-pity.

Gemini (The Twins)

Richard Wagner: “Ride of the Valkyries” 

This third astrological sign, with the sun crossing the constellation of Gemini between 21 May and 21 June, represents mythological twins. While most signs have one very prominent trait, Gemini represents two different personalities in one. They are sociable, communicative and ready for fun, with a tendency to suddenly get serious, thoughtful and restless.

Richard Wagner

Richard Wagner

Richard Wagner was born on 22 May, and he was described as “the constant union between profound reflection and ebullient spontaneity. With him, excessive thinking had not dulled his vital spark, and whatever life’s vicissitudes, he never ceased to philosophise, combining a calculating, metaphysical intellect with the joy and eternal youth of a truly creative temperament.”

Wagner was quick to anger, quick to tears, quick to laughter, and quick to frenzy. He was highly intelligent and tended to be overly analytical. Gemini apparently struggled with commitment, and Wagner left his share of bludgeoned relationships in his wake. He loved to be the life of the party, and if we can trust contemporary reports, he just couldn’t stop talking. All in all, it seems that Richard Wagner fits the characteristics of being born under the tropic of Gemini rather well.

Cancer (The Crab)

Gustav Mahler: Song of the Earth, “Farewell” 

The sun crosses the astrological sign of Cancer between 22 June and 23 July. Individuals born under that sign are supposedly nesting people who take great pleasure in the comforts of home and family. Cancers are maternal, domestic, and love to nurture others. They are happiest when their home life is serene and harmonious.

Gustav Mahler, 1892

Gustav Mahler, 1892

Cancers value tradition, and they tend to wear their hearts on their sleeves. Frequently, they are more attached to the romantic ideal than to reality, and Gustav Mahler, born on 7 July, did enjoy an occasional feeling of optimism and euphoria. An astrologer wrote that if “Cancer was a nightmare, it would be one with family dynamics in it, highly psychological.”

Gustav Mahler was desperately in love with his wife Alma, and he had a couple of sessions with Sigmund Freud. He was incredibly possessive and jealous, not to mention clingy. As he wrote, “How much I love you, you my sun, I cannot tell you that with words. I can only lament to you my longing and love.” With these brief astrological predictions in mind, Mahler seems to fit the tropic of Cancer like a glove, don’t you think?

Leo (The Lion)

Claude Debussy: “Clair de Lune” 

If your birthday falls between 24 July and 23 August, you are born under the astrological sign of the Lion. As Leo season in the Northern Hemisphere starts at the height of Summer, the sun is the planetary ruler. People born under that sign radiate solar confidence and heart-felt courage.

The most famous composer born under the sign of Leo on 22 August is Claude Debussy. He had a highly complex personality, and he was not a socially outgoing or bold person. His lover Marguerite Vasnier writes: “He was very quick to take offence and extremely sensitive. The slightest thing put him in good humour or made him sullen or angry. He was very unsociable and never hid his displeasure as he did not often allow himself to be with strangers.”

Claude Debussy by Marcel Baschet, 1884

Claude Debussy by Marcel Baschet, 1884

Debussy had a sullen attitude towards life and was remarkably sensitive, uncomfortable, and quick to defend. As Debussy later explained, “That’s the way I’m made.” Once we add depression, two marriages, attempted suicides, secret affairs and an incident with a revolver, we find a personality always chasing for some elusive form of contentment. Debussy was essentially an introvert who hid behind his extroversion.

Virgo (The Maiden)

Antonín Dvořák: Symphony No. 9 “From the New World” 

Virgo, the Goddess of innocence and purity, gives her name to the astrological sign crossed by the sun between 24 August and 23 September. People born under that sign are always looking for goodness in humankind, and predictably, disappointment is not far behind.

Antonín Dvořák in 600

Dvořák in 1870

Their deep sense of humanity informs a personality that is said to be analytical, kind, hardworking and practical, but they tend to be highly critical of themselves and others. If they are disappointed once too often, they will distance themselves from other people. They would rather be out in nature than anywhere else, adoring the wilderness and nature’s creatures.

The poster child for the sign of Virgo might well be Antonín Dvořák, born on 8 September.

Nature played a major role in his life and his work. He took several nature walks each day, did a lot of gardening, planted trees, and kept pigeons. Nature was a powerful source of inspiration for Dvořák, and his “Symphony from the New World” evokes a sense of grand, unfolding vistas.

Libra (The Scales)

Franz Liszt: Hungarian Rhapsody No. 2 

Libra, which falls between 24 September and 23 October, is the only zodiac sign not represented by a living creature. Instead, it depicts the weighing scales of the Greek goddess of justice. Associated with balance, individuals are said to be obsessed with symmetry and strive to create equilibrium in all areas of life.

Franz Liszt in 1870

Franz Liszt in 1870

This particular astrological sign is ruled by Venus, the planet that governs love, beauty and money. Libras adore high art, intellectualism, and connoisseurship. Frequently, they surround themselves with objects and environments that reflect their exquisite tastes. Supposedly, they love harmonious partnerships with fashionable mates and also make for excellent designers, decorators, art critics, and stylists.

My personal pick for this sign is Franz Liszt. He certainly fits the art critic category, and he used his hair to good effect. During the early part of his life, he was well known for his virtuosic displays, lavish tastes and a long line of “arm candy.” However, he was loyal to his friends and generous in support of young talent. Once you take away his flashy onstage persona, Liszt was almost painfully shy and devoutly religious in later life.

Scorpio (The Scorpion)

Niccolò Paganini: Caprice No. 24 in A minor 

Scorpio is the eighth sign of the zodiac and is said to govern the period from about 24 October to 21 November. Scorpios possess intense personalities and strong, passionate emotions. Seductive and beguiling, Scorpio is the sign most closely associated with sex. It’s not all about sensual pleasures, however, as Scorpios crave physical closeness and spiritual illumination.

My favourite Scorpio composer, Niccolò Paganini, was born in Genoa on 27 October.

Nicolo Paganini, by Richard James Lane

Nicolo Paganini, by Richard James Lane

He was a born leader with extraordinary drive and determination. Once he made up his mind to study the violin and discover new and hitherto unsuspected effects that would astound people, nothing would stand in his way.

He became obsessed with fame and money, and his relentless ambition translated into increasingly bizarre behaviour. With Paganini, it’s rather difficult to distinguish between fact and myth, and rumours abound. One thing for sure, Paganini was always concerned about appearances and the need to project success and self-satisfaction. This particular Scorpio demanded unconditional respect and attention.

Sagittarius (The Archer)

Ludwig van Beethoven: Piano Sonata No. 14, Op. 27, No. 2 “Moonlight”

Sagittarius is not an archer in the conventional way. Rather, he is actually a centaur, a creature notoriously wild, lusty, and violent when intoxicated. He rules the nightly sky between approximately 23 November and 22 December. Individuals born under this sign are curious and energetic, and their philosophical view motivates them to wander around the world in search of the meaning of life.

Joseph Willibrord Mähler: Beethoven, 1804–1905 (Gesellschaft der Musikfreunde in Wien)

Joseph Willibrord Mähler: Beethoven, 1804–1905 (Gesellschaft der Musikfreunde in Wien)

Since centaurs are half-man and half-horse, one can almost sense the contradictions governing this creature’s personality. There is no better example of a Sagittarius composer than Ludwig van Beethoven, who was baptised on 17 December. Beethoven wasn’t particularly well educated, but his strength of character produced powerful effects on those around him.

Supremely idealistic and eternally in search of tranquillity and freedom, he showed utter disdain for discipline and authority. Often impatient and tactless, he thought exceedingly highly of himself in artistic matters. And while he did accord the greatest respect to other artists, he had very little use for common humanity. And let’s not forget that as a true Sagittarian, he felt the presence of God in the beauty of nature.

Capricorn (The Goat)

Alexander Scriabin: Poem of Ecstasy 

The astrological sign Capricorn, which rules the skies between 22 December and 20 January, is governed by the planet Saturn. People born under this sign are said to exhibit strong and distinctive personality traits. Among the strengths, Capricorns are ambitious, determined, hard-working and very well organized. Yet, they can be overly critical, insufferable know-it-all, sarcastic, condescending, and always expecting the worst.

Alexander Scriabin

Alexander Scriabin

Alexander Scriabin was squarely born under the tropic of Capricorn, and his personality seems to reflect that fact. Described as a bizarre blend of the pragmatic and the preposterous, Scriabin did have affectionate family ties and a pedantic way of organising his schedule and travels.

Scriabin suffered from hallucinations, and he was certainly narcissistic. Convinced of his personal power and self-importance, he envisaged something apocalyptic, whereby the whole of humanity would be intoxicated by his music and mesmerized by his God-like magnetism and omnipotence. I am not entirely sure that this would accurately describe the average person born under the tropic of Capricorn, but they do generally set rather high standards for themselves.

Aquarius (The Water-bearer)

Wolfgang Amadeus Mozart: The Magic Flute, “Queen of the Night aria” 

The sun transits Aquarius, the water-bearer, between January 21 and February 20. It is said that Aquarius is the most humanitarian astrological sign and that people born under this sign are revolutionary thinkers who support the power of the people. Free-spirited and eccentric, it is easy to spot an Aquarius by their unusual hobbies and nonconformist attitude.

Although the Aquarius can be shy and quiet, they can also be eccentric and highly energetic. They love being around good friends and like to help others, but can be highly temperamental and uncompromising. People born under the sign of Aquarius, it seems, have very complex and nuanced personalities.

wolfgang amadeus mozart

Wolfgang Amadeus Mozart

This seems certainly true of the most famous Aquarius composer, Wolfgang Amadeus Mozart, born on 27 January. Much has been written about the possibility of a personality disorder in the sense that he always needed to be nurtured and supported by others and that Mozart found it very difficult to be alone. We do know that he had violent temper outbursts, and recently, it has been suggested that Mozart might have suffered from Tourette’s syndrome. Whatever the case may be, Mozart’s music is just as nuanced and complex as his personality.

Pisces (The Fish)

Frédéric Chopin: Nocturne in C-sharp minor, Op. Posth. 

The sun transits the constellation of Pisces between 19 February and 20 March, and as the final sign of the Zodiac, it absorbs the hopes and fears of all other signs. Individuals born under this sign have a mystical, intuitive, and transcendental dynamic.

Pisces are selfless, spiritual, and very focused on their inner journey. They are sensitive seekers who have the potential to bring a soulful, healing energy to their relationships and communities. Common wisdom suggests that Pisces are compassionate and empathetic and wired to offer spiritual and artistic gifts to the world. These are the poets, musicians, painters.

Portrait of Frédéric Chopin by Maria Wodzińska

Portrait of Frédéric Chopin by Maria Wodzińska

And that brings us to Frédéric Chopin, born on 1 March. Judging by his compositions, Chopin could well be the musical poster child for this particular astrological sign. Ruled by sensitivity and emotions, this visionary fish was a kind and gentle artist who shared his experiences in music. He was easily wounded emotionally, but he was empathic and compassionate. I don’t know if, as astrologers predict, Chopin was clairvoyant, but he certainly fits the personality profile rather well.

Now you know my personal much-loved composers for every astrological sign; what are your favourites?

Friday, December 20, 2024

Listen to the Best of Baroque Music This Christmas!

by Hermione Lai, Interlude

There is no better way to celebrate the holiday season than to listen to joyful and uplifting Baroque music. For me, it’s the best and most inspiring classical Christmas music, and it includes Messiah by Handel, the beautiful Christmas Oratorio by J.S. Bach, the pastoral Christmas Concerto by Arcangelo Corelli, and the emotional Christmas Cantata by Alessandro Stradella. Why not listen with me to the best of Baroque music this Christmas? 

Some Baroque Christmas pieces to brighten this holiday season, include Handel's Messiah, a popular Christmas repertoire in church performances

A Performance of Handel’s Messiah © shepherdexpress.com

We all know that George Frideric Handel (1685-1759) was one of the all-time great composers. And around Christmas you can hear his popular oratorio Messiah wherever you go. Handel actually composed the piece in the middle of severe financial difficulties; and then he had a brilliant idea. He talked to the clergyman Charles Jennens about a text on the Messiah combining verses from the King James Bible. The finished text was very long, and it is subdivided into three parts. First is the Prophecy of the Messiah, followed by the Passion and Redemption of Christ, and finally a hymn of Thanksgiving. Handel composed all the music in about three weeks. There are recitatives, arias and large choruses, and this monument of Baroque music has easily become one of the composer’s most popular and enduring works. Only the first part of the Messiah deals with Christmas. There is a majestic instrumental “Sinfonia,” and the reassurance of Christ’s birth is expressed in the beautiful recitative “Comfort ye, my people.” This is followed by the virtuoso aria “Ev’re valley” and the magnificent chorus “And the glory of the Lord.” Another chorus “And he shall purify” is followed by a magnificent alto aria, with the chorus joining to rejoice in Christ’s birth. The joy of the occasion is jubilantly extended in the fast choral section “For unto us a child is born.” The Christmas story always tells of shepherds, and the instrumental “Pifa” makes reference to the serenity of a rural setting. “There were Shepherds” is part of a brilliantly orchestrated accompanied recitative “And lo, the Angel of the Lord.” The music and text go back and forth between telling us the Christmas story, and showing us the feelings of the characters. “And the Angel said unto them” is answered by the chorus exclaiming the majestic hymn “Glory to God in the highest.” There is another beautiful operatic aria “Rejoice greatly,” followed by the recitative “Then shall the eyes of the blind.” The gorgeous alto melody “He shall feed his flock” is reused in “Come unto him” by the soprano. The first part of this Baroque masterpiece ends with the choral scene “His yoke is easy.” Maybe you have already figured out that the famous “Hallelujah Chorus” is not part of the Christmas story. But that’s probably not really important, as the uplifting music and message is perfect for a festive holiday season. 

Adoration of the Shepherds by Peter Paul Rubens

Adoration of the Shepherds by Peter Paul Rubens
© Wikipedia

One of the top pieces of classical Christmas music is J.S. Bach’s Christmas Oratorio. But it’s actually more than one composition. Bach was working in Leipzig, and part of his job was to compose music for the two main churches of the city, St. Thomas and St. Nicholas. Christmas season in Leipzig was celebrated in Leipzig from Christmas Day through Epiphany. Epiphany is all about the adoration of the Magi and the Flight into Egypt, and it is celebrated on January 6th. Bach needed to compose a cantata each for the six feast days of Christmas. The first three cantatas celebrate the first three days of Christmas, then comes New Year, the Sunday after New Year, and Epiphany. On 26 December 1734 Leipzig heard the first cantata describing the annunciation to the shepherds, in which an angel tell a group of shepherds about the birth of Jesus. Of course, the shepherds are all terrified but the angel explains “Today in the town of David a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you. You will find a baby wrapped in cloths lying in a manger.” A great many more angles come and sing praise to God, and so the shepherds travel to Bethlehem and find Mary and Joseph and the infant Jesus. In 1734 Bach was at the height of his compositional powers, and he created a wondrously dramatic and celebratory work. Passages from the bible are assigned to the tenor evangelist, who musically recites the text. A large chorus sings the response of the congregation, and also the praise and thanksgiving for the Christmas message. And then we have the most gorgeous Baroque arias that allow for further reflection. You can hear in every tone the joy of the season, and Bach added trumpets and timpani to make the music even more festive. Bach’s Christmas Oratorio is another monument of Baroque music and one of the most wonderful pieces of classical Christmas music. 

Best of Baroque music this ChristmasSome of the best Baroque music for Christmas is connected to some really interesting characters and stories. Take for example the Cardinal Pietro Ottoboni, a man sworn to celibacy by the church. But the Cardinal had other ideas, as he loved pomp and sensual pleasure. Nobody knows how many mistresses wandered through the Cardinal’s bedroom, but rumors suggested that he had between 60 and 70 children. The Cardinal was also a lover of the arts and specifically music, and he constructed himself a theatre. He also wrote his own opera and oratorio texts, and asked various composers to set them to music. Ottoboni was surely a major eccentric, and he surrounded himself with an extended circle of queer artists. He thought that being queer made artists more creative, and among his hires was the violinist and composer Arcangelo Corelli (1653-1713). Corelli and his lover Matteo Fornari soon became the star attractions as they came up with a new kind of music, which they called “concerto.” All that means is that a bigger orchestra contrasts a small group of performers or soloists. Maybe the Cardinal Ottoboni asked Corelli to compose him a “Christmas Concerto.” Nobody knows if that was actually the case, but the last movement has a beautiful pastoral quality. When Antonio Vivaldi first heard this piece he excitedly wrote, “Concerto, fatto per la note di natale” (Concerto composed for Christmas Eve.) It is one of the most touching Baroque instrumental pieces for Christmas, and a wonderful way to say Merry Christmas musically. 

May the best of Baroque Christmas music lift your spiritsFor the final selection of the best Baroque music for Christmas, I have selected the Christmas Cantata by Alessandro Stradella (1643-1682). He was one of the most versatile and lively Italian composers in his day. He enjoyed a colorful and dazzling career as a freelance composer who managed to make countless enemies along the way. He tried to embezzle money from the Roman Catholic Church, and he had a weak spot for married women or the mistresses of the powerful and mighty. One evening while walking away from a little encounter, two assassins attacked him. By sheer luck he managed to survive the attack, but he was not that lucky a couple of years later when his life was tragically ended at the age of 42. A shadowy assassin stabbed him to death, having been hired by a jealous husband. Stradella was a highly sought after composer and none of his personal scandals affected the demand for his music. A group of wealthy patrons even provided him with a house, food, and a servant in addition to a generous yearly stipend. And we can certainly hear Stradella’s passion in his Christmas Cantata, first heard on Christmas Eve. Just listen to the beautiful pastoral atmosphere throughout the piece. There is no fake theatre, but just an emotional prayer from the Virgin Mary to her son. I guess we can all use a prayer during these unsettling times, and wherever you are in the world, may the best of Baroque Christmas music lift your spirits.

“The Little Drummer Boy”

10 Beautiful versions for Christmas

By Hermione Lai

The Little Drummer Boy ornament

The Little Drummer Boy ornament

One of the most beloved and enduring Christmas carols is “The Little Drummer Boy.” It is a heartwarming and simple story about a poor boy who offers the gift of music to the newborn Jesus. Evoking a sense of humility, innocence, and devotion, it’s no wonder that it is a favourite during the holiday season. With Christmas once again around the corner, I wanted to share 10 beautiful versions of this delightful and touching carol with you.

“The Little Drummer Boy” The Harry Simeone Chorale (1965) 

Katherine Kennicott Davis

Katherine Kennicott Davis

Katherine Kennicott Davis

To me, this lovely Christmas carol initially sounded like an ancient melody, but I was wrong. It was written only in 1941 by the American composer Katherine Kennicott Davis. David studied music at the New England Conservatory of Music in Boston, and also with Nadia Boulanger in Paris. She taught music at two Schools for Girls in Massachusetts and in Philadelphia.

For the choirs at her schools, Davis composed well over 600 compositions, and she also contributed to a multiple-volume set of music and books for educational purposes. Much of her music was published by Schirmer in Boston. Davis left all of the royalties and proceeds from her compositions to Wellesley College’s Music Department, her alma mater, where she studied in her youth.

“The Little Drummer Boy” Bing Crosby/David Bowie (1977) 

Marching Rhythm

The Little Drummer Boy

The Little Drummer Boy music score

One of the most prominent features of this beloved Christmas carol is the rhythm. And you can hear how it plays a role in telling the song’s simple and heartfelt message. It’s almost military-like, and while the basic 4/4 rhythm is straightforward, there are moments of syncopation in the vocal line. The steady drumming beat is both humble and profound.

Davis originally called the song “Carol of the Drums,” and she might have suggested that it is based on a Czech carol. However, the chair of the music department at Wellesley College writes. “One day, when Davis was trying to take a nap, she was obsessed with this song that came into her head, and it was supposed to have been inspired by the French song “Patapan.” ‘Patapan’ translated in her mind to ‘pa-rum-pum-pum,’ and it took on a rhythm.”

“The Little Drummer Boy” Celtic Woman 

Lyrics

The text of this wonderful carol centres on the themes of humility, generosity, and sacrifice. The narrator is a poor boy who offers the newborn King his musical talent and drumming skills. In a way, the act of giving something of personal value rather than material wealth is a fundamental Christian idea rooted in love and devotion.

Verse 1

Come, they told me
Pa-rum pum pum pum
A newborn King to see
Pa-rum pum pum pum
Our finest gifts we bring
Pa-rum pum pum pum
To lay before the King
Pa-rum pum pum pum
Rum pum pum pum, rum pum pum pum

“The Little Drummer Boy” Pentatonix (2014) 

Refrain

Refrain

So to honour Him
Pa-rum pum pum pum
When we come.

The recurring “pa-rum pum pum pum” serves both as a musical refrain and a symbolic gesture. It reflects the sound of a drum, and the repeated drumbeats communicate a sense of ritual and prayer. We might even hear the drumbeat as a metaphor for the boy’s heart beating in rhythm with his faith and his desire to honour Jesus. It also becomes a symbol of unity and community as the boy’s humble gift is part of a universal offering of love.

“The Little Drummer Boy” Thom Hell/Ulvo Andreas (2020)

Second Verse

Second Verse

Little baby, pa-rum pum pum pum
I am a poor boy too, pa-rum pum pum pum
I have no gift to bring, pa-rum pum pum pum
That’s fit to give a King, pa-rum pum pum pum
Rum pum pum pum, rum pum pum pum.
Shall I play for you, pa-rum pum pum pum
On my drum?

In the second verse the poor boy is directly addressing the newborn Jesus Christ. The lines take on an almost lullaby-like quality. As the boy identifies himself as poor, he establishes a connection between them, as both are humble. The boy acknowledges that he has no valuables or conventional gifts, and by recognising his poverty, the boy also becomes vulnerable. He does offer something more valuable than material riches, and that’s the gift of music.

“The Little Drummer Boy” André Rieu/Mik Falize (2023) 

Third Verse

Third Verse

Mary nodded
Pa-rum pum pum pum
The ox and lamb kept time
Pa-rum pum pum pum
I played my drum for Him
Pa-rum pum pum pum
I played my best for Him
Pa-rum pum pum pum
Rum pum pum pum, rum pum pum pum

Then He smiled at me, Pa rum pum pum pum
Me and my drum.

The final verse continues with the sentiments introduced in the previous two. The boy’s humble gift of drumming is accepted and acknowledged by Mary, and even the animals, who keep time, participate in the sacred moment. The boy offers his sincere devotion, and we understand that true worship comes from the heart.

“The Little Drummer Boy” Jackson 5 (1970) 

The Hit

Initially, “The Carol of the Drum” was not really popular. Remember, it was written during World War II and the public preferred songs like “I’ll be Home for Christmas.” The famous Trapp Family Singers recorded a version in 1951, which provided some exposure. However, it wasn’t until 1958 that “The Carol of the Drum” became an instant hit. At that time, a famous orchestra and choir director, Harry Simeone, got hold of the song.

For one, he renamed the song “The Little Drummer Boy,” and blended voices to create a drum beat. For added effect, he also added finger cymbals. The album and song were an enormous success, “with the single scoring in the top 40 of the U.S. music charts from 1958 to 1962.” But Simeone wasn’t alone, as by 1962, the carol had been recorded more than a hundred times. By the end of that decade, only two other Christmas songs had generated more success, “White Christmas” and “Rudolph the Red-Nosed Reindeer.”

“The Little Drummer Boy” Tori Amos (2007) 

Merry Christmas

“The Little Drummer Boy” is one of those Christmas carols that transcends generations. Its universal message of giving, humility, and love resonates with people of all ages and backgrounds, and it continues to be a Christmas favourite year after year. Every year, we welcome new recordings, and the cello version by Hauser is brand-new, dating from November 2024.

“The Little Drummer Boy” Hauser (2024)

It is not a biblical story, but the song holds a special place in Christmas music history due to its gentle reminder that Christmas is not just about wealth or material gifts but about the simple, heartfelt offering of one’s talents, love, and devotion. Whether performed in churches, homes, or concerts, “The Little Drummer Boy” continues to inspire and bring joy to listeners worldwide during the holiday season. We wish you happy and peaceful holidays.

Friday, December 13, 2024

César Franck (1822-1890): A Birthday Tribute

by Hermione Lai

César was a child genius who loved drawing and playing the piano. His father spotted these talents early and decided to market his young son as a piano prodigy. We come across irresponsible and ambitious parents in the arts all the time, but Nicholas-Joseph was especially aggressive.

The young César Franck

The young César Franck

He took his son from one concert tour to the next and made him enrol at the Conservatoire, only to withdraw him from his studies for lengthy concert tours. Much later in life, César confided in his diary, “my father had grand ideas of money flowing like a river towards us, but unfortunately, it was not so.”

The press took strong exception to the highly aggressive promotional efforts of his father, and only at the age of 24 did César Franck walk out of his parent’s house, making a clear break. But life wasn’t easy as his compositions received only mixed reactions and were not embraced by the public. On the anniversary of his birth on 10 December, we decided to pay tribute to this marvellous composer who played an important role in French music.

Violin Sonata in A major, 

Let’s get started with Franck’s most famous work, the Violin Sonata in A major. Written in 1886, it is like a musical rollercoaster, full of twists and turns. It is a vibrant and passionate piece that is already a favourite for violinists and audiences. Actually, it’s considered a cornerstone of the violin repertoire and is cherished for its rich thematic material and emotional depth.

One can easily hear Franck’s famous “cyclic structure,” which just means that themes reappear in different movements. This creates a wonderful sense of unity throughout the piece. The opening theme sweeps you into a world of deep emotions, but just when you think it’s getting serious, the music lightens up and dances through playful, joyful passages.

César Franck's Violin Sonata

César Franck’s Violin Sonata

The way the violin and piano work together is like a conversation, with each instrument taking turns to lead, complement, and surprise the other. With its lush harmonies and soaring melodies, the sonata has this magical ability to move you, making you feel like you’re on an exciting adventure through sound. This piece is a true gem of the late Romantic period, brimming with passion, warmth, and joy.

Symphony in D minor 

Initially, nobody much liked Franck’s D-minor symphony. It was first performed in 1889 with critics unsure about its place in the symphonic tradition. Some found the work bold and thrilling, while others were critical of the harmonic language and the overall structure. It was just too unconventional for its time. Times have changed, however, and today, it is considered one of Franck’s greatest masterpieces, full of emotional power and depth.

The music is like a thrilling, whirlwind musical journey. It’s packed with rich and sweeping themes and plenty of dramatic contrasts. The more I listen to it, the more it feels almost cinematic. There is bold and fiery energy from the very beginning, and just listen to these almost heroic declarations in the interaction between strings and brass. But it’s not all drama, as the second movement offers lush and lyrical melodies in a quiet conversation between the string and woodwinds.

The third movement is a bit of a surprise, as it is almost mischievous at times. It seems full of life and certainly puts a smile on your face. In the finale, Franck pulls out all the stops. He takes all the themes and musical ideas that have been bubbling throughout the piece and brings them together in a thrilling and triumphant conclusion. It is a masterpiece containing intense drama, moments of reflection, and pure moments of joy.

Trois Pièces for Organ

Organ of Sainte-Clotilde, Paris

Organ of Sainte-Clotilde, Paris


Franck had always aspired to become an organist, and when he was appointed at the church of Sainte-Clotilde, his dream became a reality. As he later explained, “if you only knew how I love this instrument. It is so supple beneath my fingers and so obedient to all my thoughts.” His improvisations became legendary, and his organ compositions stand at the apex of the Romantic organ repertoire.

Franck’s Three Pieces for Organ are like musical gems, each with its own distinct character, but all combining the composer’s genius for combining passion, drama, and tenderness. Composed in 1878, these pieces are full of vivid contrasts and stunning harmonic colours, almost like sweeping landscapes painted with sound.

The “Fantaisie” transports us into a grand cathedral with organ pipes resonating through the space. Expansive chords and soaring themes offer a diverse musical flow, with moments of turbulent energy followed by calm reflections. The powerful sound of the organ takes centre stage in the “Pièce Héroïque.” It is majestic and commanding, full of energy, and almost like a call to arms. But even within this intensity, there are tender moments that add layers of emotional depth. The “Cantabile” returns to a more intimate and serene space. It is the heart of the set, a gentle and lyrical work that contrasts with the fiery drama of the previous movements.

Prelude, Fugue, and Variation

As I wrote in the introduction, Franck was an exceptional pianist. For a time, he seemed to be in competition with Franz Liszt. They personally met on a couple of occasions, and Liszt later wrote to a friend. “He will find the road steeper and rockier than others may, for, as I have told you, he made the fundamental error of being christened César-Auguste, and, in addition, I fancy he is lacking in that convenient social sense that opens all doors before him.”

Clearly, Franck was never comfortable under the glaring light of the virtuoso stage, and to prove that point, he composed the “Prelude, Fugue, and Variation” in 1884. Franck was at the height of his maturity as a composer, and this beautiful and intricate work, initially for organ but later arranged for solo piano, reflects Franck’s rich harmonic language and his deep understanding of counterpoint. It’s basically a homage to Bach, and each section offers a different way of approaching the initial theme.

Franck introduces us to a beautifully simple theme that is immediately inviting and conversational. The real fun begins in the “Fugue” when Franck stretches out the theme, and each new entry of the theme adds its own twist. He also incorporates surprising harmonic turns or playful rhythms, with each voice giving a new level of depth to the original theme. In the “Variation”, he dresses the theme in different costumes, with each variation showing a new side of its character. He certainly is having fun exploring all the possibilities of what the theme has to offer.

The Cursed Hunter

Pierre Petit: César Franck

Pierre Petit: César Franck


I just love a good story translated into music. And that is exactly what Franck did in 1883 when he composed “The Cursed Hunter.” It tells the story of the count of the Rhineland who commits the sacrilege of going hunting on a Sunday. He happily ignores the sound of the bells and the singing of the faithful on their way to Mass. But very soon, his horse stopped, and his hunting horn fell silent. A terrifying voice utter a horrendous curse; the huntsman is condemned to ride forever, pursued by demons.

Franck’s symphonic poem, and he composed five such colourful stories in music, is a wild ride through a dark and eerie forest full of dramatic twists and unexpected turns. He brings the legend of the hunter to life with a mix of spooky moments and frantic energy. It all starts with a somewhat mysterious theme, setting the mood for the cursed ride.

The music continues to build, and the orchestra bursts into action with various bold and sweeping melodies that hint at danger. As you might expect from this story, the rhythm is relentless as it mimics the endless chase. Darker and more ominous tones suggest the curse, but finally, it seems that the chase might be over. It all ends in a dramatic and unresolved way, but it is clear that the hunter won’t escape. What a thrilling and atmospheric work, full of suspense and excitement; that’s why I love symphonic poems.

Symphonic Variations 

Franck composed his Symphonic Variations for piano and orchestra in 1885. One of Franck’s most approachable compositions, it showcases the composer’s love for harmonic complexity and his mastery of orchestration. However, it also contains moments of deep emotional richness.

The principal theme is introduced by the piano. It is an elegant and simple theme, almost a dreamy melody that is then echoed and explored by the full orchestra. What is really fun about this piece is how Frank takes that theme and spins it into something new and exciting with every variation. He offered different moods, tempos, and textures, alternating between light and playful utterances and bold and dramatic statements.

A real highlight of this work is the interaction between the piano and orchestra, with the theme constantly evolving. It certainly reveals the composer’s deep understanding of both thematic development and orchestral colour. To be sure, Franck uses his gift for blending beauty and drama in a mixture of elegance and compositional genius. It’s a wonderful example of blending tradition with innovation, and it is one of the composer’s most accessible works.

“Nocturne” 

The mélodies by César Franck were only known to a small circle of connoisseurs during his lifetime. Today, however, they are recognised for their expressive power and the composer’s ability to merge lyrical melodies with rich and complex harmonies. A scholar wrote, “His contributions to the French mélodie genre helped bridge the gap between the more traditional Romantic style and the more modern, impressionistic approaches that were developing around the turn of the 20th century.”

César Franck at the organ

César Franck at the organ

One of my favourite is “Nocturne,” composed in 1882. It is the setting of a poem by Paul Verlaine and captures the serene and contemplative atmosphere of the night. The gently flowing melody is both lyrical and expressive, with the piano providing a shimmering backdrop. And you can hear how Franck’s chromatic harmonic and shifts of tonality enhance the sense of longing conveyed in Verlaine’s text. What a wonderful mélodie, both tender and sophisticated, as it fuses emotional depth with harmonic complexity.

Panis Angelicus (Angelic Bread)

César Franck's Panis Angelicus

César Franck’s Panis Angelicus

Stanley Sadie described César Franck as “a man of utmost humility, simplicity, reverence and industry.” We have seen that his reputation rests largely with a few large-scale orchestral and instrumental works of his later years. However, most of his compositions are associated with his employment as an organist, a position he held for over 30 years. Naturally, he composed a vast number of organ compositions, but we also find numerous sacred vocal works.

Among his most celebrated compositions is a musical setting of “Panis Angelius,” a serene piece that feels like a musical prayer. The title refers to the Eucharist, and it was composed in 1872 as part of a larger work. The music perfectly captures a sense of reverence and tranquillity, and the simple melody is surrounded by lush harmonies that give it an almost heavenly quality.

Franck’s setting has been described as invoking a sense of “serene anxiety.” This musical paradox also governs the vocal line, as the soloist performs a melody of angelic lyricism enriched by surprising harmonic inflection and the occasional strain of chromatic intonation.

I hope you enjoyed our little excursion into the musical world of César Franck, a world full of emotional intensity and spirituality. Franck was a wonderful composer whose reputation, especially outside of France, took a little longer to develop. But his influence remains powerful, specifically in organ music and in late-Romantic orchestral and chamber works. Happy Birthday Mr. Franck.