Showing posts with label Classic FM. Show all posts
Showing posts with label Classic FM. Show all posts

Tuesday, April 21, 2026

10 pieces of classical music that will 100% change your life


3 January 2024, 18:45 | Updated: 3 January 2024, 21:31

10 pieces of classical music that will change your life (pictured: Romanian Athenaeum)
10 pieces of classical music that will change your life (pictured: Romanian Athenaeum). Picture: Alamy
Classic FM

By Classic FM

Hold on to your hats – if you haven’t heard any of these musical works of genius, your life is about to be changed 10 times in a row.

Classical music can calm nerves, fire up the senses and spark creativity. It can also be uniquely life-affirming.

Here are the 10 major works we recommend you devote some time to. With the depths of their passion and beauty, we think they have the power to move everyone – with life never being quite the same afterwards.


  1. J.S. Bach: St Matthew Passion

    What is it?
    It’s one of two ‘Passion’ oratorios that have survived since Bach died (he could’ve written up to five), but it’s also become one of his most celebrated pieces. The original title is Passio Domini nostri J.C. secundum Evangelistam Matthæum (the ‘J.C.’ stands for Jesus Christ, which is maybe a bit familiar for someone he hadn’t met… but we’ll let him off).

    Why it will change your life:
    If you thought that Baroque music mostly dealt with plinky-plinky harpsichords, the St Matthew Passion will change mind. There are biblical proclamations of impending apocalypse littered throughout, and for each of them, Bach works in some sort of crushing atonality or strange chord, as if he’s wincing with pain each time it happens. This is such a human experience, composed at a time when human experiences weren’t chief among the aims of most Baroque composer composers.

    Read more: 10 of Bach’s all-time best pieces of music

    Bach - St Matthew Passion BWV 244 - Van Veldhoven | Netherlands Bach Society

  2. Tchaikovsky: Symphony No. 6

    What is it?
    Tchaikovsky’s final symphony, nicknamed ‘Pathétique’. The premiere performance was given just nine days before the composer died.

    Why it will change your life:
    Tchaikovsky was surely one of the most personally troubled of the great composers – and this symphony was essentially the outpouring of many of his issues, in a way. Many initially thought it was a lengthy suicide note, others pointed to the composer’s torment over his suppressed sexuality, while some thought it was just a tragic, sad, glorious and indulgent artistic expression. But the reason it’ll stay with you forever is that all of these contexts work in their own way, but it never detracts from how magisterial the music itself is. It’s a lesson in the very best ways of expressing emotions through music.

    Read more: 10 of Tchaikovsky’s all-time best works

    Tchaikovsky: Symphony No. 6, 'Pathetique' | Dresden Philharmonic & Marek Janowski

  3. Mahler: Symphony No. 2

    What is it?
    Massive, that’s what it is. Mahler’s Symphony No. 2 (known as the ’Resurrection’) is a 90-minute attempt to put the whole nature of existence into a piece music. So pretty ambitious.

    Why it will change your life:
    If you think any bit of music over three minutes long is a bit indulgent and full of itself, this single piece will convince you that sometimes it’s completely worth spending an hour and a half on one musical concept – even if it is a huge concept. No other composer could’ve made it more entertaining (listen out for death shrieks!), or more rewarding. The epic final few minutes are a stupidly generous reward on their own, but getting there is half the fun.

    Read more: A detailed explanation of how Mahler’s Symphony No. 2 is a heart-shattering work of genius

    Mahler - Symphony No. 2 'Auferstehung' - Mariss Jansons | Concertgebouworkest

  4. Beethoven: Grosse Fuge

    What is it?
    One of the last pieces Beethoven wrote for string quartet, one of his celebrated ‘Late’ quartets. It’s a one-movement experiment in structure that was universally hated when it was first composed.

    Why it will change your life:
    It’s proof that not only can critics and audiences get it really, really wrong, but also that it’s all about interpretation. You can actually hear the struggle and the effort it must have taken to compose, which means it’s not always a relaxing listen, but few pieces in history have so nakedly shown how a composer can throw absolutely everything into a single work. And, in the end, it was hugely influential to serialist composers of the 20th century with none other than Igor Stravinsky proclaiming it a miracle of music. How about that for delayed gratification?

    Read more: Definitively the 20 greatest Beethoven works of all time

    Beethoven: Grosse Fuge, Op. 133 (Danish String Quartet)

  5. Mozart: Requiem

    What is it?
    The piece that Mozart wrote on his deathbed, in a furious fever. Well, if the movies are to be believed, anyway.

    Why it will change your life:
    From the opening Introitus, the mournful tone is set. It might just be us, but doesn’t it actually sound like Mozart is scared of death here? Aside from being spooky as anything, the Requiem is a haunting patchwork of things. Completed by one of Mozart’s pupils, Franz Süssmayr, it’s become a legendary mystery and the perfect way to end the story of one of history’s most celebrated geniuses – in other words, not end it all. What an enigma.

    Read more: 10 life-changing pieces of music by Mozart

    Mozart : Requiem (Orchestre national de France / James Gaffigan)

  6. Monteverdi: Vespers

    What is it?
    It’s Baroque genius Claudio Monteverdi’s defining work, a gigantic noise that some argue bridged the gap between the Renaissance and the early Baroque periods.

    Why it will change your life:
    It makes you realise that just because something’s really old, it doesn’t mean it’s automatically boring, or simply lauded because it was ‘groundbreaking’. Make no mistake about it – Monteverdi’s Vespers are hugely entertaining on their own terms. For starters, it’s simply enormous in scale. If you want to be crude about it (and we do) then you could describe it as Monteverdi taking church music to the opera, with all the drama that implies. Trumpets, drums, massive choruses, florid vocal lines… this really is the greatest hits of the early Baroque.

    Monteverdi's Vespers of 1610

  7. Elgar: Cello Concerto

    What is it?
    The only cello concerto that Edward Elgar wrote, and one of the most famous concertos of all time.

    Why it will change your life:
    It’s proof that intense emotion can come from the most unlikely of people. We don’t want to get all mushy on you, but there’s something spectacularly English about how the ultimate stiff-upper-lipped curmudgeon, Edward Elgar, was able to convey his emotions in music rather than in words or actions. His private life was surprisingly tumultuous (that’s another story), and in pieces like the Cello Concerto it’s as if the gasket has blown and Elgar is finally able to let out all the pent-up emotion in a focused blast.

    Cellist Sébastien Hurtaud plays Elgar Cello Concerto (3rd movement)

  8. Wagner: The Ring Cycle

    What is it?
    It is everything.

    Why it will change your life:
    Realising for the first time that the world of opera could actually be this immersive is a very, very special feeling. Wagner’s whole four-opera cycle has a terrible reputation as simply ‘that exhausting long opera’ – but that perception couldn’t be further from the truth. The Ring Cycle is a fundamentally unhinged work of staggering genius, and the peak of operatic indulgence, excess and excellence. Ignore at your peril.

    Metropolitan Opera Orchestra – Wagner: Ride of the Valkyries - Ring (Official Video)

  9. Max Richter: Vivaldi: Recomposed

    What is it?
    A radical, beautiful re-invention of Vivaldi’s Four Seasons concertos, by modern indie-classical composer Max Richter.

    Why it will change your life:
    Listening to Vivaldi: Recomposed is like discovering an old jumper that you used to love has magically, miraculously lost all its bobbly bits and is actually at the height of fashion. What Richter manages to do so incredibly well is to subtly sneak in delightful additions, tweaks and reinventions to a classic you already know extremely well, and freshen it up not just for the modern era, but for the eras to come too.

    Recomposed by Max Richter - Vivaldi - The Four Seasons, 1. Spring (Official Video)

  10. Gorecki: Symphony No. 3

    What is it?
    Possibly the most emotionally draining piece of music ever written.

    Why it will change your life:
    There’s a reason Polish composer Henryck Górecki called his third symphony the Symphony of Sorrowful Songs. Each movement features a solo soprano singing texts inspired by war and separation, but it’s the second movement that really stands out. The text is taken from the scribblings on the wall of a Gestapo cell during the Second World War and, as you can imagine, it’s pretty harrowing stuff – but Górecki makes it sound so transcendental that it’s hard to believe it was written in such dire circumstances. He said himself that he wanted the soprano line “towering over the orchestra”, and it certainly does that.

Thursday, February 6, 2025

Why does classical music make us cry?


Why does classical music make us cry? Pictured: Yukiko Ogura (Philharmonia Principal Viola)
Why does classical music make us cry? Pictured: Yukiko Ogura (Philharmonia Principal Viola). Picture: Getty / Camilla Greenwell

By Maddy Shaw Roberts

Catchy music makes you tap your foot. Emotive music catches you off guard and without warning, has your eyes pricking and nose running. So why do we have this physiological response to music? 

Think about your favourite piece of music… and then imagine hearing it live for the first time. If you’re having a trouble, have a listen to this beautiful piece of Bach for solo piano:

Blind pianist Lucy plays enchanting Bach 'Prelude in C' in Royal Albert Hall debut | Classic FM Live

Or if that didn’t conjure up much, try this – the stirring second movement of Rachmaninov’s Second Piano Concerto:

Rachmaninov's Piano Concerto No.2 (I) - Jeneba Kanneh-Mason | Classic FM

If you felt a lump in your throat or a stinging sensation in your eyes, you wouldn’t be alone. Music can elicit highly emotional responses – a 2017 survey of 892 adults found that nearly 90% had experienced feeling like crying when listening to music.

Outside of musical enjoyment, crying can be a great cathartic release, helping to relieve stress when we’re feeling sad or anxious. Tears contain stress hormones, which are released from our bodies when we cry. But why do we cry to music?


IT can feel like music speaks directly to our hearts. Think of the other emotional contexts music is used in, from rousing hymns at weddings, to poignant elegies at funerals, and rousing marches at graduations as we begin our adult lives.

Shedding a few tears to music is considered a healthy response. It can help us process our deepest emotions in a safe setting – in a concert hall, surrounded by fellow music lovers, at a ceremony, or perhaps at home, listening to a recording.

One of the main purposes of music is to communicate something beautiful for our collective appreciation. So if the music makes you cry, it’s probably doing its job right.

When we feel an emotional response to the music, it can be down to familiarity. Music conjures of memories of the past – of a loved one, a dream or a family member – and hearing great classical music can help connect us to times gone by, creating create a sense of poignancy that this music was also enjoyed by audiences over 200 years ago.

Tears are often invoked when the musical choices feel familiar. In the build-up to the great pianistic climax in Rachmaninov’s concerto, anticipation builds and the reward circuit in our brain is triggered, as the ‘expected’ moment in the music finally arrives and the feeling of tension and anticipation is released.


Crying to music can help us process our deepest emotions in a safe setting
Crying to music can help us process our deepest emotions in a safe setting. Picture: Alamy

Our physiological reactions can be down to pure musical appreciation – the feeling of awe we experience at experiencing art performed at a high level.

We might feel awestruck at the virtuosity of the performers, or the intricacy of the musical writing. Techniques like long melodic phrases, harmonic tension and resolve, and changes in intensity can elicit feelings of satisfaction, hope and even hopelessness.

Studies show that dramatic changes in dynamics, rhythm and texture can light up the brain, and that satisfying harmonic journeys can trigger the reward-related regions of our brains.

When words are difficult, music can communicate the unsayable – that’s a paraphrase of a quote by Hans Christian Andersen, who once said, “Where words fail, music speaks”.

The point is, there’s also something to be said for the wordlessness of orchestral music. Much like a ballet, the narrative created with music and no words can make us feel on a deeper level that speaks to everyone universally.

Whether you cry or get goosebumps while listening to music can also depend on your personality type. Read more about that in this study.

Thursday, January 23, 2025

When Simon Rattle raised the roof of a brand-new Symphony Hall with unforgettable Mahler

17 January 2025, 11:34

Sir Simon Rattle.
Sir Simon Rattle. Picture: Getty

By Will Padfield

We look at one of the most memorable moments of the legendary conductor’s career and his close ties with Mahler’s masterpiece. 

One of the most recognisable conductors in the world, his music-making has taken him from his origins in Liverpool to orchestras in cities worldwide. He caused an international stir when he was named the first British musical director of the Berlin Philharmonic in 1999; one of the highest honours in the conducting world.

Before Berlin though, Rattle gained international fame as principal conductor of the City of Birmingham Symphony Orchestra from 1980, transforming an already great British orchestra into one that could hold its own with the greatest ensembles worldwide.

A key moment of Rattle’s tenure with the CBSO was the opening of its top-rate performance venue – described by Sunday Times as ‘an acoustic triumph’ and by Daily Telegraph as ‘the best concert hall in the country’.  

Rattle was a figure in the hall’s development, using his influence to campaign and raise the necessity for a new hall after the orchestra’s previous performance venue – Birmingham’s Town Hall – had become unfit for a modern symphony orchestra.


Sir Simon Rattle / Berliner Philharmoniker - Mahler Symphony No 2, 'Resurrection'

After many years, the British maestro succeeded, and the stage was set for 15 April 1991, where Simon Rattle and the CBSO gave two performances of Mahler’s monumental second symphony, the appropriately named ‘Resurrection’ Symphony.

The historic event was held in the presence of Anne, Princess Royal and captured on camera. The recording manages to capture the incredible atmosphere of the concert. Everyone is on their A-game; the CBSO and CBSO chorus leaves nothing on the table, performing with high drama and electricity. Rattle superbly guides everyone through the proceedings, impressively conducting the huge work – around 90 minutes in length – by memory.

Mahler’s mighty Second Symphony has been something of a party piece for Rattle, accompanying him in several key moments of his career.

Sir Simon Rattle
Sir Simon Rattle. Picture: Getty

In early 1973 studying at the Royal Academy of Music, Rattle organised a performance of the Symphony with his fellow students. This led him to be talent-spotted by music agent Martin Campbell-White, who still manages Rattle’s career with Askonas Holt Ltd.

It was also Mahler’s Second that Rattle chose to conduct in his last performance as music director with both the CBSO and the LSO, showing the close bond he has with the symphony.

In Rattle’s words, “Mahler’s Second Symphony is a piece which I have been involved with all my musical life. In fact, it was the piece that made me want to take up conducting when I heard it at age 12. Mahler wanted to put the whole world into a symphony… for me, it is one of the most moving of all orchestral works…”

Mahler Symphony No. 2 - Auger, Hodgson, CBSO, Rattle - Symphony Hall Birmingham

Written between 1888 and 1894, Mahler’s ‘Resurrection’ Symphony is one of the largest pieces in the orchestral repertory, scored for a full chorus, two vocal soloists and over 150 orchestral musicians – including an off-stage band consisting of horns, trumpets and percussion. Premiered in 1895, the symphony was one of Mahler’s most popular and well-received works in his lifetime.

Following the model established in Beethoven’s fifth and ninth symphonies, the work transitions from darkness to awe-inspiring light, with strong allusions to the Christian beliefs of resurrection. Mahler, who was Jewish by birth, had turned to Christianity as a way of being accepted by the increasingly antisemitic Viennese cultural elite.

The epic final moments of the symphony rank among the best moments in all music and feature in a climactic scene of the recent Leonard Bernstein biopic, Maestro.

As Sir Simon looks ahead to the future, it seems likely that Mahler’s mighty Second Symphony will continue to play a huge part in his life.

Happy Birthday, Sir Simon!


Cellist Yo-Yo Ma and French actor Marion Cotillard perform an intensely mystical duet

20 January 2025, 15:02

Marion Cotillard et Yo-Yo Ma interprètent « Le Pont » de Victor Hugo | Notre-Dame de Paris

By Will Padfield

Two world-class artists united for a performance of spellbinding power in the newly reopened Notre Dame Cathedral. 

When Notre Dame Cathedral reopened last month, six years after the fire that almost destroyed the building, it gave the world some of the best musical moments of 2024.

During the star-studded ceremony inside the cathedral, brothers Renaud and Gautier Capuçon played a violin and cello duet and Lang Lang joined forces with the legendary conductor Gustavo Dudamel and the Orchestre Philharmonique de Radio France.

There were also less conventional musical moments, such as when the grand organ of Notre Dame was ‘awakened’ in a call-and-response dialogue between the Archbishop of Paris, Laurent Ulrich, and the organ.

An equally ‘dramatique’ moment of the ceremony came when Yo-Yo Ma collaborated with the French film star Marion Cotillard to perform a poem by Victor Hugo. Cotillard is one of France’s most recognisable actresses, appearing in an array of award-winning films, including La Vie en Rose, Inception and The Dark Knight Rises. 

Yo-Yo Ma and Marion Cotillard in Notre Dame
Yo-Yo Ma and Marion Cotillard in Notre Dame. Picture: Youtube screen grab

In the performance, Cotillard gives a chilling reading of Hugo’s poem Le Pont (The Bridge), whilst Ma interjects the poem with improvised gestures on his cello. The poem is deeply moving, dark and mysterious opening with a cry of desperation:

‘I had darkness before my eyes. The abyss

That has no shore and no peak,

Was there, gloomy, immense; and nothing moved there.’

Ma perfectly captures the essence of the text, complimenting Cotillard’s delivery with gentle brush strokes of the cello that are chilling to listen to. The timing between the two legendary performers is perfect, with both leaving space for the immense hall to carry the sound into every corner of the building.

Yo-Yo Ma is no stranger to improvised performances and has frequently raised the importance of it being embedded in musicians’ education, telling The Strad: “Classical musicians today have moved away from improvisation, but it’s an essential part of owning the music.”

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