Being Rheinberger’s only valid essay in the genre, the Piano Concerto in A-flat major op. 94 of 1876, merits special attention. It was splendidly received by contemporary musicians and critics and granted the shy and introverted Rheinberger a successful and amazingly smooth entrée into the world of the concert hall. Shortly after its creation the work was performed and wildly acclaimed in Munich, Leipzig), Cologne, and many other musical centers of Germany.
(carus-verlag.com)
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