Monday, January 13, 2014

Ten Unsolved Music's Great Mysteries


1. The great Baroque violinist Jean-Marie Leclair was brutally stabbed to death in a dangerous Parisian neighbourhood in 1764. But whodunnit? Was it his ex-wife, intent on financial gain? Or Leclair’s nephew, appropriately named Vial. Or could it have been the work of another musician envious of Leclair's brilliance? We may never find out.

Jean-Marie Leclair composer violinist Baroque


2. Who was Beethoven’s ‘immortal beloved’?

Beethoven was a bit of a failure when it came to romance, falling impractically in love with elegant, society women, including one he addressed as ‘immortal beloved’ in a famous love letter of July 1812. The recipient of the letter has been the subject of much speculation. The two candidates most favoured today are Antonie Brentano (pictured) - an Austrian patroness of the arts - and Countess Jozefina Brunszvik de Korompa, who received at least 15 love letters from Beethoven in which he swore his eternal devotion to her.



Antonie Brentano, Beethoven Immortal Beloved



3. How did Tchaikovsky die?
 
Tchaikovsky died at the age of 53 on 6 November 1893. The official cause was reported to be cholera, most probably contracted through drinking contaminated water several days earlier. However, his death is still a mystery. If he did contract cholera, it is impossible to know precisely when or how he became infected. Or did he commit suicide after facing a 'court of honour' investigating his sexual behaviour? Was the Tsar of Russia himself behind the great composer's death? Or did Tchaikovsky end it all after falling for his nephew, Bob? All possible, all very tragic.

Tchaikovsky



  4. The case of the missing Sibelius symphony
 
Sibelius worked on his Symphony No.8 from the mid-1920s until around 1938, but never had it published. He repeatedly refused to release it for performance, while continuing to assert that he was working on it even after it was claimed it had been burned in 1945. It was only in the 1990s that experts raised the possibility that some of the music may have survived in notebooks. Three short manuscript sketches – comprising less than three minutes of music – have been recorded by the Helsinki Philharmonic Orchestra, but will the full work ever be discovered and performed?

Jean Sibelius




5. Who killed Stradella?
 
The Italian Baroque composer Alessandro Stradella was stabbed to death in 1682 but his killer was never caught. Admittedly the composer was not without enemies: he had attempted – and failed – to embezzle money from the Church and had enough high-profile affairs with women to make him pretty unpopular among the great and the good of Rome and Venice.

Alessandro Stradella




6. Where are the remains of Thomas Tallis?

The great English composer Thomas Tallis died at his home in Greenwich in 1585. He was buried in St. Alfege’s Church in Greenwich. To this day, the exact location in the church of Tallis's remains is unknown. It’s feared they may have even been discarded by labourers between 1712 and 1714, when the church was rebuilt.

St Alphege Church Greenwich



7. What was Elgar’s ‘enigma’? 

For his Variations on an Original Theme for Orchestra, Elgar wrote a set of 14 variations on a hidden theme that is, in the composer's own words, 'not played'. Various musicians have proposed theories about what the missing melody could be, although Elgar never actually claimed his theme was a melody. It could be something else - such as a symbol or a literary allusion. Elgar rejected all of the solutions proposed in his lifetime, and took the secret with him to the grave.

Elgar





  8. The tomb of the two-headed composer

Eight days after the funeral of Joseph Haydn in May 1809, two phrenologists stole his head hoping to see if the composer's genius was somehow reflected in the bumps and ridges of his skull. Eleven years later, Haydn's patron Prince Nikolaus Esterházy II wanted to have Haydn's remains transferred and was furious to find they had no skull. The phrenologists gave him a different skull to bury with the rest of the body. In 1895, the real skull turned up again when it was willed to a music society in Vienna. In 1954, it was finally reunited with the rest of Haydn’s body – but the substitute skull was never removed. There are now two skulls in Haydn’s tomb - but which is his?

Haydn tomb



9. The mystery of the women who channeled composers 

In the 1970s, Londoner Rosemary Brown caused a sensation when she claimed that dead composers were dictating new musical works to her. Debussy, Grieg, Liszt, Chopin, Stravinsky, Bach, Brahms, Beethoven, Schumann and Rachmaninov were all queuing up to get their compositions through to her, she said. Reportedly a mediocre pianist herself, Brown even channelled a 40-page sonata from Schubert, as well as Beethoven's 10th and 11th Symphonies. Experts said the pieces were just sub-standard re-workings of some of those composer's better-known compositions. Well they would, wouldn't they?

Rosemary Brown





10. Was Beethoven killed by his doctor?
 
There is much disagreement over how Beethoven died. An autopsy revealed significant liver damage, which may have been caused by heavy alcohol consumption. Then there is the speculation - of syphilis, infectious hepatitis, sarcoidosis and even the gastro-disorder called Whipple's disease. More recently, examination of hair clippings from Beethoven (pictured) have led to the assertion that he was poisoned to death by excessive doses of lead-based treatments administered under instruction from his doctor.

Beethoven hair

Wednesday, January 1, 2014

Pastorale d'ete by Arthur Honegger - His Music and His Life



The French Arhur Honegger has been born in Le Havre on March 10, 1892 as a son of Swiss parents. He studied with Andre Gedalge (1856-1926) and Charles-Marie Widor (1845-1937).

Honegger's compostion works couldn't be dictated by conglomeration-tendencies. Honegger remainded incredible and unique, catholic-mysterious and as a great composer of mythical stories, adapted in "King David" (1921), "Johanna - burned of the shike" (1938, German version premiered 1947) or the dramatic psalm, also entitled "King David" (1941).

The Biblical drama "Judith"(1925) or "Oedipus Rex" (1926) became real composition challenges because of Igor Stravinsky.

Honegger's fifth symphony entitled "Di Tre Tre" is already incredible, because of all movements and an ending with a drumbeat.

Arthur Honegger passed away in Paris on November 27, 1955.

Monday, December 30, 2013

Happy New Year 2014 - Frohes Neues Jahr 2014


HAPPY NEW YEAR 2014 AND THANKS TO ALL FOR STAYING TUNE ON THIS BLOG!

FROHES NEUES JAHR 2014 UND HERZLICHEN DANK AN ALLE LESERINNEN UND LESER DIESES BLOGS!

Friday, December 13, 2013

It's Christmas - It's a Nutcracker

(C) Classic FM

Tuesday, December 3, 2013

Franz Schubert - His Music and His Life


Born on January 31, 1797, in Himmelpfortgrund, Austria, Franz Peter Schubert, the son of a schoolmaster, received a thorough musical education and won a scholarship to boarding school. Although he was never rich, the composer's work gained recognition and popularity, noted for bridging classical and romantic composition. He died in 1828 in Vienna, Austria.
 
Quotes

"A mind that is too easy hides a heart that is too heavy."
– Franz Schubert

Early Life

Born on January 31, 1797, in Himmelpfortgrund, Austria, Franz Peter Schubert demonstrated an early gift for music. As a child, his talents included an ability to play the piano, violin and organ. He was also an excellent singer.

Franz was the fourth surviving son of Franz Theodor Schubert, a schoolmaster, and his wife, Elisabeth, a homemaker. His family cultivated Schubert's love of music. His father and older brother, Ignaz, both instructed Schubert early in his musical life.

Eventually, Schubert enrolled at the Stadtkonvikt, which trained young vocalists so they could one day sing at the chapel of the Imperial Court, and in 1808 he earned a scholarship that awarded him a spot in the court's chapel choir. His educators at the Stadtkonvikt included Wenzel Ruzicka, the imperial court organist, and, later, the esteemed composer Antonio Salieri, who lauded Schubert as a musical genius. 

Schubert played the violin in the students' orchestra, was quickly promoted to leader, and conducted in Ruzicka's absence. He also attended choir practice and, with his fellow pupils, practiced chamber music and piano playing.

In 1812, however, Schubert's voice broke, forcing him to leave the college, though he did continue his instruction with Antonio Salieri for three more years. In 1814, under pressure from his family, Schubert enrolled at a teacher's training college in Vienna and took a job as an assistant at his father's school.

Young Composer

Schubert worked as a schoolmaster for the next four years. But he also continued to compose music. In fact, between 1813 and 1815, Schubert proved to be a prolific songwriter. By 1814, the young composer had written a number of piano pieces, and had produced string quartets, a symphony, and a three-act opera.

Over the next year, his output included two additional symphonies and two of his first Lieds, "Gretchen am Spinnrade" and "Erlkönig." Schubert is, in fact, largely credited with creating the German Lied. Boosted by a wealth of late 18th-century lyric poetry and the development of the piano, Schubert tapped the poetry of giants like Johann Wolfgang von Goethe, showing the world the possibility of representing their works in musical form.

In 1818, Schubert, who had not only found a welcome audience for his music but had grown tired of teaching, left education to pursue music full-time. His decision was sparked in part by the first public performance of one of his works, the "Italian Overture in C Major," on March 1, 1818, in Vienna.

The decision to leave school teaching seems to have ushered in a new wave of creativity in the young composer. That summer he completed a string of material, including piano duets "Variations on a French Song in E minor" and the "Sonata in B Flat Major," as well as several dances and songs.


Franz Schubert is considered the last of the classical composers and one of the first romantic ones. Schubert's music is notable for its melody and harmony.

Composer Franz Schubert received a thorough musical education and won a scholarship to boarding school. Although he was never rich, the composer's work gained recognition and popularity, noted for bridging classical and romantic composition. He died in 1828 in Vienna, Austria.

 Franz Peter Schubert demonstrated an early gift for music. As a child, his talents included an ability to play the piano, violin and organ. He was also an excellent singer.

Franz was the fourth surviving son of Franz Theodor Schubert, a schoolmaster, and his wife, Elisabeth, a homemaker. His family cultivated Schubert's love of music. His father and older brother, Ignaz, both instructed Schubert early in his musical life.

Eventually, Schubert enrolled at the Stadtkonvikt, which trained young vocalists so they could one day sing at the chapel of the Imperial Court, and in 1808 he earned a scholarship that awarded him a spot in the court's chapel choir. His educators at the Stadtkonvikt included Wenzel Ruzicka, the imperial court organist, and, later, the esteemed composer Antonio Salieri, who lauded Schubert as a musical genius. Schubert played the violin in the students' orchestra, was quickly promoted to leader, and conducted in Ruzicka's absence. He also attended choir practice and, with his fellow pupils, practiced chamber music and piano playing.


In 1812, however, Schubert's voice broke, forcing him to leave the college, though he did continue his instruction with Antonio Salieri for three more years. In 1814, under pressure from his family, Schubert enrolled at a teacher's training college in Vienna and took a job as an assistant at his father's school.



Schubert worked as a schoolmaster for the next four years. But he also continued to compose music. In fact, between 1813 and 1815, Schubert proved to be a prolific songwriter. By 1814, the young composer had written a number of piano pieces, and had produced string quartets, a symphony, and a three-act opera.



Saturday, November 23, 2013

Paul Hindemith: Trauermusik (1936) - His Music and His Life


The German Paul Hindemith was born in Hanau nearby Frankfurt/Main on November 16, 1895 and studied with Arnold Mendelsohn (1855-1933) and Bernhard Sekles (1872-1934).

Hindemith became the first important composer coming from a string instrument since Ludwig Spohr (1784-1859). In 1915, Hindemith became concert master at the Frankfurt Opera.

Since 1922, Paul Hindemith started his incredible career as the founder of the New German Classical Music. His operas "Murders - Women Hope" (1921) and "Sancta Susanna" (also 1921) have been witnesses of Hindemith's assault on classical music. The radicalizing "Piano Suite 1922" has been denied categorically. Hindemith's compositions have been remained as a matter of taste. His book "A Composer's World - Horizons and Limitations", published in 1952, seems like a stylish report or even justification.

Paul Hindemith passed away on December 28, 1963 in Frankfurt/Main.