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Thursday, January 22, 2026

This music can listen forever! Sergey Chekalin! Divine, Unsurpassed music.


Snow was falling! The most beautiful melody in the world!



Wednesday, January 21, 2026

This IMPRESSIVE YOUNG GIRL Will Leave You SPEECHLESS - Emma-Sophie


00:00 - 03:43 Always Remember Us This Way 03:44 - 08:00 Colors Of The Wind 08:01 - 12:47 Samen Voor Altijd (Together Forever) 12:48 - 16:58 You Are My Sunshine

Music

 



Vivaldi's Gloria



Tuesday, January 20, 2026

Sarah Brightman Dust In The Wind (Subtitulos en español)



Why Does “Woman In Love” Still Break Hearts?


Why does “Woman In Love” still make listeners feel deeply emotional after so many years? 🎶💔 This timeless romantic ballad, beautifully performed by Dana Winner, tells the story of a woman who loves with her whole heart — vulnerable, devoted, and fearless. Every line reflects the emotional weight of loving someone completely, even when it means risking everything. With its soft 80s ballad style, clear vocals, and emotional storytelling, this song is perfect for learning English through music — helping you understand romantic expressions, emotional vocabulary, and natural phrasing through melody.

Collection of the BEST Melodies that will give you goosebumps!


📜“listening to this magical melody against the background of beautiful winter landscapes, the enchanting beauty of the northern lights, a dreamy starry sky, a quiet snowy winter night and a beautiful snowfall on New Year's Eve. The music video will help you relax and achieve one of the most beautiful states - a state of Peace and Bliss, a calm state, free from all worries, worries and worries." Thank you so much for listening and responding. Your incredibly warm support has inspired me and made me put even more effort into my videos. If you enjoy my videos, I'd love for you to subscribe and join our community. It's even better if you visit the composer's channel or website for viewing and support. Have a nice day or evening!"

Sunday, January 18, 2026

Classical Music You Should Listen to Once in Your Life🌿


🌿 Classical music you should listen to once in your life — a timeless collection of masterpieces by Beethoven, Mozart, Chopin, and Tchaikovsky. These works bring peace, inspiration, and emotional depth, connecting you with the beauty of music that transcends generations. 🎹 Perfect for relaxation, stress relief, or soulful reflection, this playlist combines powerful symphonies, graceful concertos, and tender piano pieces that touch the heart and calm the mind. Let every note guide you toward harmony, inner peace, and timeless joy. Classical Music You Should Listen to Once in Your Life🌿 Beethoven, Mozart, Chopin, Tchaikovsky

Shut the world out.

 Shut the world out.

Turn the music up.
May be an image of guitar and text that says 'Sometimes you have to to shut the world out, close your eyes and turn up music...'
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Friday, January 16, 2026

GOLDEN CLASSCIS That Will Take You Back in Time, Hits from the 60s, 70s,...



Antonín Dvořák: Serenade for Strings | NCO · Tønnesen


Norwegian Chamber Orchestra Terje Tønnesen, artistic director Recorded at Sentralen, Oslo, 11 January 2021. I. Moderato 0:00 II. Tempo di Valse 4:45 III. Scherzo: Vivace 11:19 IV. Larghetto 16:38 V. Finale: Allegro vivace 21:53 Stay connected with us!

New English Orchestral Music: David Matthews

  

David Matthews's opera Anna banner

David Matthews’s opera Anna

Anna, the opera, looks at the personal implications of the 1989 revolutions in Central Europe. Whole countries were freed, but when the countries started looking at how the previous regimes were so successful, stories of betrayal and bravery stood side-by-side. Anna and her brother Peter are orphans. When Anna falls in love with Miro, he eventually must tell them that it was his work with the secret police that caused their father’s arrest and subsequent death. Anna wishes to forgive him, but Peter confronts Miro with a gun, and, in the ensuing struggle, it is Anna who is killed. The death unites the two men, and the opera ends in a general chorus for forgiveness. The ending lines of the chorus: ‘She paid the price of our bitterness. For love of her, we must forgive’, could be true in so many situations today.

The orchestral reduction consists of a diptych: Anna in Love and Lament for Anna, starting with her emotional happiness and ending with the two men’s realisation that they have killed the one person they both loved.

Matthews was encouraged to make his Anna reduction by Jac van Steen, the conductor of The Grange Hampshire performance, following the example of Richard Strauss and his own reductions of Intermezzo and Die Frau ohne Schatten.

David Matthews

David Matthews

The single-movement Symphony No. 11, Op. 168 follows. The composer says it was inspired by such diverse things as Schoenberg’s First String Quartet and Sibelius’ Symphony No. 7, a trumpet player he heard at a festival in 2022, and Lord of the Rings description of the woods of Lórien. There are calls to battle and a chaconne; the horn of Rohan has a part as well.

The final work on the recording is his Flute Concerto, Op. 166. It rests on the melodic aspect of the flute, and the composer says, ‘My Concerto alternates between song and dance’. He uses a small ‘Haydn-sized’ orchestra (strings plus 2 oboes, 2 bassoons, and 2 horns), and takes a page from Nielsen’s Flute concerto and the comments that its first movement ‘spends all its time looking for a key’. Accordingly, the movement begins in E flat major and moves through a descending line of F, G, A, B flat, C, D before returning to E flat major for the recapitulation. The coda starts the key search again, and the movement ends in D major. The flute line throughout is glorious.

David Matthews: Flute Concerto, Op. 166 – I. Allegretto

Movement II, Lento, moves down a half step and starts in D flat major. The slower outer sections frame a quicker allegretto middle section, which I thought of as a dance to celebrate Pan with panpipes, and which is mostly pentatonic.

The final movement, with a somewhat Irish flavour, is based on a melody the composer wrote for his wife, Jennifer, for Christmas in 2016. More dances liven the movement.

The music is filled with a wealth of invention and successfully integrates the modern lack of a tonal centre with traditional forms and constructs. In the Symphony No. 11, the recapitulation section does land us back at our starting key of E flat major, but that is not the key destined to end the piece; it is, however, the key that ends the last piece on the recording, to bring everything around full circle. Matthews’ music, in this expansive presentation by the Ulster Orchestra, brings us a composer we may not have been familiar with and gives us the opportunity to hear parts of his recent opera.

David Matthews: Anna: Symphonic Diptych, Symphony No. 11 & Flute Concerto

David Matthews: Anna: Symphonic Diptych; Symphony No. 11, Flute Concerto

Emma Halnan (flute); Ulster Orchestra; Jac van Steen (conductor)
SOMM Recordings: SOMMCD 0710
Release date: 17 October 2025

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