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Thursday, August 26, 2021

Andrea Bocelli’s ‘Ich Liebe Dich’ father-daughter duet is too much for our hearts

Andrea Bocelli’s ‘Ich Liebe Dich’ father-daughter duet is too much for our hearts

Andrea Bocelli’s ‘Ich Liebe Dich’ father-daughter duet is too much for our hearts. Picture: Instagram / @andreabocelliofficial

By Sian Moore, ClassicFM London

Andrea Bocelli sang beside daughter Virginia as she played the Beethoven love song on the piano, for their first ever duet.

It was a special moment for Andrea Bocelli when he joined his youngest child for a heartwarming father-daughter duet.

After spending many days together in their home last year, Bocelli and then eight-year-old Virginia had been practizing Beethoven’s ‘Ich liebe dich’ (‘Tender Love’), and the young pianist was ready to play it in its entirety.

As Bocelli sang the opening line to Karl Friedrich Wilhelm Herrosee’s poem, his daughter seamlessly began to play Beethoven’s love song on the piano beside him.

The result is a tender, heartwarming collaboration between a world-famous tenor and his child...


The clip was first shared by the Italian singer on 3 May, 2020.

“Little Virginia has been working hard over the past few weeks to honor her obligations,” he captioned the video.

“We now present our first duet, a jewel created long ago but which remains wonderfully current, a lied which speaks of love with an infinite tenderness.”

Bocelli goes on to reveal that, after hours of practice together at the piano, the piece had become the pair’s song.

He added: “Thanks to the great Beethoven who, with his setting of an amateur’s poem (Karl Friedrich Herrosee), built a mountain out two blades of grass.”

The tenor is no stranger to performing alongside his children.

21 of the greatest women composers in classical music

 By ClassicFM London

Explore the world’s forgotten women composers in this incredible interactive map


Forgotten female composers feature in interactive map. Picture: svmusicology.com/mapa

By Rosie Pentreath, ClassicFM London

@rosiepentreath

Discover and celebrate over 500 great figures from classical music, thanks to this ingenious interactive tool that honors women past and present.

A new interactive tool has been created to shine a light on brilliant female composers around the world who, throughout the ages, have been neglected to a large extent by classical music.

Pushing back on the prejudice, societal norms and troubling taboos that have cast women under an almost impenetrable shadow for centuries, music teacher Sakira Ventura has created an online map that plots hundreds of women composers living today, and from history, in their respective countries.

The effect is an instant visual of just how many women and their music are ripe for discovery.

The 28-year-old music teacher was inspired by the fact that she doesn’t remember learning about many, if any, female composers during her own music education. Something she wanted to rectify in her own student’s journey.

“They don’t appear in musical history books, their works aren’t played at concerts and their music isn’t recorded,” Ventura says of the majority of the women on the map.

Speaking to The Guardian, she continues: “I’m 28 years old and nobody ever spoke to me about female composers. I want to do what hasn’t been done for me.

“I want my students to know that Mozart and Beethoven existed but also that there were also all these female composers.”

Ventura’s fascinating map features living British composers such as Rachel Portman and Alma Deutscher, but also less well known historical and living figures – such as the Ethiopian nun Emahoy Tsegué-Maryam Guèbrou, who is known for her piano playing and compositions, and the song composer, Queen Liliʻuokalani, who was Haiwaii’s last monarch and the composer of over 160 songs.

Every woman’s plot is accompanied by a short bio and links to discover more. It’s a rich, fascinating and inspiring tool, which Ventura has told The Guardian she’s continuing to build, with a list of another 500 women being collated as we speak.

“I had always talked about putting these composers on the map,” she says. “So it occurred to me to do it literally.”

Visit svmusicology.com/mapa to explore now.

Sunday, August 22, 2021

2021's Top 5 Music Films to See this Summer


 

String students, you've worked hard this academic year as you continued to balance distance learning with academic responsibilities and keeping up with your music instruction. While we do hope you'll make an effort to keep up with your music practice over the summer break, we also encourage you to take plenty of time off to relax and unwind.

To that end, we've put together a list of recent top five music films. We chose some of them because of their music scores, which should inspire those seeking to become music composers as you learn more about the careers and avenues available to you as an adult. We chose others because the music or musicians were central to the movie's theme.

1. The United States vs. Billie Holiday

Billie Holiday is undeniably a jazz legend, a female phenom, and an icon of her time. She was also a Black woman who led a complex life that included battling an addiction to alcohol and drugs and a string of abusive relationships. One of the latter was with black Federal Agent Jimmy Fletcher. As a result of the tumultuous angst of that affair, Holiday became the subject of a targeted undercover sting operation by the Federal Department of Narcotics.

Andra Day plays the lead in The United States vs. Billie Holiday, and, as you can imagine, the soundtrack is as extraordinary as both Ms. Holiday and Ms. Day are themselves. This movie is currently streaming on Hulu. Are you a string musician who loves jazz? Read our post, Jazz: It's Not Just for Upright Bass Musicians. 


2. Soul

The Pixar movie, Soul won the 2021 Academy Awards for both Best Animated Feature, Best Original Score, and Best Sound, making it a trifecta for those who love spectacular animation and music. This family-friendly movie has a resonance similar to that of Coco, as it follows a jazz pianist's journey between the gig of a lifetime in NYC to the afterlife.

Joe (Jamie Foxx) is a middle-school band teacher whose life hasn't entirely gone the way he expected. His true passion is jazz, and he's good. However, when he travels to another realm to help someone find their passion, he soon discovers what it means to have soul.


3. Raya and the Last Dragon

Another animated film from Disney Studios, Raya and the Last Dragon takes place in a realm known as Kumandra. It's a re-imagined Earth inhabited by an ancient civilization, where a warrior named Raya (Kellie Marie Tran) is determined to find the last dragon. 

Five long centuries after the selfless sacrifice of the magical dragons, the once-peaceful land of Kumandra, where humans lived harmoniously alongside the mystical creatures, is in disarray, divided into five nations. Our heroine, Raya, is determined to find the last dragon and heal the land.

Besides its notable 94% approval rating from the Rotten Tomatoes crowd, Raya and the Last Dragon also has a highly acclaimed score (James Newton Howard) that blends contemporary pop with traditional Southeast Asian music and instruments.


4. Clouds

We're particularly fond of the movie Clouds (also from Disney), which follows the life of teen musician Zach Sobiech, based on a true story. After learning that his cancer is spreading and he only has six months left to live, Senior Zach (Fin Argus) and his best friend decide to pursue their dream of collaborating on an album and recording it.

Once they post the album on YouTube, it goes viral. As with anyone who experiences true fame, "...Zach is confronted with the reality that no matter how he spends his time, he is going to hurt the people he loves the most...and he is left to make difficult decisions about how to spend his time and more importantly with whom." Even musicians who aren't facing life-ending diagnoses struggle with their rise to fame, making the messages in this movie doubly poignant.


5. A Biography/Documentary Free-for-All

We mentioned the Billie Holiday film above, but these past few years have been a bit of a documentary- and biography-style movie free-for-all. It feels like just about anyone famous in the contemporary music world is filming themselves — or having films made about them — these days. 

All of the films listed below offer interesting, compelling, and educational insights into the music industry and what it takes to rise to the top, and the struggles that arise when you want to stay there. Examples include:


Linda Ronstadt: The Sound of My Voice

Tina (Turner)

Billie Eilish: The World's a Little Blurry

Beastie Boys Story

Song Exploder (contemporary composers)

No Direction Home (Bob Dylan)

Miss Americana (Taylor Swift)

Hip-Hop Evolution (contemporary MCs, DJs, and moguls)


Published by StringOvation Team on June 24, 2021

Monday, August 16, 2021

17 Amazing Facts About Vivaldi


Most violinists and musicians are familiar with the beautiful series of violin concertos, The Four Seasons, crafted by the master baroque composer Antonio Vivaldi. However, not everyone is familiar with some of the most interesting aspects of his life. One of which is that this musical genius narrowly missed being buried in oblivion more than once.

Vivaldi must have been destined for greatness by virtue of his ground shaking birth and the fortune of being rediscovered by a caring patron of music history years after his death. Indeed, there’s more to Vivaldi’s life than simply his most recognized violin and orchestral compositions. The following Vivaldi facts and trivia have been gleaned from various historical biographies and similar sources.

On the day of his birth, March 4, 1678, a large earthquake occurred in Venice.

Young Antonio was taught to play the violin by his father, a professional violinist who was also a barber. Father and son toured Venice playing violin together.

At age 15, he began studies to become a priest and was nicknamed Il prêt Rosso, or The Red Priest. It is speculated that this was due to his red hair, which was a family trait.

Vivaldi suffered from a form of asthma which limited his duties administering Mass but gave him more time to spend writing music.

He produced many of his major works while employed for approximately 30 years as a master violinist at the Ospedale della Pieta, a home for abandoned children. The boys were taught a trade. The female orphans received expert musical instruction and became members of the choir and orchestra. Their performances were well respected all around the region.

His famous set of 4 violin concertos, The Four Seasons, (1723) is considered to be an outstanding example of program music. Each concerto depicts a scene appropriate for each season and is accompanied by a written description.

J.S. Bach was a huge fan of Vivaldi’s music. He transcribed several of Vivaldi’s concerti for keyboard, strings, organ and harpsichord.

The musical compositions of Vivaldi total 500 concertos, 90 sonatas, 46 operas and a large body of sacred choral works and chamber music.

Vivaldi was commissioned to create music for European nobility and royalty. The well recognized Cantata; Gloria, was written for the celebration of the marriage of Louis XV in 1725. Additional pieces were written for the birth of the French royal princesses and Vivaldi was given the title of knight from Emperor Charles VI of Vienna.

Vivaldi relocated to Vienna at the invitation of Charles VI who died shortly after, leaving Vivaldi with no one to support him. However, because his music had not kept up with the times, he was forced to sell off his compositions in order to live.

Unfortunately, Vivaldi died a pauper and was given a simple burial. The master musician was not even afforded music at his own funeral, only the peeling of bells at St. Stephen’s Cathedral noted his passing.

Interestingly, the young composer Joseph Haydn, employed at the cathedral, had nothing to do with this burial since no music was performed.

His complete catalogue of music was not fully realized until 1926. A large collection of manuscripts were discovered in a boarding school in the Piedmont, diligently researched and procured by Dr. Alberto Gentili, a music historian at the University of Turin.

World War II stopped the momentum of the Vivaldi renaissance with burned out warehouses and printing presses. Little by little, though, newly discovered Vivaldi items began to appear and spread across Europe.

By 1951, London hosted the great postwar Festival of Britain presenting a concert season devoted mostly to the baroque master and firmly secured his place in music history.

2006 was the most recent discovery of a lost piece, Vivaldi’s opera, Argippo, which had last been performed in 1730.

His life and times have been documented in a 2005 movie, Vivaldi, A Prince in Venice, and a radio play for ABC Radio that same year. It was later adapted into a stage play entitled The Angel and the Red Priest.

Vivaldi was an innovator in Baroque music and he was influential across Europe during his lifetime. As a composer, virtuoso violinist, pedagogue, and priest, his life and genius influenced a number of notable artists. However, because of struggles later in life, his music was nearly lost to obscurity. Thankfully, the meticulous efforts of diligent researchers have ensured that his great body of music will be available to inspire countless, future generations of musicians.

Check out these two examples of Vivaldi’s most celebrated compositions, Vivaldi Four Seasons performed by I Musici, in 1988, and Musica Intima & Pacific Baroque Orchestra performing Gloria.

Published by Revelle Team on May 24, 2016

Sunday, August 15, 2021

A level music in schools could ‘disappear’ in little more than a decade

 

Research finds A level music in schools could ‘disappear’ in little more than a decade
Research finds A level music in schools could ‘disappear’ in little more than a decade. Picture: Alamy

By Maddy Shaw Roberts, ClassicFM London

“The opportunity to study A-level music seems likely to end first for those children who are at a disadvantage,” researchers claim.

A level music in schools is at risk of disappearing in just over a decade, researchers have warned.

Alarming new research by Birmingham City University revealed the qualification could have zero entries by 2033, following years of cuts to local and central government funding.

In the report, it was confirmed that a rapid decline in access to A level music in state schools, means the subject is increasingly available only to pupils with an independent school education.

Lead researchers Dr Adam Whittaker and Professor Martin Fautley’s study is now galvanising music academics and industry bodies to call for urgent action and improved policy and funding, to support music provisions in state schools.

Dr Whittaker said: “We know from trends in A-level uptake over the last few years that the number of pupils taking A-level music has fallen to a very concerning level.

“We are now in a position where there are parts of the country with very limited access to A-level music or, in some cases, no access at all.

He continued: “Children can’t choose a qualification that isn’t offered to them. What is the child who wants to take A-level music to do if the nearest school offering it is 30 miles away? We need A-level music, and other specialist subjects, to be offered in a range of schools right across a local authority area.

“This is important as A-level music can support young musicians to pursue music in higher education and their future careers, including as the next generation of music educators.”

Whittaker and Fautley warned that looking at the current rates of decline, A level music is likely to have zero entries by 2033.

“Those who lack the means to support private instrumental study are unlikely to have sufficient income to pay for independent school fees, even if a bursary supports them to a greater or lesser extent,” they added.

The report also revealed that independent schools have a much higher number of A level music entries, narrowing the potential pool of young music talent.

In the Midlands, the proportion of students in the Midlands studying music has dropped to one percent, due to schools and colleges no longer offering the subject at all.

In an interview last year for Black Lives in Music, star cellist Sheku Kanneh-Mason, who went to a state school in Nottingham, warned opportunities for ethnically diverse young musicians are worsening because of state arts education cuts.

“The cuts that have been [made] to music at my primary school have been devastating – and as a result, there are few children who are able to have this music education,” he said

“You create this two-class thing where those able to pay for music lessons are able to become musicians and be enriched by these wonderful experiences. There’s a massive divide in this country in opportunities. It highlights a really big problem in this country.UK- Music chief executive Jamie Njoku-Goodwin said: “There has been a worrying decline in the number of young people studying music at A-level in recent years. Unless action is taken to reverse that trend, there is a real risk of serious damage to the talent pipeline on which the music industry relies.

“Music education enriches the lives of countless children and young people, but it also brings huge cultural, economic and social benefits to the UK.

“At UK Music, we are continuing to talk to the government and education leaders about how we can ensure that children from every background get the best possible chance to study music which is one of our great national assets.”

In a separate report by the Department for Education, ‘Music education: call for evidence’, it was found that many young people, despite holding an interest in pursuing music as a career, are feeling pressure to choose other subjects because GCSE or A level music are not options in their schools.

Thursday, August 5, 2021

A Tchaikovsky piano concerto is being played at the Olympics ...

...  instead of the Russian National Anthem. Here’s why.


By Kyle Macdonald, ClassicFM London

The nation of Russia is officially banned from the Olympics. So, Russian athletes are hearing Tchaikovsky’s piano concerto when they win.

Have you been catching a great Russian symphonic epic at the 2020 Tokyo Olympics? It would appear that Tchaikovsky is the latest musical star of the world’s biggest sporting event.

In 2019, Russia was banned by the World Anti-Doping Agency from all international sporting competitions, including the Olympics. The ban lasts four years and will remain in place throughout the 2022 Winter Olympics in Beijing.

After the ban, and so as not to punish individuals, the International Olympic Committee is allowing the Russian athletes to take part in Tokyo in a different way. Together they compete under the banner of the ‘Russian Olympic Committee’.

Though athletes still wear the Russian colours of white, blue and red, they are prohibited from other displays of national representation. And this includes Russia’s national anthem, ‘Rossiya – svyashchennaya nasha derzhava’.

So, with the thunderous Russian national anthem not an option for medal ceremonies, organizers have called in assistance from the greatest Russian composer of all, Pyotr Ilyich Tchaikovsky.

When those athletes win gold at Toyko, like the women’s 10m air pistol’s Vitalina Batsarashkina and the ROC women’s team gymnastics, the epic opening to Tchaikovsky’s Piano Concerto No. 1 proudly scores the podium ceremony.

And it’s fair to say that gold-standard Tchaikovsky is going down well with the punters at home...

Tchokyo 2020, anyone?



Thursday, July 29, 2021

Hopeful pieces of classical music -

 - as chosen by the nation’s leading youth orchestra (I)


30 hopeful pieces of classical music, as chosen by Classic FM’s Orchestra of Teenagers
Hopeful pieces of classical music, as chosen by Classic FM’s Orchestra of Teenagers. Picture: NYO

By Maddy Shaw Roberts, ClassicFM London

These are unequivocally music’s most hopeful melodies, according to Classic FM’s Orchestra of Teenagers...

Throughout the uncertainty of the pandemic, the brilliant teenage musicians of the National Youth Orchestra of Great Britain (NYO) have embraced music as an essential tool for escape, motivation and hope for the days ahead.

And so, this summer, the world-leading orchestra will finally return to great UK stages with their ‘Hope Exchange’ project, a series of hope-filled concerts at Saffron Hall (28 July), Southbank Centre (31 July), Birmingham Symphony Hall (6 August) and Leeds Town Hall (8 August), featuring star soloists from saxophonist Jess Gillam to violinists Nicola Benedetti and Francesca Dego. All concerts are free for those under the age of 19.

To find out which pieces of music feel like ‘hope’ to some of our country’s most exciting young musicians, we spoke to a handful of the NYO’s members, who told us of the composers and melodies that helped them a period of social isolation, silenced culture and uncertainty for their future.

  1. Prelude from Cello Suite No.2 – J.S. Bach

    “A Prelude, as an opening movement, is a moment of hope in itself as the composer begins their journey of sharing their work and message with us. The reflective phrasing mirrors the human experience of hope, illustrating how it often grows out of darker periods and rarely exists without setbacks. The piece finishes with triumphant fanfare-like chords which I interpret as Bach’s portrayal of musical optimism.”

    – Max Rayworth, viola



  2. Amazing Grace – spiritual

    “‘Amazing Grace’ is one of the first pieces I learnt on the bass, and listening to its stirring melody and poignant lyrics makes me reflect on the importance of belief, and to have faith in a more hopeful world.”

    – Jelly Rowe, double bass

    Cellist Yo-Yo Ma plays ‘Amazing Grace’ at the Celebrating America concert

    Bella Ciao – Trad. 

  3. "Growing up with an Italian background I have often heard versions of a very famous Italian protest folk song by the name of ‘Bella Ciao’, first written in the late 1800s. The song was later adopted as an anthem of the anti-fascist resistance against Mussolini and Hitler. Today versions of ‘Bella Ciao’ are sung in many other countries as a modern-day anthem of freedom and hope. It is this theme of hope against hardship and despair that led many Italians to play the song in unison from their balconies at the beginning of the first lockdown in March last year.

  4. – Gabriella Bavetta, violin

  5. ‘Nigun’ from the Baal Shem Suite – Ernest Bloch

    “I learnt and played ‘Nigun’ from Ernest Bloch’s Baal Shem Suite during lockdown and it was the piece I turned to, to let my emotions run freely. There were so many emotions bottled up during the many months I spent at home, and this piece allowed me to move on and release those negative emotions in order to find a more hopeful outlook.”

    – Sakura Fish, violin

  6. Hope for Marimba – Adam Tan

    “Adam Tan’s ‘Hope’ for marimba is beautiful in its honest simplicity, developing from a simple thread of tune. It is not a flashy or particularly challenging piece but has a pathos all of its own. The fact that it is new and composed in these difficult times gives the piece an extra appeal.”

    – Paddy Davies, percussion

  7. Symphony No.3 ‘Eroica’ – Beethoven

    “So many of the pieces we are playing this summer tell a story musically and contextually of hardships; of ideals coming up against an anxious sense of reality. Beethoven’s Symphony No. 3 known as ‘Eroica’ (Heroic) was named for his contemporary Napoleon, until Beethoven’s admiration turned to bitter disappointment and the composer scrubbed the name from his manuscript. Charged with emotion, Beethoven’s momentous, expansive vision of human dignity and hope endures.”

    – Kynan Walker, violin

    Read more: 10 works of Beethoven that actually changed the world

  8. Malinconia from Sonata No.2 in A minor – Ysaÿe

    “I started learning this piece during lockdown at a time when I was feeling particularly isolated, lonely and somewhat despondent. I was badly missing making music with others. It is called ‘Malinconia’, and its melancholic character reflected my mood at the time. It is peaceful, serene, and reflective – almost prayer-like, and made me feel hopeful that soon we could be out of the very strange last few months, moving forwards and collaborating once again.”

    – Maya de Souza, violin

  9. White Cliffs of Dover – Walter Kent

    “During the war, this song was seen as a symbol of hope and unity, values which I think we have all shared throughout the pandemic. For me it represents the light at the end of the tunnel.”

    – Georgina Bloomfield, violin

  10. Soulforce – Jessie Montgomery

    “There is so much music waiting to be explored from the last decade and the fact that NYO is helping introduce these to a wider audience is fantastic. Jessie Montgomery's one-movement symphonic work portrays a solitary voice struggling against the shackles of oppression. With a title that draws on Martin Luther King Jr.’s ‘I Have a Dream’ speech and embracing musical influences from big-band jazz, funk, hip-hop and R&B, Soul Force pays homage to the diverse musical voices that have risen up to create a space for free expression.”

    – Will Clark, violin

    Young violinist chooses composer and string player Jessie Montgomery’s ‘Soulforce’
    Young violinist chooses composer and string player Jessie Montgomery’s ‘Soulforce’. Picture: Getty
  11. ‘Coming Home’ melody from ‘New World’ Symphony – Dvořák

    “When Dvořák came to USA he told his students to listen to the diversity of indigenous and immigrant voices. This music represents this individuality and diversity, which combines into a whole greater than its component parts. It brings hope to all who hear it.”

    – Zak El-Shirbiny, cello

    Neeme Järvi​ and the Verbier Festival​ Orchestra perform Dvorák Symphony No. 9
  12. (To be continue!)