It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
Friday, October 19, 2012
Giovanni Battista Pergolesi - His Music and Life
Born on January 4, 1710 in Ancona/Italy, Giovanni Battista Pergolesi passed away in Pozzuoli/Italy on March 16, 1736.
He became pupil of Francesco Durante (1648-1755) in Naples. Pergolesi's intermezzi did impress much. Only the intermezzo "La Serva Padrona" (1736) became his most famous work. This comic opera ("The maid as mistress") has been performed up to today. It became the oldest and alive as well as vivid opera.
Still six concertinos can be found on rare available records. Pergolesi's instrumental music pleases us especially because of its "Singing Allegros" - by the way, it impressed also and especially Carl Philipp Emanuel Bach (1714-1788) and Wolfgang Amadeus Mozart (1756-1791).
Pergolesi's last work has been a "Stabat Mater", a sequence of catholic liturgy. It became one of the best church music works from Naples. Pergolesi's talent to change simple folksongs into artistic musical objects let became his works fresh, mellowness, graceful and spicy.
At the very young age of only 26, Pergolesi died in a monastery in Naples without knowing anything about his later success.
Tuesday, October 16, 2012
Giacomo Meyerbeer - His Music and Life
Giacomo Meyerbeer was born on September 5, 1791 in Berlin and passed away on May 2, 1864 in Paris. His real name was Jakob Liebermann Beer. "Meyer" has been added to his family name to take possession of a big inheritance. Meyerbeer, a rich banker's son, was a really music genius. Muzio Clementi (1752-1832) and Karl-Friedrich Zelter (1758-1832) have been his well-known teachers. Meyerbeers first opera (when he celebrated his 22nd birthday!) became a flop
. He tried to survive as a pianist. Fox six years, he wasn't able to compose ven a single piece. Only after moving to Paris and adopting the French opera-style, Meyerbeer held the field. His operas consisted of emotive and sometimes histrionic terms together with big choirs and acts: "Robert, the devil" (1831), "The Hugenots" (1836), "The Prophet" (1849) and "The African" (1838). Meyerbeer seems to be forgotten up tp now because many attempts to restore his compistions have been without success. it's really a great pitey. But, you can enjoy his music in one of my radioshows...
. He tried to survive as a pianist. Fox six years, he wasn't able to compose ven a single piece. Only after moving to Paris and adopting the French opera-style, Meyerbeer held the field. His operas consisted of emotive and sometimes histrionic terms together with big choirs and acts: "Robert, the devil" (1831), "The Hugenots" (1836), "The Prophet" (1849) and "The African" (1838). Meyerbeer seems to be forgotten up tp now because many attempts to restore his compistions have been without success. it's really a great pitey. But, you can enjoy his music in one of my radioshows...
Wednesday, October 10, 2012
Franz Lehar - His Music and Life
Born: April 30, 1870 Komarom Hungary
Died: October 24, 1948 (aged 78) Bad Ischl Austria
Notable Works: “The Merry Widow”
Franz Lehár, (born April 30, 1870, Komárom, Hung., Austria-Hungary—died Oct. 24, 1948, Bad Ischl, Austria), Hungarian composer of operettas who achieved worldwide success with Die lustige Witwe (The Merry Widow).
He studied at the Prague Conservatory. Encouraged by Antonín Dvořák to follow a musical career, Lehár traveled in Austria as a bandmaster from 1890. In 1896 he produced his operetta Kukuschka. In The Merry Widow (1905), with libretto by Viktor Léon and Leo Stein, Lehár created a new style of Viennese operetta, introducing waltz tunes and imitations of the Parisian cancan dances as well as a certain satirical element. Its success was such that two years later it was played at Buenos Aires at five theatres simultaneously. Many other operettas by Lehár followed and became well known in England and the United States under their English titles. Among them were The Man with Three Wives (1908), The Count of Luxembourg (1909), Gypsy Love (1910), and The Land of Smiles (1923). Several of his works were filmed, including The Merry Widow and The Land of Smiles. He wrote a single grand opera, Giuditta (1934), which was less successful.
Friday, October 5, 2012
Subscribe to:
Posts (Atom)
Featured Post
The Most Overtly Erotic Works in Classical Music
by Emily E. Hogstad May 28th, 2026 Western classical music is often thought of as cerebral or abstract, but throughout its history, co...
-
The BoholTimes MUSIC can raise someone’s mood, get them excited, or make them calm and relaxed. Music also – and this is important – allow...
-
2,261,443 views May 15, 2019 SUNTORY HALL Munich Philharmonic conducted by Valery Gergiev, Tokyo Suntory Hall Dec 1, 2018 00:05 - 15:5...
-
by Hermione Lai February 10th, 2026 I will say this upfront, as a pianist who knows exactly how hard this instrument can bite. Yuja ...



