13 Songs From The 60s You Forgot Were Awesome

240,910 views Jan 22, 2024

13 Songs From The 60s You Forgot Were Awesome The 1960s was the golden era of music. You witnessed the rise of The Turtles, The Temptations, and many more. Even solo artists such as Nancy Sinatra and Bob Dylan were releasing smashing hits. In such a high influx, some big hits tend to slip through the cracks. So, today, we are rediscovering top '60s hits that you forgot were awesome. Let's get in!

Georg Philipp Telemann - his music and his life

 

Georg Philipp Telemann, (born March 14, 1681, Magdeburg, Brandenburg [Germany]—died June 25, 1767, Hamburg), German composer of the late Baroque period, who wrote both sacred and secular music but was most admired for his church compositions, which ranged from small cantatas to large-scale works for soloists, chorus, and orchestra.

Telemann was the son of a Protestant minister and was given a good general education but never actually received music lessons. Though he showed great musical gifts at an early age, he was discouraged by his family from becoming a professional musician, at that time neither an attractive nor a remunerative occupation. By self-teaching, however, he acquired great facility in composing and in playing such diverse musical instruments as the violin, recorder, oboe, viola da gamba, chalumeau, and clavier. In 1701 he enrolled at the University of Leipzig as a law student, but musical activities soon prevailed and were to engross him for the rest of his life.

Leipzig became the stepping-stone for Telemann’s musical career. The municipal authorities there realized that, apart from his musical gifts, the young firebrand possessed extraordinary energy, diligence, and a talent for organization. They commissioned him to assist the organist of the Thomaskirche, Johann Kuhnau, by composing church cantatas for alternate Sundays, and also gave him a position as organist at the university chapel, Neuenkirche. Telemann reorganized the collegium musicum, the student musical society, into an efficient amateur orchestra that gave public concerts (then a novelty) and became director of the Leipzig Opera, for which he also composed. Telemann’s next positions were at two princely courts: first as kapellmeister (conductor of the court orchestra) in Sorau (now Żary, Poland; 1705–08), then as concertmaster (first violinist) and later kapellmeister in Eisenach (1708–12). By playing, conducting, studying, and composing he gained the musical knowledge, practical experience, and facility in composing that were to be vital when he assumed the musical directorship of Frankfurt am Main (1712–21) and Hamburg (1721–67). In Frankfurt he was musical director of two churches and in charge of the town’s official music. As in Leipzig, he reorganized the students’ collegium musicum and gave public concerts with the group. In Frankfurt Telemann started publishing music that made him famous not only in Germany but also abroad. As musical director of Hamburg, one of the outstanding musical positions of the time, he supplied the five main churches with music, was in charge of the Hamburg Opera, and served as cantor at Hamburg’s renowned humanistic school, the Johanneum, where he also was an instructor in music. In Hamburg, too, he directed a collegium musicum and presented public concerts. In 1729 he refused a call to organize a German orchestra at the Russian court. He had also declined an offer in 1722 from municipal authorities in Leipzig to succeed Kuhnau as organist of the Thomaskirche. This proffered position, which had been promised him 17 years earlier by authorities in the event of Kuhnau’s death, manifested the high esteem in which even the young Telemann was held. (Following Telemann’s refusal, the position fell to Johann Sebastian Bach.) In addition to all his activities in Hamburg, he also supplied (by contract) the courts of Eisenach and Bayreuth, as well as the town of Frankfurt, with music and continued to publish his compositions.

 master of the principal styles of his time—German, Italian, and French—he could write with ease and fluency in any of them and often absorbed influences of Polish and English music. He composed equally as well for the church as for opera and concerts. His music was natural in melody, bold in harmonies, buoyant in rhythm, and beautifully orchestrated. Profound or witty, serious or light, it never lacked quality or variety. Telemann’s printed compositions number more than 50 opuses, among them (counting each as one item) the famous collection Musique de table (published in 1733; containing three orchestral suites, three concerti, three quartets, three trios, and three sonatas); the first music periodical, Der getreue Music-Meister (1728–29; containing 70 compositions); Der harmonische Gottesdienst (1725–26; 72 church cantatas); and 36 fantasias for harpsichord.

Except for a brief journey to France (1737–38), where he was enthusiastically received, Telemann never left Germany. He married twice and had eight sons and three daughters. His first wife died young in childbirth; his second wife absconded with a Swedish officer, leaving Telemann with a debt of 3,000 taler. Apart from being a prolific composer, he was also a keen writer; his two autobiographies of 1718 and 1739 are comparatively well documented. He published a long poem after his first wife’s death, and many words in his vocal compositions came from his own pen. Especially noteworthy are Telemann’s many prefaces to collections of his music, which contain a great amount of practical advice on how his compositions (as well as those of his contemporaries) should be performed. A friend of Bach and Handel, he was godfather to Bach’s son Carl Philipp Emanuel, who succeeded as musical director of Hamburg after Telemann’s death at the age of 86.

G.P. Telemann - Wassermusik 《Hamburger Ebb' und Fluth》

Georg Philipp Telemann (1681-1767) Ouvertüre-Suite in C-dur, TWV 55:C3 [1723] 《Hamburger Ebb' und Fluth》 wassermusik I. Ouvertüre - 00:00 II. Sarabande: "Die schlafende Thetis" - 06:29 III. Bourrée: "Die erwachende Thetis" - 09:15 IV. Loure: "Der verliebte Neptunus" - 11:22 V. Gavotte: "Spielende Najaden" - 13:06 VI. Harlequinade: - 13:54 "Der schertzende Tritonus" VII. Tempête: "Der stürmende Aeolus" - 15:05 VIII. Menuett: "Der angenehme Zephir" - 16:16 IX. Gigue: "Ebbe und Fluth" - 18:16 X. Canarie: "Die lustigen Boots Leute" - 19:31 The New Baroque Company [South Korea] Red Dot Baroque [Singapore] The Gleam Ensemble [Taiwan]

Toni Braxton - Un-break My Heart (1999) Live | 4K

269,980 views Jan 26, 2024 #ToniBraxton #Unbreakmyheart

Toni Braxton performing "Un-break My Heart" live in 1999, remastered in 4K Toni Braxton's 'Un-break My Heart' stands as a pinnacle in the realm of R&B ballads, released in 1996 as the second single from her critically acclaimed album 'Secrets.' The song, penned by Diane Warren, serves as a powerful emotional journey, chronicling the anguish of heartbreak and the longing for lost love. Braxton's soulful and emotive vocal delivery, combined with the hauntingly beautiful arrangement, catapulted the ballad to global acclaim. 'Un-break My Heart' not only topped charts worldwide but also earned Braxton a Grammy Award for Best Female Pop Vocal Performance in 1997. The timeless appeal of this heart-wrenching ballad cements its status as one of the standout moments in Toni Braxton's illustrious career and a classic in the R&B genre.

Sukiyaki (Kyu Sakamoto) - "We'll meet again" Orchestra Project

Vienna Hall, Fuchu Forest Art Theater, Tokyo in September 2020 We filmed this video against the background of empty auditorium, to document the "current state" of young musicians and in hope to see many of you in the concert hall again. We recorded performances by one or two players, and this video is made by layering them. Filming was done keeping social distancing and proper safety procedures in mind.

Begin the beguine - Fred Astaire and Eleanor Powell

155,299 views Jan 13, 2024

Fred Astaire and Eleanor Powell in one of the greatest tap dance performances ever filmed.1940 FRED ASTAIRE (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, actor, singer, choreographer and presenter. He is widely regarded as the "greatest popular-music dancer of all time". He received numerous accolades including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award. He was honored with the Film Society of Lincoln Center tribute in 1973, the Kennedy Center Honors in 1978, and AFI Life Achievement Award in 1980. He was inducted into the Hollywood Walk of Fame in 1960, American Theatre Hall of Fame in 1972, and the Television Hall of Fame in 1989. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema, including Top Hat (1935), Swing Time (1936), and Shall We Dance (1937). Astaire's fame grew in films like Holiday Inn (1942), Easter Parade (1948), The Band Wagon (1953), Funny Face (1957), and Silk Stockings (1957). The American Film Institute named Astaire the fifth-greatest male star of Classic Hollywood cinema in 100 Years... 100 Stars. ELEANOR TORREY POWELL (November 21, 1912 – February 11, 1982) was an American dancer and actress. Best remembered for her tap dance numbers in musical films in the 1930s and 1940s, she was one of Metro-Goldwyn-Mayer's top dancing stars during the Golden Age of Hollywood. Powell appeared in vaudeville, on Broadway, and most prominently, in a series of movie musical vehicles tailored especially to showcase her dance talents, including Born to Dance (1936), Broadway Melody of 1938 (1937), Rosalie (1937), and Broadway Melody of 1940 (1940). She retired from films in the mid-1940s but resurfaced for the occasional specialty dance scene in films such as Thousands Cheer. In the 1950's she hosted a Christian children's TV show and eventually headlined a successful nightclub act in Las Vegas. She died from cancer at 69. Powell is known as one of the most versatile and powerful female dancers of the Hollywood studio era.

A dinner concert for a cause

The Children's First One Thousand Days Coalition (CFDC), in partnership with The Manila Hotel, will present a dinner concert to raise funds for the nutrition efforts of non-government organizations helping government address malnutrition of Filipino infants during the crucial period from conception to their second birthday.

The pre-Valentine concert called "The Greatest Love of All" will be held on February 9, 6 pm, at the Tent City of The Manila Hotel.

Main performers include former press secretary Mike Toledo, former executive secretary Salvador Medialdea, and The Manila Hotel president and former Senator Joey Lina.

Other performers include Beverly Salviejo, Nina Campos, Jenny Sugay, Rachelle Rule, Rachel Verns, Pam Esquivel, Bobby Alvarez, Egay Rubiano, Jeffrey Panado, Egay Banaag, and the Adeodatus Children's Choir (Baseco) with Manila Philharmonic Orchestra. Rodel Colmenar leads the music direction, with George Sison-Tagle and Paul Dizon supervising the overall direction of the concert.

CFDC member organizations include Rotary International, Lions Club International, Kiwanis International, Junior Chamber International, The Most Worshipful Grand Lodge of Free and Accepted Masons of the Philippines, The Fraternal Order of Eagles - Philippine Eagles, Knights of Columbus, Knights of Rizal, Save the Children Philippines, World Vision Philippines, Brotherhood of Christian Businessmen and Professionals, Philippine League of Government and Private Midwives, Crusade Against Violence, and others.

In tandem with government, the CFDC was formed to confront a serious problem troubling the Philippines: malnutrition during a child's First One Thousand Days of Life – a very critical period when the impact of poor nutrition can be profound, long-lasting, even irreversible.

The Greatest Love of All is not merely an entertainment spectacle but a collaborative initiative to generate funds for the nutrition program of NGOs in the villages.

For details, contact John Gacutan at 09620668526 or +632 85270011 extension 1006. 

Here Be A Dragon

by Maureen Buja, Interlude

With a joyous call on his horn, Siegfried announces his presence in the great forest of Fafner. Turned into a dragon by the lure of the Ring, Fafner, one of the two giants who built Valhalla for Wotan, is being sought by Siegfried. Siegfried, who has been raised by the dwarf Mime, is afraid of nothing and has been sent by Mime to defeat Fafner. Mime, of course, has his own agenda in this – after Siegfried has killed the dragon, Mime will offer him a poisoned cup and gain the ring of power.

Daniel Brenna (Siegfried) from Finnish National Opera © Ralph Larmann

Siegfried arrives at Fafner’s cave where Woton the Wanderer, who wants to see the battle, and Alberich, who originally stole the gold that made the ring from Rhinemaidens but lost it all to Wotan, are also waiting.

With his horn call, Siegfried has awoken Fafner, who soon emerges. 

He’s defeated by Siegfried and in his last moments, warns Siegfried about the fatal qualities of the ring.  

As Siegfried withdraws his sword, he’s splashed with Fafner’s hot blood and burns himself. He sucks his burn and, in taking in Fafner’s blood, can understand the bird he couldn’t understand earlier. He’d seen Fafner’s ring without interest before but now, on the advice of the bird, keeps the ring. 

Mime appears with his congratulatory drink, which Siegfried, now with the dragon’s blood advantage, realizes his danger and kills Mime. 

© South China Morning Post

And so the dragon is defeated, his enemies are disposed of, and the naïve Siegfried learns about a new trial he can try: the bird has told him about a woman sleeping on a rock surrounded by magic fire! Off to discover if he can complete his hero’s education by learning fear from this woman, Siegfried sets off again on his next adventure.

And so we look at Chinese New Year 2024: the Year of the Wood Dragon. The dragon symbolizes power, nobleness, honour, luck, and success. Wood brings vitality and creativity. This is the year for people who want to change the world. The year for perfectionists who are goal-oriented. It’s been 60 years since our last Wood Dragon year, so look around carefully for the last set of goal-oriented perfectionists born as Wood Dragons. They include Boris Johnson and Keanu Reeves, actress Sandra Bullock and vice-president Kamala Harris, musicians Robert Trujillo of Metallica and Eddie Vedder of Peal Jam – it should make for an interesting year!

 

The Ultimate Vivaldi Quiz

Quiz Image

Antonio Lucio Vivaldi: an Italian composer, virtuoso violinist and impresario of Baroque music. You may know his most famous work, but how much do you know about his life, family and death?

Vaughan Williams: 15 facts about the great composer

Best known for The Lark Ascending, Ralph Vaughan Williams wrote nine symphonies, operas, film scores and was an avid collector of English folk songs.

1. 

   1. The young Ralph Vaughan Williams

   Born in the village of Down Ampney, Gloucestershire, Ralph Vaughan Williams was related to Charles Darwin (Ralph's great-uncle) and the ceramics giant Josiah Wedgwood (his great-great-grandfather). Young Ralph studied piano and violin and collected traditional folk songs from an early age. These tunes went on to inspire many of his subsequent works.

2. 

   2. At the Royal College of Music

   Vaughan Williams studied at the Royal College of Music in London, pictured, alongside Gustav Holst and Leopold Stokowski. He also spent a short time continuing his studies in Berlin with Max Bruch.

3. 

   3. A Pilgrim's Progress

   The composer's father Arthur was ordained vicar of All Saints church in Down Ampney, pictured. Despite being agnostic, Vaughan Williams edited The English Hymnal in 1904, composed some stunning Christian choral music, and wrote an opera of The Pilgrim’s Progress.

4. 

   4. Vaughan Williams - A committed socialist

   The composer never took his privileged background for granted and worked all his life for democratic and egalitarian ideals. He viewed music as being part of everyone’s everyday life, rather than being the preserve of an elite.

5. 

   5. Influenced by Ravel

   In 1907-1908, Vaughan Wiliams studied orchestration in Paris with Ravel. It inspired one of his most fruitful periods of composition. 1910 saw the premieres of his A Sea Symphony and the Fantasia on a Theme of Thomas Tallis.

7. 

   6. Fantasia on a Theme of Thomas Tallis

   The theme from Fantasia on a Theme of Thomas Tallis, pictured, was discovered by Vaughan Williams when he was commissioned to put together the 1906 edition of the English Hymnal. His orchestration of it resulted in an unmistakably British sound and has remained one of his most popular pieces.

8. 

   7. The Lark Ascending

   Vaughan Williams’ most popular piece, The Lark Ascending, was written in 1914 but the outbreak of World War I meant he had to put its premiere on hold. It was given in 1921 by the violinist Marie Hall – the woman for whom Vaughan Williams had written it.

9. 

   8. Vaughan Williams at war

   Aged 41 when World War I began, Vaughan Williams served in France and Salonika. Prolonged exposure to gunfire began a process of hearing loss that eventually caused severe deafness in his old age.

10. 

    9. English Folk Songs Suite

    Vaughan Williams was rather sentimental about military bands which he recognized as being crucially important to the UK’s cultural and community life. So in 1923 he composed English Folk Songs Suite for them.

11. 

    10. A renaissance in old age

    The composer conducted the London Philharmonic Orchestra in the premiere of his Symphony No.5, dedicated to Sibelius, on 24 June 1943. It offered calming relief from the rigors of London life during the Second World War. As he was already 70, many considered the symphony to be his swan song but Vaughan Williams entered another period of experimental compositions.

13. 

    11. Fantasia on Greensleeves

    The four-minute long Fantasia on Greensleeves appeared originally in Vaughan Williams's 1928 opera Sir John in Love. The piece also incorporates a folk song called ‘Lovely Joan’ which Vaughan Williams came across in Sussex.

14. 

    12. Serenade to Music

    Vaughan Williams' Serenade to Music for 16 vocal soloists and orchestra was composed in 1938. The text is adapted from a discussion about music and the music of the spheres in Act V of Shakespeare’s The Merchant of Venice, pictured.

15. 

    13. Ursula and Ralph Vaughan Williams

    Vaughan Williams was married first to Adeline Fisher. After her death in 1951, he married poet Ursula Wood, pictured, who worked on the libretti for his choral work The Sons of Light as well as the opera The Pilgrim's Process and a Christmas cantata, Hodie.

16. 

    14. Final days

    Vaughan Williams was still composing great music into his 80s. At the age of 85, he was set to supervise the first recording of his Ninth Symphony with Sir Adrian Boult conducting. But his death on 26 August 1958, the night before the recording sessions were to begin, prompted the conductor to announce to the musicians that their performance would be a memorial to the composer.

17. 

    15. Ralph Vaughan Williams' popularity increases

    Since Classic FM began broadcasting in 1992, the popularity of Vaughan Williams has grown steadily each year with The Lark Ascending often topping the annual Hall of Fame poll from 2007 onwards.

John Wilson conducts "The King and I" Overture

The superb John Wilson Orchestra, under its highly versatile founder-conductor, is seen here in their 'Rodgers & Hammerstein' Prom concert from 2010. This Overture was just one of the many fabulous musical items that delighted the 5000-strong audience on that splendidly memorable evening in London's Royal Albert Hall.

Richard Rodgers - his music and his life

 

Richard Rodgers' contributions to the musical theatre of his day were extraordinary, and his influence on the musical theatre of today and tomorrow is legendary. His career spanned more than six decades, and his hits ranged from the silver screens of Hollywood to the bright lights of Broadway, London and beyond. He was the recipient of countless awards, including Pulitzers, Tonys, Oscars, Grammys and Emmys. He wrote more than 900 published songs, and forty Broadway musicals.

Richard Charles Rodgers was born in New York City on June 28, 1902. His earliest professional credits, beginning in 1920, included a series of musicals for Broadway, London and Hollywood written exclusively with lyricist Lorenz Hart. In the first decade of their collaboration, Rodgers & Hart averaged two new shows every season, beginning with Poor Little Ritz Girl, and also including The Garrick Gaities (of 1925 and 1926), Dearest Enemy, Peggy-Ann, A Connecticut Yankee and Chee-Chee. After spending the years 1931 to 1935 in Hollywood (where they wrote the scores for several feature films including Love Me Tonight starring Maurice Chevalier, Hallelujah, I'm a Bum starring Al Jolson and The Phantom President starring George M. Cohan), they returned to New York to compose the score for Billy Rose's circus extravaganza, JUMBO.

A golden period followed -- golden for Rodgers & Hart, and golden for the American musical: On Your Toes (1936), Babes In Arms (1937), I'd Rather Be Right (1937), I Married An Angel (1938), The Boys From Syracuse (1938), Too Many Girls (1939), Higher And Higher (1940), Pal Joey (1940), and By Jupiter (1942). The Rodgers & Hart partnership came to an end with the death of Lorenz Hart in 1943, at the age of 48.

Earlier that year Rodgers had joined forces with lyricist and author Oscar Hammerstein II, whose work in the field of operetta throughout the '20s and '30s had been as innovative as Rodgers' own accomplishments in the field of musical comedy. OKLAHOMA! (1943), the first Rodgers & Hammerstein musical, was also the first of a new genre, the musical play, representing a unique fusion of Rodgers' musical comedy and Hammerstein's operetta. A milestone in the development of the American musical, it also marked the beginning of the most successful partnership in Broadway musical history, and was followed by Carousel (1945), Allegro (1947), South Pacific (1949), The King And I (1951), Me And Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958) and The Sound of Music (1959). The team wrote one movie musical, State Fair (1945), and one for television, Cinderella. (1957). Collectively, the Rodgers & Hammerstein musicals earned 35 Tony Awards, 15 Academy Awards, two Pulitzer Prizes, two Grammy Awards and 2 Emmy Awards. In 1998 Rodgers & Hammerstein were cited by Time Magazine and CBS News as among the 20 most influential artists of the 20th century and in 1999 they were jointly commemorated on a U.S. postage stamp.

Despite Hammerstein's death in 1960, Rodgers continued to write for the Broadway stage. His first solo entry, NO STRINGS in 1962, earned him two Tony Awards for music and lyrics, and was followed by Do I Hear a Waltz? (1965, lyrics by Stephen Sondheim), Two by Two (1970, lyrics by Martin Charnin), REX (1976, lyrics by Sheldon Harnick) and I Remember Mama (1979, lyrics by Martin Charnin and Raymond Jessel).

No Strings was not the only project for which Rodgers worked solo: as composer/lyricist he wrote the score for a 1967 television adaptation of Bernard Shaw's Androcles and the Lion for NBC; contributed songs to a 1962 remake of State Fair; and to the 1965 movie version of The Sound of Music. He composed one ballet score (Ghost Town, premiered in 1939), and two television documentary scores -- Victory at Sea in 1952 and The Valient Years in 1960 (the former earning him an Emmy, a Gold Record and a commendation from the U.S. Navy.)

Richard Rodgers died at home in New York City on December 30, 1979 at the age of 77. On March 27, 1990, he was honored posthumously with Broadway's highest accolade when the 46th Street Theatre, owned and operated by the Nederlander Organization, was renamed The Richard Rodgers Theatre, home to The Richard Rodgers Gallery, a permanent exhibit in the lobby areas presented by ASCAP which honors the composer's life and works.

Blue Moon - composed by Richard Rogers and Lorenz Hart (1934)

Blue Moon - composed by Richard Rogers and Lorenz Hart (1934). Performed by Evening Navigator. Video by Evening Navigator.

Anne-Sophie Mutter, Daniel Barenboim, Yo-Yo Ma – Beethoven: Triple Concert

Three classical music giants, Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim celebrate the 250th anniversary of Beethoven’s birth by recording the Triple Concerto. Pairing the Concerto with the Seventh Symphony, the album also marks the 20th birthday of the West-Eastern Divan Orchestra. The Triple Concerto has a special place in Beethoven’s oeuvre, revealing his revolutionary spirit and ingrained humour both in its sophisticated architecture and in its musical idiom. Ever inventive, creative and original, here Beethoven stages a lavish musical feast over-flowing with melody, a feast. Yo-Yo Ma puts it in these words: “For me, in the Triple Concerto, it’s the constant invention that always takes me by surprise. You know what I love about the piece? It’s so celebratory, so positive.” Performed by three of today’s most renowned classical artists and Beethoven interpreters – Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim and accompanied by the acclaimed West-Eastern Divan Orchestra. Watch them perform Beethoven's Triple Concerto in C Major, Op. 56, No.2 Largo – Attacca, Live at Philharmonie, Berlin (2019). Anne-Sophie Mutter, Daniel Barenboim, Yo-Yo Ma – Beethoven: Triple Concerto C Major, Op. 56, No. 2

Overture to "Iphigenie in Aulis" by Christoph Willibald Gluck

Overture to "Iphigenie in Aulis" by Christoph Willibald Gluck, performed by the DeKalb Symphony Orchestra June 20, 2017.