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Thursday, May 25, 2023

The most soothing pieces of classical music – in Mental Health Awareness Month


10 soothing pieces of classical music in Mental Health Awareness Month
10 soothing pieces of classical music in Mental Health Awareness Month. Picture: Alamy
Classic FM

By Classic FM

Classic FM presenters chose the pieces of music that bring them calm and solace, in times of need. 

Various studies have proven the calming effect of classical music. As well as having the power to ease nerves and jitters, and decrease your heart rate, it can also lower your cortisol levels and increase blood flow to the brain. There’s even a study out there that says it takes ‘nine minutes’ for music to make you happy, and to start smiling and laughing more.

In Mental Health Awareness Month, which this May focuses on anxiety, we asked some of our evening Classic FM presenters to tell us about the pieces of classical music that bring them calm and focus, when times are tough.

From Debussy to Delius, here are the soothing pieces they chose.


  1. Rachmaninov – ‘Adagio Sostenuto’ from Piano Concerto No.2

    “If any piece has that little touch of magic, it’s what we like to call ‘Rach 2’. It’s simply one of the beautiful pieces of music, with soaring melody after soaring melody. And the nation agrees about that magic too – it's currently sitting at the top the Classic FM Hall of Fame.”

    Rachmaninoff - Piano Concerto No. 2 in C minor, II. Adagio Sostenuto

  2. Delius – On Hearing the First Cuckoo in Spring

    “I find a walk in the park or ideally a big country ramble really helpful when I’m feeling stressed or down. But of course that isn’t always possible. Listening to this piece conjures up the beauty and serenity of the outdoors which I find instantly calming and restful.”

    Delius - On Hearing the First Cuckoo in Spring

  3. Bach – ‘Prelude’ from Cello Suite No.1

    “This piece is just like a big musical hug. It’s one of the pieces we used to have playing in the house all the time when I was growing up, and it’s really helped me over the years when I need a moment of quiet reflection. When it doubt, always turn to Bach…”

    Yo-Yo Ma | 'Prelude' from Bach's Cello Suite No. 1 | Classic FM Sessions

  4. Mahler – ‘Adagietto’ from Symphony No.5

    “Like so many people, I associate Mahler’s Symphony No.5 with Death in Venice, a restless and at times disturbing movie. Mahler himself called the first movement a ‘Funeral March’. But the Adagietto was a love song for his new wife and it is ripe with emotion. I adore Venice and once spent a very happy time studying there so for me this music brings back positive memories of a special and dreamy time. A certain way to lift my mood.”

    Ritula Shah: Calm Classics, weekdays 10pm-1am

    Mahler: Symphony No. 5 (Adagietto) / Rattle · Berliner Philharmoniker

  5. John Barry – The Beyondness of Things

    “Now, if ever there was a Calm Classics favourite, this is it. A beautiful melody, evocative harmony, with the sort of contemporary touch only John Barry can add. A pure musical tonic for when you need that moment of stillness.”

    Barry: The beyondness of things

  6. Chopin – Ballade No.4

    “Chopin, always Chopin when times are tough. It’s difficult to choose a single piece but there is such a wide range of emotion in Ballade No.4, it seems like the perfect choice. Poetic and complex - a mirror on our sometimes turbulent inner lives.”

    Ritula Shah: Calm Classics, weekdays 10pm-1am

    Chopin - Ballade No. 4 in F Minor (4M Special)

  7. Alberto Giurioli – ‘Tutto è bellissimo’

    “My daughter Ella Rose loves this piece. It’s calming and relaxing, and helps us both wind down at the end of the day. Listening to this just puts tingles down my spine. One of those pieces that makes me think, ‘I wish I could play piano like this!’.” 

    Debussy – ‘Clair de lune’ from Suite Bergamasque

  8. “Popular for good reason. I adore this piece so much that it is the ringtone on my phone. Who wants to be jolted into answering a call? I’d rather be gently bathed in moonlight and believe the world is a calm and peaceful place.”

    Ritula Shah: Calm Classics, weekdays 10pm-1am

    Lang Lang – Debussy: Suite bergamasque, L.75: III. Clair de lune


Tuesday, May 23, 2023

Erik Satie | History's Weirdest and Most Eccentric Musician


Erik Satie was a French composer and pianist, born on May 17th, 1866 and by all accounts, he was thought of as a talentless musician in his formative years. At least that’s how Georges Mathias, his professor of piano at the Paris Conservatoire described him. "Insignificant,” “laborious," and "worthless" were his exact words. Émile Decombes, another one of Satie’s piano professors called him "the laziest student in the Conservatoire." It’s true, Satie wasn’t much of an accomplished piano player -- he was a horrible sight reader -- but he was a master composer. His compositions have been featured on everything from The Simpsons and How I Met Your Mother to The Royal Tenenbaums, Dr. Who and The Benny Hill Show, not to mention hundreds of commercials.

Erik Satie ~ Once Upon A Time In Paris (Artwork by Edouard Leon Cortes)


Songs ~ Gymnopedies #1 ~ Gnossiennes #1,3,4,5 ~ Album ~ Satie: Works For Piano Solo And Piano Duet ~ Artist ~ Pianist: Anne Queffelec ~ with artwork by Edouard Leon Cortes Tracks: 0:00 Gymnopedies #1 3:32 Gnossiennes #1 6:52 Gnossiennes #3 9:33 Gnossiennes #4 11:52 Gnossiennes #5

Saturday, May 20, 2023

Timeless Melodies & Memories Various Artists GMB



► ► ► Invite you to watch: https://www.facebook.com/onlyinstrume... 1.-Some Enchanted Evening - The Romantic Strings & Orchestra 2.- Love Is A Many any Splendored Thing - The RCA Symphony Orchestra; Charles Gerhardt 3.-Smoke Gets In Your Eyes - Hill Bowen 4.-Memories Are Made of This - Ronnie Price with Nick Ingman 5.-Melody of Love - Billy Vaughn 6.-Love Me Tender - Larry Dalton 7.-Mona Lisa - The Dennis Wilson Quartet 8.-True Love - Ronnie Aldrich with The Romantic Strings 9.-Dream A Little Dream of Me - Roger Williams 10.-Try to Remember - Peter Hope 11.-Always - Floyd Cramer 12.-Beautiful Dreamer - The Romantic Strings 13.-The First Time Ever I Saw Your Face - Ronnie Aldrich 14.-I Can't Believe That You're in Love with Me - Paul Weston 15.-Dream of Love ("Liebestraum") - The Romantic Strings 16.-An Affair to Remember - Richard Alden 17.-The Wind Beneath My Wings - Roger Williams 18.-You'll Never Walk Alone - Ronnie Price with Nick Ingman Timeless Melodies & Memories

The Merry Widow Waltz / Falling in Love with Love / The Blue Danube Waltz


The Merry Widow Waltz / Falling in Love with Love / The Blue Danube Waltz (Remastered 2014) · Geraldo and His Orchestra

That Lovely Weekend

℗ 2023 Moonhoney Records

Friday, May 19, 2023

I Will Wait for You from the Umbrellas of Cherbourg



Brahms on the Road: A Trip to Transylvania with Piano and Violin I


Johannes Brahms

Johannes Brahms

In 1879, Brahms wrote to the librarian at the Gesesllschaft der Musikfreunde that he and the violinist Joseph Joachim were planning a tour to the extremes of the Austro-Hungarian Empire. Could he please send him, with the greatest urgency, some music by Beethoven, Schubert, and a bit of Schumann? Please have this in the mail two weeks ago! If the librarian couldn’t get these out of the library, please buy the Peters edition of the individual works requested and if those aren’t available, the complete violin sonatas of Beethoven and Schubert would do. Quickly!

Brahms was taking to the hinterlands with Joachim for a series of concerts. They were travelling deep into the Austro-Hungarian empire, to the middle of current-day Romania, which for the Viennese-living Brahms, would be like a New Yorker venturing into deepest Iowa.

For Brahms, this was a momentous decision: he hadn’t been on the road touring since the late 1860s when he needed the money, and when he was on tour, he complained about what the constant concertizing did to his fingers. Nonetheless, when Joachim’s agent suggested the tour as a way of combining music making with a holiday, Brahms was interested. Now that he was wealthier and could afford the leisure time, he could travel for the pleasure of it.

Joseph Joachim

Joseph Joachim

It wasn’t easy to convince Brahms to go. Initially, he was reluctant, writing to his publisher Simrock that ‘…all concert tours…are a dubious pleasure.’ He said he wanted to travel in comfort and do some touring, but his concertizing companions, in the past, only wanted to do more and more concerts, scarcely lifting their eyes from the music to admire the scenery, and make money, of course. Eventually, though, he agreed and the tour was on.

Brahms and Joachim had only one day of rehearsal in Budapest, but then they were playing music that they probably knew from memory, having played it together for past quarter-century, with the one exception of a new work. The repertoire they travelled with included works from Bach to Brahms’ latest new work: the Violin Concerto, Op. 77. Joachim was the dedicatee of the work and had played its premiere, which hadn’t been a success. Joachim wanted to take it on the road as he needed to perform it more but Brahms wasn’t certain about reducing the orchestra to piano accompaniment alone. Joachim brought along Mendelssohn’s Violin Concerto as a backup, reminding Brahms that he had learned it from Mendelssohn himself.

The tour started on 13 September 1879 in Budapest, then by train to the city of Arad, just over the border in modern-day Romania. The next morning, off to Timişoara by carriage for a concert, return that night back to Arad, and then off to Sighişoara by train, concert the next day, and off the following day to Braşov. Back to the carriage for a trip to Sibiu, then onto Cluj, returning by train to Budapest on 24 September. This 11-day trip covered 1,600 km (1,000 miles).

romania hungary map

The concert in Arad sold out almost immediately. The programme included Schumman’s Fantasiestücke for Piano and Violin (an arrangement of the Fantasiestücke for clarinet and piano), Tartini’s Devil’s Trill Sonata, and works by Bach, Beethoven, and Brahms. 

Arad wasn’t quite as desolate and isolated as Brahms had imagined it to be in this tour of remote regions of the Empire. It was an important transportation hub, had a large military establishment, had the sixth music academy on the continent (opening only 11 years after the Royal Academy in London), and was a bustling commercial centre.

Reviewers noted in particular Brahms’ performance of the Schumann Novelletten, which seems to have been Brahms’ first performance of the entire work ever.

Off by single-track railroad to Timişoara, where the concert was promoted as presenting ‘The Piano Hero and the Violin King.’ The concert started with the Beethoven Violin Sonata, Op. 30, and closed with the Brahms Violin Concerto, Op. 77, arranged for violin and piano. 

Finally, Brahms’ Violin Concerto was coming in for praise, with one reviewer calling it ‘one of the most important compositions today,’ but wished for an orchestra to accompany, rather than just a piano. Reports of the concert couldn’t understate their importance to the town: ‘anybody who was anyone, by birth, rank, position, anyone with an understanding for music, was present. They held their breath at the wonderful sounds of the Violin King and the rare virtuosity of Brahms, a pianist of the first rank. Stormy applause followed each number; the audience left highly satisfied, conscious of having been present at an evening of rare artistry.’