How well do you know Classical Music? A Quiz.

5,564 views Jun 24, 2023

It's a year's worth of videos... So, a quiz. 25 clips, a point for the composer, another for the piece. Double for your percentage score. This quiz is hard...I tried it in 'stupid' mode and got 30%. In 'smart' mode I got 68%...and I know the music! Anyhow...here's a breakdown... 0-10% - Congrats, you know some classical music 11-20% - You know a reasonable amount of classical music 21-40% - You have a wide knowledge of classical music (or you've followed my channel closely) 41-60% - You have a wide knowledge of classical music, AND you've followed my channel 61-80% - Respect. You clearly know your stuff 81-100% - Are you cheating??

A Day In The Life with orchestra - The Beatles (arr. Sam Haug)

4,505,849 views

I arranged the song 'A Day In The Life' from The Beatles into an orchestral piece with choir. This is the result. Hope you like it!

Mantovani & His Orchestra - On Wings of Song(Mendelssohn)

Some Advice to Young Musicians

By Janet Horvath, Interlude

One of my adult students, who happens to be a heart surgeon, came to a lesson last week with an idea. For his upcoming birthday, during the gathering at his home, he’s thinking he’d like to perform three or four cello pieces with the piano accompaniment for his friends. “Tell me if I’m crazy!” he said. I told him I thought it was a terrific plan. Not only would it give him the incentive to prepare and polish some pieces, but I was certain his friends and family would no doubt be delighted and proud of his accomplishments. And what could be more special than sharing music?” We selected music we thought he could play beautifully in six months, music that is pleasing to an audience—Enrique Granados Orientale, Rachmaninoff Prelude, and the first two movements of Haydn-Piatigorsky Divertimento, with piano. 

© Minnesota Youth Symphonies

Several of my adult students are passionate about their playing and are dedicated to setting aside time each day to make music, nurturing a lifelong passion, no matter their level of accomplishment. It got me thinking. What advice would I give young musicians, so they will always love playing music, wherever life takes them? Here are ten suggestions:

1. Play everything beautifully, even scales and exercises, with a warm alluring tone. Your sound quality is your voice, which should please you and your audience.

2. Always try to play with ease. Release any and all tension. Your music will flow if your body feels free. Think about breathing, and use the least amount of effort to execute a phrase.

3. Experiment with the way you express the music. Search for better and more meaningful ways to communicate. Avoid playing a phrase the same way twice. Change something—the phrasing, the dynamic, the fingering, the bowing, the bow speed, the sound quality.

4. Study the music away from your instrument. Attend performances of great music and outstanding musicians. Listen to a variety of artists’ masterclasses and recordings, including historic recordings. Compare their approaches, but never imitate. Try to find your unique interpretation.

5. Practice consistently and carefully. One hour a day is better than three hours every three days. Never let a passage go by that is out of tune, poorly executed, or sounds ineffective. Consistency will lead to fluency. Listen for interruptions in the musical line. Analyze what didn’t work and go back over the passage with questions—was it due to a fingering, a shift, a bow-change, a breath, a string-crossing, the position of your hand or arm?

6. Seek out excellent teachers and colleagues. Learn from as many of them as you can. Be a good colleague and collaborator. Be willing to play with others, and to listen to others.

7. Play for people and perform often—at your place of worship, in your home, at community centers, or recital halls. Join a community orchestra or form a small ensemble that gets together frequently. One learns very quickly what works and what doesn’t in the performance situation.

8. Musicians are constantly criticized. Heed constructive suggestions but try not to take them personally. Learn to incorporate useful information to improve your playing.

9. Perfect pieces within your capabilities. Work on the techniques, which will help you play a piece skillfully, and will allow you to focus on communicating the music. Avoid struggling with a work that is beyond you at the moment.

10. Have confidence. Playing music is a process. Celebrate every milestone. If your goal is to move people emotionally not playing “perfectly” you will have succeeded. It’s a privilege to learn to play music. It’s an even greater privilege to share music with others. Remember, your audience and the colleagues with whom you are playing are there for the collective experience, for beauty, for transcendence.

Our world today has unique challenges. Economies are moving further away from traditional employment. In a world where innovation and originality are so important, where logical thinking and the ability to innovate are sought-after talents—imagination, inventiveness, tenacity, and creativity have become coveted skills. Learning a musical instrument enhances these skills and uses your head, as well as your heart. Making music will always enrich everything you do in life.

The Enchanting Power of Intimacy: Music in Small Venues

By Frances Wilson, Interlude

I will never forget a concert I attended in the mid-1980s in a tiny Medieval church in Zadar, a small seaside town in former Yugoslavia. Amidst the ancient stone pillars and arches, a string quartet played music by Beethoven and Schubert, lit only by the waning evening sun and, later, candles.

1901 Arts Club

In the realm of live music, small concert venues serve as magical spaces to create a unique connection between performers and audiences. While grand concert halls have their place, it is within the intimate confines of these smaller places that a profound and transformative musical and emotional experience unfolds.

Such places are often not purpose-built music venues but simply small spaces which lend themselves to a more intimate concert experience. They may be converted churches, a former schoolhouse (the 1901 Arts Club in London, for example), a café, a river barge, or even someone’s home. Music presented in such settings is also a reminder of how music was performed up until the mid-19th century, when performers like Franz Liszt and Clara Schumann transformed the intimate concert into the rather grander, large-scale affair which we understand today.

Steven Isserlis performing at Fidelio cafe

Small venues provide an unparalleled level of intimacy that is often absent in larger venues. The close proximity of the audience allows for a more immediate and personal connection between performers and listeners. Musicians can see and feel the energy of the listeners, creating a symbiotic relationship where the audience’s response fuels the performer’s passion. This intimate connection can foster a sense of vulnerability and authenticity, enhancing the overall experience for both parties. 

Treehouse Shoreditch

In smaller concert venues, performers have the freedom to express themselves authentically and with spontaneity. These venues often attract artists who prioritize creative exploration and experimentation over commercial success. Artists feel more comfortable taking risks and showcasing their true artistic vision, as they are performing for a receptive and engaged audience who appreciates the rawness of their craft. The absence of overwhelming production elements, such as special lighting or stage setting, encourages musicians to rely on their talents and ability to communicate which creates a genuine and organic musical experience.

For the audience, there is a heightened sense of engagement: they are not mere spectators but active participants in the unfolding narrative of the performance with more direct interaction with the musicians, a non-verbal ‘conversation’, as it were, which creates a sense of community and shared experience that is deeply gratifying for both performers and audiences alike. Audiences can get ‘up close and personal’ with music and musicians, watching the musicians interact with one another through eye contact and gestures, and actually witnessing music being created ‘in the moment’. 

Small concert venues can also act as breeding grounds for emerging artists and composers, and the discovery of new, lesser-known, or rarely-performed repertoire. These intimate spaces provide a platform for performers to showcase their talent and gain exposure. Audiences, in turn, have the opportunity to discover hidden gems and witness the growth of rising stars firsthand. The sense of discovery and being part of an artist’s journey adds an element of excitement and exclusivity that is often absent in larger or more commercial venues.

Above all, the atmosphere in a small venue can be truly memorable. The intimate setting creates a special ambiance of a shared, often transformative, or immersive experience that resonates long after the performance ends.

reinee's latest single 'Liwanag' is heartfelt ballad about the joy and pain of new love

BY MANILA BULLETIN ENTERTAINMENT

Jun 23, 2023 12:08 PM

  

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AT A GLANCE

• rienne's sonic tapestries are carefully woven from the threads of their own life story, intertwining catchy melodies with introspective lyricism. As they navigate the ever-changing landscapes of love, identity, and self-discovery, their songs become powerful vessels that reflect the universal struggles and triumphs of their generation. With each heartfelt note, rienne invites listeners to explore the vast spectrum of human emotions, celebrating the beauty of individuality and embracing the complexities of the human experience.

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In their latest single, "Liwanag," singer-songwriter rienne takes us on an emotional journey, capturing the essence of both the elation and heartache that come with the experience of new love. Inspired by the warmth of a rising sun and the bittersweet anticipation of what lies ahead as they pour their heart into this soul-stirring ballad.

rienne's sonic tapestries are carefully woven from the threads of their own life story, intertwining catchy melodies with introspective lyricism. As they navigate the ever-changing landscapes of love, identity, and self-discovery, their songs become powerful vessels that reflect the universal struggles and triumphs of their generation. With each heartfelt note, rienne invites listeners to explore the vast spectrum of human emotions, celebrating the beauty of individuality and embracing the complexities of the human experience.

After releasing several bops last year like their single "honey," and having their songs featured in the iWantTFC series Sleep With Me, and concluding the year by unleashing the empowering anthem "HINDI KITA KAILANGAN", rienne now gifts us with a new musical creation that radiates with even more brilliance. This time, mix and mastered by Nick Lazaro, with executive producer Ricky Del Rosario Ilacad, under Off The Record Label.

In an interview, rienne explained that "Liwanag" is about the feeling of falling asleep next to someone you adore and knowing that they might have to leave when you wake up."

It's about that moment when you stay in that warm, safe morning sunlight. You hope the sunlight (aka your person) won't leave because you know you aren't going anywhere.”

WATCH rienne answers fan questions: https://youtu.be/vMumrQm1nZA

An interesting fact about their latest single is that rienne wrote “Liwanag” years ago when they were still in college and inspired by a local Filipino band. ”They said that they wanted to write a song that is somehow optimistic but still captured the bittersweet feeling of new love.

In rienne’s latest single, we get to know how "Liwanag" is a reflection of that precious moment. It encapsulates the longing and vulnerability that accompany such a situation, as well as the desire to hold onto the fleeting moments of happiness. 

rienne's identity as a queer artist brings a powerful and necessary perspective to their craft. Their music becomes a vessel for self-expression, channeling the triumphs and struggles of the LGBTQ+ community into melodies that speak volumes. By fearlessly embracing their truth, rienne becomes a beacon of hope for those who may feel unheard or invisible, offering a voice that celebrates the diversity and resilience of their community. Releasing “Liwanag” during pride month is a hopeful treat for everybody! We surely can’t wait to hear this live or through different streaming platforms once released!

Hailing from the vibrant streets of Pasig City, Philippines, and now finding their creative haven in the enchanting landscapes of West Virginia, USA, rienne emerges as a queer alt-indie pop artist with a distinct musical identity. Their artistic journey is deeply intertwined with their personal experiences as a proud member of the LGBTQ+ community, infusing their music and lyricism with the raw emotions and unique perspectives of a Gen Z individual.

Lang Lang’s Incredible Piano Performance Draws HUGE Crowd | The Piano | ...

In his first public performance at a railway station, Lang Lang drew a huge crowd to hear him perform The Flight of the Bumblebee, composed by Nikolai Rimsky-Korsakov, followed by Liebesträume, by Franz Liszt, on a piano specially brought into London’s St Pancras station. The performance, inspired by the incredible amateur pianists featured on the Channel 4 show, The Piano, came ahead of the series one finale. Hosted by Claudia Winkleman, #ThePiano sets out to find the best amateur pianists from across the UK. Performing on public pianos across iconic venues such as London St Pancras, Glasgow, Leeds and Birmingham train stations, while sharing their beautiful stories and music with the British public.

Best & Worst Endings in Classical Music

Best & Worst Endings in Classical Music

How Much Do Great Pianists REALLY Practice?

Bibi Pelic

Bibi Pelic

596 subscribers

50,043 views Jun 15, 2023 #piano #pianomusic #productivity

#piano #pianomusic #productivity Ever wondered how much time the world's greatest pianists dedicate to honing their craft? In this captivating video, we delve into the practice habits of renowned virtuosos, uncovering the diverse approaches they take to reach the pinnacle of musical excellence. From the legendary Arthur Rubinstein and his grueling 16-hour daily sessions to the enigmatic Glenn Gould's unconventional mental rehearsals, each pianist shares their unique perspective on practice. Discover the fascinating stories of Frederic Chopin, Vladimir Horowitz, Claudio Arrau, Martha Argerich, Maurizio Pollini, Lang Lang, and Yuja Wang. Join us on this musical journey and learn the invaluable lessons these maestros offer. Don't forget to like, share, and subscribe for more intriguing insights into the world of music. 🎹🎶✨

The Supremes "Someday We'll Be Together" My Extended Version!

No copyright infringement intended. I did this extended version quite a while ago...just realized I hadn't posted it. Hope you enjoy it! The final song attributed to Diana Ross and the Supremes.

Mendelssohn - Piano Concerto No. 1 | Yeol Eum Son

Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony ("Italian"), and premiered in Munich on 17 October 1831. This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her. Mendelssohn attended one party after another in Munich in October 1831, the month of the premiere, but he also played chamber music and taught double counterpoint. He performed the piece himself at the premiere, which also included performances of his Symphony No. 1 and the Overture from Midsummer Night's Dream. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823–24).

Montserrat Caballé - O mio babbino caro

24,703,147 views Jun 29, 2008

Montserrat Caballé in concert singing the famous aria from Puccini's Gianni Schicchi. Munich, 1990

Aretha Franklin, Celine Dion, ... - (You Make Me Feel Like) A Natural Wo...

210,620 views Jun 8, 2023 BEACON THEATRE

On April 14, 1998, Celine Dion took part in the concert 'VH1 Divas Live', held at the Beacon Theater in New York. There were six divas: Céline Dion, Gloria Estefan, Aretha Franklin, Shania Twain, Mariah Carey and Carole King. The show benefited the nonprofit VH1 Save the Music Foundation.

Love of My Life (Mary Austin)

[english version] a lot of pictures of Freddie Mercury with Mary Austin and a lot of information

Love of my life (Queen live @ Houston 1977)

** Someone requested for a copy- so here's a download link for everyone: http://rapidshare.de/files/24836750/L... Earliest version of "Love of my life" that I have. I think Queen only started singing this song live for the "News of the World" tour. Live @ the famous Houston leg, 11/12/1977, Houston, Texas. Includes a short intro by Brian May. My all-time favorite Queen ballad!!!! :-) Awesome vocals by Freddie (as usual).