It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
The superstar trio perform an impressive piano medley in this video – but how many pieces of music can you recognise?
Virtuoso pianist Lang Lang has just released a new music video with friends – and it’s every classical music lover’s dream.
In the video (watch above), which premiered last weekend, Lang Lang is seen to play a beautiful medley of music on a Steinway concert grand, but he’s joined by familiar faces.
Seated beside him at two other pianos are Tao Tsuchiya, a popular Japanese actress, model and dancer, and Soshina, who has won two titles in prestigious Japanese comedy competitions.
The talented trio apparently play a total of 29 classical masterpieces, but how many can you recognise?
Lang Lang performs a medley of music with friends. Picture: Universal Music
In the full version of the music video, Lang Lang starts things off with a moving performance of Beethoven’s ‘Für Elise’, a piece the composer penned in 1810 after the apple of his eye, Therese, rejected his marriage proposal.
Sad times for the musical maestro, but it’s not long before the mood here changes.
By now, we’re starting to lose track of the trio’s incredible repertoire, but they polish things off with a few other classical favourites – including Gershwin’s unmistakeable melody to ‘Rhapsody in Blue’ and Mozart’s ‘Rondo Alla Turca’.
Phew. We’ll let you do the rest…
Lang Lang - 'Grande Valse Brillante' (live at The Global Awards 2019)
The pianist performed at the Hammersmith Eventim Apollo
Lang Lang highlights the lack of music education in state schools
The Australian-born composer behind the beloved ‘Inspector Morse’ and ‘Lewis’ themes has passed away.
Barrington Pheloung, the much loved television composer, died yesterday in Australia aged 65.
Pheloung was best known for his dark, hypnotic music for Inspector Morse, for which he was nominated for Best Original Television Music at the 1992 British Academy Television Awards. He also composed the themes for the sequel Lewis, and the prequel Endeavour.
Within the Inspector Morse theme, Pheloung employed a Morse code motif for the letters that spell the name M.O.R.S.E. In occasional episodes, his music would even reveal the name of the killer in Morse code, or sometimes the name of another character (as a red herring).
Barrington Pheloung composed the ‘Inspector Morse’ theme. Picture: ITV
The sad news was announced earlier today by music production company DNA Music, with whom the composer worked on the music for TV detective series Endeavour.Pheloung’s representatives at DNA Music say they are “utterly heartbroken”.
“Some people just can’t help making a difference in our lives by simply being who they are. They make the world a little brighter, a little warmer and a lot funnier. Barrington was one of these people.
“An incredible composer, his music has touched us all and thankfully we have the memories and his music to cherish him by. Today is a very sad day, our hearts and thoughts are with Barrington’s wife Heather, his sons, Anthony, Danny and Timmy and his daughter Adel at this very sad time.”
Born on 10 May 1954 in Manly, New South Wales, Pheloung began playing R&B guitar in nightclubs. But then, he discovered the music of Bach in his late teens and everything changed.
Pheloung moved to London aged 18, to study guitar at the Royal College of Music under the great guitarist John Williams and Julian Bream. He also studied composition and conducting, and in his second year, received his first commission for a ballet score.
His film work includes Hilary and Jackie, based on the life of the great cellist Jacqueline du Pré. More recently, he worked on the music for 1983, the concluding episode of the Channel 4 drama Red Riding.
People have been sharing their memories of the composer on Twitter. One user wrote: “Very sad to hear of the death of Barrington Pheloung. I have many happy memories of our escapades together at the Royal College of Music. RIP.”
Another said: “You may not know his name, but you know his incomparable music.”
... into English – and they’re not what you’d expect
Watch the full trailer for Disney's The Lion King remake
Credit: Disney
By Maddy Shaw Roberts
0
It’s one of the greatest Disney songs in history, and Elton John and Lebo M. have just breathed new life into it. But what do the opening Zulu lyrics mean in English?
‘The Circle of Life’, the opening call in The Lion King, marks the moment the young Simba is held up by Rafiki for all the animals of Pride Rock to see.
And it perfectly sets the tone for the remarkable African-influenced score for the Disney classic. While ‘The Circle of Life’ is mostly sung in English, the chorus number opens with and is underpinned by a few memorable lines of Zulu.
“It was unusual for them to suddenly have an African voice over the opening titles,” composer Hans Zimmer told Classic FM at the film’s press junket in London.
Hans Zimmer on The Lion King score: ‘The death of a father needs a serious requiem’
Filmed exclusively for Classic FM.
So, what are the opening lyrics to ‘Circle of Life’?
The lyrics, written in Zulu and sung by the great South African composer Lebo M., read as follows:
‘Nants ingonyama bagithi Baba Sithi uhm ingonyama.
‘Here comes a lion, father, Oh yes it’s a lion. A lion we’re going to conquer, a lion, a lion and a leopard come to this open place.’
... that’s it.
via GIPHY
Billy Eichner and Seth Rogen, who play Timon and Pumbaa in the remake of the Disney movie, rinsed the translation in a recent interview on Capital FM, Classic FM’s sister station, calling the lyrics ‘lazily written’ and saying they ‘weren’t hugely creative’.
They might have a point. Won’t stop us from singing along to it, though...
Eight years after popular jazz singer Amy Winehouse’s death, we enlist an expert to reflect on her powerful and frankly irreplaceable voice.
Amy Winehouse tragically died on 23 July 2011 at the age of 27.
The popular jazz singer shot to stardom in 2003 after her first studio album, Frank, was released and won her a raft of nominations and awards, including the Ivor Novello that year.
Winehouse was immediately distinctive, both in terms of music – in an era dominated by girl and boy bands hers was an incredible, authentic and big-selling jazz voice carrying the most original lyrics out – and style, with her winged eyeliner, beehive hair and growing collection of tattoos.
More than Frank, it was Back to Black that solidified Winehouse’s place firmly comfortably-alongside-but-also-outside jazz, and into popular culture and mainstream mass consciousness.
Tony Bennett with Amy Winehouse in 2010. Picture: Getty
Singles ‘Rehab’, ‘Back to Black’ and ‘You Know I’m No Good’ were among those that made her huge. Later came ‘Valerie’, the Mark Ronson-produced cover Winehouse did of Liverpool Indie band, The Zuton’s song in 2007.
What ensued for the singer was a life under the spotlight plagued by paparazzi chases, pressure from tabloids and fame shadowed by ultimately destructive behaviours.
Alongside all of this was, of course, that voice. It always came back to that utterly unmatched, rare and modern-yet-powerfully-nostalgic— jazz voice she had.
“The week before Amy Winehouse died, I heard Tony Bennett on the radio saying what a joy it had been to record with her, and acclaiming her as one of the finest jazz singers he’d ever heard,” Classic FM presenter and professional soprano Catherine Bott says. “He said he looked forward to future collaborations – but it wasn’t to be.”
Amy Winehouse performs live in London in 2008. Picture: Getty
Before her incredibly sad death, Winehouse performed and recorded with Bennett for his studio album, Duets II, which also happens to feature the most famous timeless voices you can think of, from Michael Bublé and Andrea Bocelli, to Lady Gaga and Norah Jones.
“Jazz wasn’t the repertoire I associated with Amy, back then,” Catherine Bott admits. “But thinking about it, Bennett was right: she had one of those voices that's instantly recognisable.”
Below, Catherine offers deeper insight into some of Amy Winehouse’s voice in some of her best loved songs.
‘Rehab’
‘Rehab’ was everywhere in 2006 and after. The massive track took Winehouse’s voice into the realms of mainstream pop/RnB and was an incredible display of powerful vocals and soulful expression.
“She made every note – every word – deeply personal in this song,” Bott says.
‘Someone to Watch Over Me’
From the power behind the opening ‘Rehab’ lyrics – “They tried to make me go to rehab / I said no, no, no” – Winehouse’s voice could go as vulnerable and soft as anything.
“In her cover of Ella Fitzgerald’s ‘Someone to watch over me’, the vulnerability in her singing is incredibly touching,” Bott tells us. “She is a great artist.”
Even though Winehouse’s voice evokes a nostalgic trad jazz feel, it’s as fresh and modern in this song as all of Amy’s work. Stunning.
‘You Know I’m No Good’
‘You Know I’m No Good’ is Amy’s jazz voice at its best married to the beats and edge of a modern banger – ooh, that catchy brass riff gets us every time.
Her voice carries all the wavers and jazzy grace notes we love. And then that emotion she packs. Just – wow.
‘Valerie’
Paired up with Mark Ronson and his band, Winehouse turned The Zuton’s soft indie rock ‘Valerie’ into a rhythmic and sultry, jazz-soul number.
If she wasn’t going to be remembered in music history forever (which of course she was – she sits in that rare category of modern genius never forgotten), she would with ‘Valerie’.
It’s tricky to find someone you say ‘Valerie’ to who won’t sing it in the Winehouse jazz version way sooner than they would the indie original.
How many albums did Amy Winehouse release?
Amy Winehouse released two studio albums: Frank in 2003 and Back to Black three years later in 2006. She also appeared on Tony Bennett’s 2011 Duets II and other compilations since.
How did Amy Winehouse die?
Amy Winehouse tragically died from accidental alcohol poisoning on 23 July 2011 at the age of 27. She was found at her home in Camden, London by her body guard, who was unable to rouse her from what at first appeared to be deep sleep.
She was a one-of-a-kind artist and we have no doubt we’re joined by jazz, pop and just universal music fans in general in saying we’re devastated we couldn’t hear more.s
