Giuseppe Verdi, Và pensiero (Nabucco)

Giuseppe Verdi, Và pensiero sull'ali dorate (Nabucco) Orchestra e Coro del Teatro La Fenice Maestro del Coro Claudio Marino Moretti Direttore - James Conlon La pubblicazione di questo video non intende violare nessun copyright e/o di essere usato a scopo di lucro. In caso contrario siamo a disposizione per l'eventuale rimozione

Liszt Hungarian Rhapsody No.2 • Volker Hartung • Cologne New Philharmonie

Franz Liszt's Hungarian Rhapsody No.2, originally written for solo piano comes to much life in its orchestral version in this fiery performance by the Cologne New Philharmonic Orchestra conducted by Volker Hartung. Recorded live at Laeiszhalle Hamburg, Germany

MSO celebrates 98 years of music with grand concert

Guest conductor Olivier Ochanine and Filipino violinist Diomedes Saraza Jr.

By MANILA TIMES

Embarking on the illustrious journey towards its centennial milestone, the Manila Symphony Orchestra joyously commemorates its 98th anniversary with a captivating concert gala that will bring together the elegant and graceful sound of the violin and the majestic but lyrical timbre of the MSO.

Titled "Peña, Nielsen, & Tchaikovsky: The MSO 98th Anniversary Concert," this performance is scheduled on January 31 at 7 pm at the Carlos P. Romulo Auditorium in RCBC Plaza.

Headlining the concert is esteemed Filipino Violinist, Diomedes Saraza, Jr., a distinguished Juilliard graduate and the first Filipino violin soloist to grace Carnegie Hall. Saraza currently serves as the concertmaster of the MSO.

Guiding the orchestra with expertise is guest conductor Olivier Ochanine, the acclaimed winner of the 2015 Antal Dorati International Conducting Competition in Budapest, Hungary. Ochanine is also recognized as the former musical director of the Philippine Philharmonic Orchestra, which previously performed at Carnegie Hall alongside Saraza. The event promises to be an exciting and memorable musical experience that will leave concert-goers enthralled.

The repertoire for the evening includes Angel Peña's "Trinity," Carl Nielsen's Symphony No. 1, and Pyotr Ilyich Tchaikovsky's Violin Concerto No. 1, all masterpieces poised to elevate the senses and transport the audience to new musical heights.

You Don't Have To Say You Love Me ( 1966 ) - DUSTY SPRINGFIELD - Lyrics

Sorry for a mistyping: at 1:16, it's "you don't have to stay for ever" and not "you don't have to say". Thank our fan. You Don't Have To Say You Love Me ( 1966 ) - DUSTY SPRINGFIELD - Lyrics When I said I needed you You said you would always stay It wasn't me who changed but you and now you've gone away Don't you see that now you've gone And I'm left here on my own That I have to follow you and beg you to come home You don't have to say you love me just be close at hand You don't have to stay forever I will understand Believe me, believe me I can't help but love you But believe me I'll never tie you down Left alone with just a memory Life seems dead and quite unreal All that's left is loneliness there's nothing left to feel

Aaron Copland; Appalachian Spring Suite

Johann Strauss II: Emperor Waltz op. 437 | Musikverein Vienna

Alfred Eschwé, conductor | Conductor Viennese Johann Strauss Orchestra Recorded live on October 26, 2016 in the Golden Hall of the Wiener Musikverein. Synopsis: In the fall of 1889, Johann Strauss (Sohn) was invited to conduct a number of his own compositions at several festivals on the occasion of the opening of the new Berlin establishment "Königsbau" in the former "Poduktenbörse".

He was granted generous terms and provided him with an orchestra of 100 men. It tempted the Waltz King to perform once again in the metropolis on the Spree and, moreover, in such a noble setting. Strauss (Sohn) therefore wrote a new composition for these concerts, for which he chose the title "Hand in Hand". This should probably point to the good relations between Vienna and Berlin. Corresponding to the festive occasion, Johann Strauss (Sohn) wrote a large-scale waltz with an introduction, the beginning of which was perceived as "Prussian." All the more Viennese was the following waltz. Before the work was played for the first time, an important political event took place in Berlin: Emperor Franz Joseph paid a visit to Kaiser Wilhelm II. On this occasion, the alliance between Austria-Hungary and the German Reich was solemnly summoned. Probably this imperial meeting in Berlin offered the suggestion to give the new waltz by Johann Strauss (son) the title "Kaiser-Walzer". The premiere of the work took place under the direction of the composer on October 21, 1889 in Berlin's "Königsbau". The Vienna premiere followed on 24th November in the Golden Hall of the Musikverein. Johann Strauss (Sohn) performed his masterpiece even in the hometown itself to the audience. In both cases, there was a complete success. The special rank of the festive composition was immediately recognized, and at the same time it remained in the future. Text: Prof. Franz Maile

Bert Kaempfert - Wonderland By Night (1960) 4K

Bert Kaempfert and his Orchestra performing "Wonderland By Night", released originally in 1960. It reached #1 in the US Billboard Hot 100, #1 in New Zealand Charts, and #5 in the US Billboard Hot R&B Sides. "Wonderland By Night" is an instrumental song that served as the theme of a film about Germany. Bert Kaempfert was a German-born multi-instrumentalist who worked with popular artists such as Elvis Presley, Frank Sinatra, and the Beatles. He produced the Beatles' first session in 1961, in which the Beatles backed Tony Sheridan, and Kaempfert's influence continued to inspire them. Kaempfert started to achieve success with "Wonderland by Night," and his rise to the top began in 1959, when he was hired as a staff producer for Polydor Records in Germany. The song was particularly appealing to more mature listeners, and Decca Records, which made an agreement with Polydor to distribute Kaempfert's releases in America, worked to assemble an album around the song. As a result, many of the tracks that rounded out the album, including the Kaempfert original "Lullaby for Lovers" and his version of the standard "La Vie En Rose," were filler. Bert Kaempfert continued to chart albums through 1971. He died at the age of 56 in June 1980 in Switzerland.