It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
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Wednesday, July 5, 2023
A. Dvořák: Slavonic Dances (standing ovations) - amazing performance!
Friday, February 3, 2023
The Lure of Light Music
by Maureen Buja, Interlude
A work such as a movement from Richard Rodney Bennett’s The Aviary, gives us a key to the genre: simple, melodic, and engaging.
Malcolm Arnold’s sets of English Dances, created at the invitation of his publisher who wanted a response to Antonín Dvořák’s Slavonic Dances. Jollity mixes with melancholy here, and at the same time, is capable of brash brass statements, as in No. 4 of the first set of English Dances. When the BBC used this as the theme for a radio program, people phoned in to find out about that intriguing piece they’d just heard.
Folk dances figure largely in this genre, not only for their emphasis on melody and rhythm but also because they have a local familiarity, even when they’re new to the listener. Philip Lane’s Suite of Cotswold Dances, which takes its name from a second of central-southwest England, carries the designation of an Area of Outstanding Natural Beauty.
Many of the great British composers of Light Music had careers in the film and television business and so much of the familiarity we have with their music comes not from the concert stage but the glowing screens in our living rooms, such as the music of Geoffrey Burgon. The name may be unfamiliar, but the melodies aren’t. The music for the BBC series Brideshead Revisited is an excellent example of the evocation of an England of the past in a 1981 piece of music.
A similar theme was used for the Miss Marple films in the 1960s, and reused for the television series in 1985 with Joan Hickson. The composer, Ron Goodwin, is probably better known for his film scores for movies such as Where Eagles Dare, Force 10 from Navarone, Those Magnificent Men in their Flying Machines, Of Human Bondage, and Hitchcock’s Frenzy.
Eric Coates made his name with his Knightsbridge march, but it was By the Sleepy Lagoon, written in 1930, that gave him long-lasting fame. This slow waltz for orchestra was discovered and lyrics were set to it (with the composer’s permission) it became a popular music hit for Glenn Miller, trumpeter Harry James, and singer Diana Shore. It also has been the theme for BBC Radio 4’s Desert Island Discs in 1942.
Another side of light music is humour. For the 1956 Hoffhung Music Festival, Malcolm Arnold wrote A Grand Grand Festival Overture, but the 4 soloists are not on the typical musical instruments but perform on 3 vacuum cleaners and a floor polisher.
Gordon Jacob made free with the music of Rossini in his 1960 overture The Barber of Seville Goes to the Devil.
The heyday of Light Music really happened in the mid-20th century. It was such a popular subgenre of classical music that the BBC even had an entire radio channel, the BBC Light Programme, for this music that ran from 1945 to 1967, whereupon it was replaced with BBC Radio 2 (older pop music) and BBC Radio 1 (current pop music). Ease of access seems to have fallen to the self-importance of modern music but it’s all still fun to listen to!