It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
Turns out Mozart’s middle name and popular moniker, Amadeus, might have originated as a joke. Here’s the back story.
Mozart was baptised as (deep breath)… Johannes Chrysostomus Wolfgangus Theophilus Mozart.
At its root, Amadeus comes from the third of his long line of middle names, Theophilus: a Greek name meaning ‘lover of God’ or ‘loved by God’. In its German form, it translates as ‘Gottlieb’ while in Latin, it becomes ‘Amadeus’.
During his lifetime, Mozart signed some letters in mock Latin as ‘Wolfgangus Amadeus Mozartus’, adding ‘us’ to the end of each name. In Italy around 1770, this morphed into Wolfgango Amadeo, which later became Wolfgang Amadè from about 1777.
It was deemed pretty normal to translate your name into other languages in Mozart’s day. Joseph Haydn went by Josephus (Latin) and Giuseppe (Italian), while Ludwig van Beethoven published some works as Luigi (Italian) and Louis (French.)
Mozart; Amadeus. Picture: Getty
Mozart seemed pretty attached to his nickname. On his marriage certificate to Constanze Weber, he signed his name ‘Wolfgang Amade Mozart’.
But Amadeus was just that – a nickname. Aside from his wedding contract, only once during his lifetime was Mozart referred to as ‘Wolfgang Amadeus’ in an official document. In 1998, Mozart scholar Michael Lorenz found a document dated May 1787, in which ‘Mozart Wolfgang Amadeus’ is referred to in conjunction with his friend, Franz Jakob Freystädtler.
The day Mozart died, on 5 December 1791, his name was entered in the records of the Vienna Magistrate as ‘Wolfgang Amadeus’. Seven years later, the publishing company Breitkopf & Härtel produced an edition of Mozart’s complete works under the name – but the real dominance of ‘Amadeus’ began around 1810, 19 years after the composer’s death.
Romantic writers and authors used the nickname to proclaim their worship for Mozart, eventually turning ‘Amadeus’ into everyone’s preferred nickname for the classical giant.
Some thought he was a metaphorical musical God, others thought he literally got his virtuosity from a deal with the Devil. But what was the real story behind Niccolò Paganini’s genius?
Born on 27 October 1782 in Genoa, Italy, Niccolò Paganini was an incredibly gifted musician, and is widely considered one of the greatest violinists of all time.
He started playing the mandolin aged five, before taking up the violin aged seven and giving his first public performance aged 11 in Genoa. At the age of just 15, he started playing solo tours.
The 19th century produced a number of extraordinary violinists – but none like Paganini. His talent was so beyond that of his peers that people started to believe he had made a pact with the devil.
It was even rumoured that Paganini’s mother had sold his soul to the devil so he could become the greatest virtuoso in history.
Here’s the real story.
Aged 13, Paganini was sent to study with famous violinist and teacher, Alessandro Rolla. Rolla quickly saw Paganini’s talent, and decided there was nothing else he could teach him. So, he passed him onto his own teacher, Ferdinando Paer – who later referred him to his teacher, Gasparo Ghiretti.
The young Paganini was clearly a child prodigy. But when 15-year-old Paganini embarked on solo tours, he had a breakdown and turned to alcoholism.
Niccolò Paganini – or not. This is a famous fake daguerreotype (early photograph) of the violinist. Picture: Getty
The violinist’s fame slowly turned him into a heavy gambler, drinker and a serial womaniser. A rumour even spread that Paganini had murdered a woman, used her intestines as violin strings and imprisoned her soul within the instrument. Women’s screams were said to be heard from his violin when he performed on stage.
One thing was for sure: Paganini’s skill on the violin was unparalleled. He was one of the first solo violinists to perform publicly without sheet music, choosing instead to memorise everything.
Known particularly for his fiendish 24 Caprices for Solo Violin, Paganini helped popularise certain string techniques such as bow bounces – spiccato – as well as left-hand pizzicato and harmonics. He also purposely mistuned strings to make certain pieces easier to play.
It is said he could play 12 notes per second – a feat later achieved by violinist David Garrett, who plays Paganini in The Devil’s Violinist, a 2013 film based on the composer’s life story.
The Devil incarnate
Paganini was a striking man with hollow cheeks, pale skin and thin lips. He was very tall and thin, and often dressed in black.
He also had very long, thin fingers and without the restriction of performing with sheet music, he flailed about on stage, earning him the nickname ‘Rubber man’.
It is now believed that Paganini’s unusual finger length, which allowed him to play three octaves in one hand span, was due to Marfan syndrome, a genetic disorder. Equally, his ability to play at incredible speed could be attributed to Ehlers-Danlos syndrome, a disorder which causes joint hypermobility.
The violin was also regarded by some as the devil's instrument, so all in all, it's not surprising that rumours about a deal with the devil started circulating. Some even thought Paganini could be the Devil himself.
One of the first rumours came out of a concert in Vienna, where one audience member said they thought they had seen the devil helping Paganini play. People soon began claiming to have doppelgängers of Paganini with horns and hooves.
It was even said that the Devil once made lightning strike the end of Paganini’s bow during a performance.
A replica of Paganini's hand. Picture: Getty
How did Paganini die?
Paganini was sickly for much of his later life. He contracted syphilis in 1822, which was treated with mercury, leading to further health problems.
In 1834, he caught tuberculosis and recovered shortly after. But later that year, he found himself getting weaker and decided to retire from public performance, aged 54, and spent his last years teaching the violin.
Paganini died of larynx cancer on 27 May, 1840 in Nice, France. Before his death, he turned away a priest offering him last rites, the final prayers Catholics receive at the end of their lives.
Paganini said he turned the priest away was because he thought he wasn’t going to die – but those who believed he was in league with the devil didn’t buy this explanation.
Niccolò Paganini with his violin. Picture: Getty
A week later, Paganini died without receiving the last rites and his local church refused to bury his body on consecrated ground – even though he was a member of the Order of the Golden Spur.
Over the next four years, his corpse would be transported on an extraordinary tour of Europe. His embalmed body was left on his deathbed in Nice for two months, before it was transferred to the cellar of the house, where it remained for over a year.
After his local church refused to bury him, his body was later taken to an abandoned leper house, before being moved to a cement vat in an olive oil factory and later to a private house near Nice.
Almost four years after his death, Pope Gregory XVI allowed the violinist’s body to be transported to Genoa, and he was finally laid to rest in La Villetta Cemetery in Parma, Italy – some 200km from his birthplace in Genoa.
... 90 minutes before a concert and it’s too distressing for words
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A concert grand piano plunged from the stage to the floor just 90 minutes before pianist Stefan Vladar was due to play a Brahms concerto on it.
Look at the absolute horror of this
Back in 2015, this very distressing picture was posted to Facebook by pianist Iva Návratová on Saturday as preparations for an orchestral concert in Frickingen, Germany.
It makes us feel like this:
What in the holy name of Bösendorfer happened?!
This is how Iva describes the incident:
But it’s OK, guys
Stefan Vladar reportedly was able to perform the Brahms concerto on the piano. The damage was mostly external: it’ll need a new lid and perhaps some tweaking inside. It’s a Steinway piano, which means it’s exceptionally hardy. Here’s the list of damages:
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