Thursday, February 16, 2023

James Bond Theme (From "Dr. No")



Provided to YouTube by EuroArts Music International James Bond Theme (From "Dr. No") · Danish National Symphony Orchestra Agents Are Forever

The Supremes "Someday We'll Be Together" My Extended Version!





MSO's Tribute to Ryan Cayabyab: Tuwing Umuulan at Kapiling Ka


MSO performs one of Maestro Ryan Cayabyab's most beloved compositions, "Tuwing Umuulan at Kapiling Ka", at its tribute concert for Mr. C last June 9, 2019 at the Arete, Ateneo De Manila University. The concert was the season opening of MSO's 2019-2020 Season Concert Series: Live Music Lives, and the first tribute concert staged for Mr. C since his proclamation as National Artist for Music in 2018.


Queen - Bohemian Rhapsody (Orchester-Version) | WDR Funkhausorchester



"Bohemian Rhapsody" by Queen, arranged for orchestra by Ingo Luis and played by the WDR Funkhausorchester conducted by Eckehard Stier. Recorded live at WDR Funkhaus Wallrafplatz on October 14, 2021. Queen - Bohemian Rhapsody (Freddie Mercury / Ingo Luis (Arrangement)) WDR Funkhausorchester Eckehard Stier, conductor

L. van Beethoven: Klavierkonzert Nr. 1 in C-Dur, II. Largo

L. van Beethoven: Klavierkonzert Nr. 1 in C-Dur





Wednesday, February 15, 2023

Debussy - Arabesque No.1 and No.2


The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time. Of the arabesque in baroque music, he wrote: “that was the age of the ‘wonderful arabesque' when music was subject to the laws of beauty inscribed in the movements of Nature herself.”