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Friday, December 22, 2023

Transcending Tunes of Light and Shade Handel: Messiah

by 

Credit: http://www.portlandhandelsociety.org/

George Frideric Handel © portlandhandelsociety.org

The reasons for this tradition are somewhat apocryphal: one version is that at the first London performance in 1743, the audience “together with the King”, were so moved by the ‘Hallelujah’ Chorus that they spontaneously rose to their feet. An alternative explanation is that King George II was so tone-deaf that he thought the performance had finished, and the orchestra was playing the National Anthem: once the King stood, everyone present was obliged to stand too. Whatever the reason, there is something really special about standing for such an uplifting and triumphant piece of music.

For me ‘Messiah’ will forever be associated with the beginning of the Christmas season. When I was at school, it formed an integral part of the concert which ended the Autumn term, along with the service of nine lessons and carols at the church next door to my school. I must have sung Handel’s ‘Messiah’ at least 10 times, for the tradition of performing it at Christmas continued when I joined my university choir.

Background

‘Messiah’ was composed in 1741, with a text compiled by Charles Jennens from the King James Bible and the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. Initially it received a modest public reception, despite Handel’s established reputation in England, where he had lived since 1712, but gradually the oratorio gained in popularity and it is now one of the best-known, much-loved and most frequently performed choral works in Western music.  

The Story

The work is organised in three sections: Part 1 tells the story of the birth of Christ and includes all the familiar elements of the Christmas story. Part 2 is concerned with Christ’s passion and death, his resurrection and ascension, and ends with the joyous ‘Hallelujah’ chorus. It is this aspect of the work which makes it just as applicable for performance at Easter as well as at Christmas (in fact, its premiere in Dublin took place 19 days after Easter 1742). Part 3 returns to the theme of resurrection and represents the real core of the work as Christ’s resurrection is connected to our own redemption and sense of hope, beautifully affirmed in one of the work’s most famous arias, ‘I Know that My Redeemer Liveth’. And I suppose the best thing about ‘Messiah’ really is all the memorable ‘tunes’ – from ‘Ev’ry Valley Shall be Exalted’ to ‘The Trumpet Shall Sound’, ‘I Know My Redeemer Liveth’ to the charming duet between tenor and alto ‘O Death Where is Thy Sting’. Then there are the choruses: ‘And the Glory of the Lord’, ‘All We Like Sheep’, ‘For Unto Us a Child is Born, ‘Hallelujah’, and the wonderful fugue of the final chorus. In between all this are some beautiful solos, recitatives, which serve to move the narrative forward, and delightful orchestral interludes.

Handel brings the text to life with light and shade, storms and sunshine, fugue and counterpoint, and a huge variety of textures and “word painting”, the technique of having the melody mimic the literal meaning of the libretto. Because of the skilful way in which Handel organises the material, and the universal, redemptive message of the text, Messiah remains a work which is uplifting and life-affirming, regardless of how it is performed.

Thursday, December 21, 2023

Simbanggabi | Philippine Madrigal Singers, UP Singing Ambassadors & Aten...


Tutti during the Sudi Awards at the Metropolitan Theater on 21 December 2022. Simbanggabi was composed by national artist for music, Mr. Lucio San Pedro. Prof. Raul M. Sunico, PhD, accompanied the choirs on the piano. Mr. Jonathan M. Velasco conducted the choirs.

Tuesday, December 19, 2023

Silver Bells


Silver Bells · Percy Faith & His Orchestra and Chorus Christmas Is... ℗ Originally Released 1966 Sony Music Entertainment Inc.

Bach For Christmas - A Musical Celebration (Classical Music)


Celebrate the holiday season with the timeless and festive melodies of "Bach for Christmas." Immerse yourself in the Baroque brilliance of Johann Sebastian Bach's compositions, carefully selected to evoke the spirit of Christmas. Bach's intricate counterpoint and rich harmonies weave a tapestry of joy, solemnity, and celebration. From uplifting chorales to delicate pastorales, this playlist offers a musical journey that transcends time, capturing the essence of the holiday season through the masterful creations of one of classical music's greatest composers. Let the intricate beauty of Bach's music add a touch of elegance and reverence to your Christmas celebrations. 👉 Listen to classical music on other streaming platforms. The links are below: 📌 Bach for Christmas: https://lnk.to/Various-Artists-Bach-f... 📌 100 Most Essential Christmas Classical Pieces: https://lnk.to/100-Most-Essential-Chr... 📌Nutcracker and the Great Ballets Highlights: https://lnk.to/Various-Artists-88-Hol...

Monday, December 18, 2023

Band Aid - Do They Know It's Christmas? (Live Aid 1985)


Band Aid performing at Live Aid in front of 72,000 people in Wembley Stadium, London on the 13th July, 1985. The event was organised by Sir Bob Geldof and Midge Ure to raise funds for the Ethiopian famine disaster. Broadcast across the world via one of the largest satellite link-ups of all time, the concerts were seen by around 40% of the global population. Remember to subscribe to stay up to date with all new releases in the channel.

"The First Noel," 550 BYU Musicians Celebrate Christmas


8 modern Pinoy Christmas songs to add to your holiday playlists


 

By: Andrei Yuvallos - @inquirerdotnet


While many of the most popular Filipino Christmas songs we listen to today were made in the 20th century and the early ’00s, that doesn’t mean Pinoy artists aren’t coming out with new holiday tunes every year.

The local Filipino music scene is alive and thriving, and the holiday season is another source of inspiration for these artists. There’s absolutely nothing wrong with listening to the same nostalgic Christmas music as our parents, but if you’re looking for something new (both to you and in general), here are a few newer Christmas tracks that can help you expand your OPM listening horizons.


“Bibingka” by Ben&Ben

If you really want to feel the Filipino Christmas spirit, this love song by Ben&Ben will do just the trick. What could be more romantic and Filipino at the same time than offering your crush some bibingka after Simbang Gabi? Probably next to nothing.


“Ligaya” by SB19

P-pop group SB19 is on their way to world domination, but they’re stopping by the holiday music genre on their way there with a heartfelt song about the true joy of Christmas.


“No Snow” by Reese Lansangan

Reese Lansangan’s “No Snow” perfectly encapsulates the hurdles of being in a tropical country (while being very in love) during Christmas time. It’s sometimes too warm to cuddle, but you’ll still want to anyway.


“Baby, Merry Christmas” by Keiko Necesario

“Baby, Merry Christmas” is another addition to the cozy, romantic song genre. Necesario’s jazzy vocals fill the room with warm and fuzzy feelings that’ll make you want to cuddle up to someone (even if that someone is your family pet) this Christmas.


“Xmas Lights” by Ang Bandang Shirley

Longing is another common theme in Pinoy Christmas music, and “Xmas Lights” by Ang Bandang Shirley has the capability to make you miss someone who’s right next to you. It’s a light and nostalgic Filipino rock song that’s perfect if you’re a bit of a grinch because of a long distance relationship.


“Tayong Dalawa sa Pasko” by NOBITA

In another entry to the nostalgic, longing category, “Tayong Dalawa sa Pasko” by NOBITA is a grand, Christmassy love letter to someone you wish was in your arms instead of somewhere else this Christmas. Someone please get me some tissues and a cup of hot chocolate.


“Christmas Party” by Eraserheads

Local rock legends Eraserheads’ entry to the Christmas song genre is a funky, uplifting, celebratory song that talks about making a change, uniting, and enjoying Christmas as a community. It’s a good change-up if you’re getting too bummed by all the longing.


“Wish Ko sa Pasko” by The Sexbomb Girls

What would a modern Christmas song list be without a song from the Philippines’ original national girl group, The Sexbomb Girls? It’s a light, cheery track filled with all our favorite Sexbomb Girl sighs and adlibs. There’s some longing, but it’s still a fun track.

Ryan Cayabyab’s one-man 1991 Christmas album now streaming



By: Allan Policarpio - Reporter


After years of physical and digital unavailability, “One Christmas,” the landmark a cappella holiday album by National Artist Ryan Cayabyab, is now officially up for streaming on various music-streaming platforms.

The 10-track collection was produced by Telesis Records in 1991 and stayed in the market for years, before curiously disappearing from the shelves. But with Viva Music’s recent acquisition of Ivory Records—the original distributor of the said album—“One Christmas” can now be enjoyed by everyone and provide some much-needed variety to Filipino revelers’ Christmas playlists.

“This year, the album resurfaced through Viva. And although I only know vaguely how it meandered its sway to an online release, it gives me great joy to see it in the market again,” Cayabyab told the Inquirer.

In 1981, Cayabyab put out “One,” a groundbreaking album of original songs and Filipino classics that had the eminent composer weaving together more than a dozen variations of his voice to simulate the sound of a vocal ensemble or a choir singing a cappella. He also served as the arranger and producer.

Ten years later, Cayabyab — together with Telesis’ Margot Gallardo and sound engineer Monching Payumo — used that very same concept for what would have been his first Christmas album.

32-year-old project

“‘One Christmas’ was recorded in 1991, 10 years after ‘One’ was recorded and released… This makes ‘One Christmas’ a 32-year-old project done in analog format without the help of a pitch editor, like Melodyne,” he said.

True to form, the one-man multitrack a cappella album is a colorful mix of well-loved carols and new compositions, which vacillated from joyous and festive anthems to more haunting, sentimental pieces.

“Like ‘One,’ I went for traditional Filipino songs — this time, with Christmas as the theme, and added a couple of original songs such as: ‘Heto Na Naman,’ ‘Ano’ng Gagawin Mo Ngayong Pasko?’ and ‘Kumukutikutitap’ (written with Jose Javier Reyes),” Cayabyab said.

National Artist Felipe de Leon’s “Pasko Na Naman” was used as a binder music for the album, which also includes “Ang Aking Pamasko” by Antonio Velarde and National Artist Levi Celerio; “Maligayang Pasko at Masaganang Bagong Taon” (Vicente Rubi and Celerio); “Himig Pasko” by Serapio Ramos; and “Payapang Daigdig” (De Leon).

Sprinkling of pop

There’s also a sprinkling of contemporary pop tunes like “Miss Kita Kung Christmas” (Hermie Uy and Fe Ayala) and “Pasko Na Sinta Ko” (Francis Dandan and Aurelio Estanislao).

Some of the recordings of the traditional tracks in the said album, Cayabyab pointed out, would later serve as the basis of orchestrations and arrangements of his subsequent Christmas albums, “Pasko 1” and “Pasko 2” (San Miguel Foundation for the Performing Arts) in the mid-2000s.


Unfortunately, these two albums aren’t officially available on digital platforms. “I’m still praying that they get released in the market, too, in observance of the unique Filipino Christmas celebrations during this season of love!” Cayabyab said.



Sunday, December 17, 2023

Handel - 〈Messiah〉 oratorio, HWV 56 / "For unto us a Child is born"



Helene Fischer | Stille Nacht (Live aus der Hofburg Wien)



VOCES8: 'Jauchzet, frohlocket' by JS Bach



Christmas Song - "Mary Did You Know" - Sister Duet - Lucy & Martha Thomas



Saturday, December 16, 2023

Symphonic Youth: How The Makati City Youth Orchestra Resonates Hope



BY Lala Singian

Through music, the Makati City Youth Orchestra plays toward hope and harmony.

Under white tinsel and blue Christmas lights, children bustle through the marbled halls of the Makati City Hall. Few are on their cell phones. Instead, they’re playing a mini-game of tag-you’re-it. A couple of kids are looking off into corners. They are singing—practicing melodies through their vocal cords.

Without a doubt, the shoot is not without a sense of chaos. The LIFESTYLE.INQ team, teachers, parents, city hall staff, and orchestra director run in circles scrambling to organize the 40-odd children. 

This is the Makati City Youth Orchestra, where the feelings of young life resonate through the strings of violins, cellos, and violas. In a throng of youthful energy, there is a sense of happiness found in the shuffling footsteps and the sound of high-pitched voices


Makati City Youth Orchestra

The Makati City Youth Orchestra. On the cello: Katrina Moredo, Sabrina Raval, Lindsey Acosta, Daniel Miguel Llamera, Jonah Noelle Gazmen, John Kyle Fernandez, On the viola: Christian Decio, Carissa Breis, Angelito Miro, Kerbie Nite, Paola Reyes, Rachelle Caysasay, Alexandra Cabrera, Nathaniel Flores, Hannah Leah Favis, On the violin: Angel Valdez, AJ Obcial, Rey Villaverde, Jharice Cardova, Mark Anthony Osorio, Knight Madrinan, Eyllilyn Tabo, Ellysiah Davantes, Cristina Tayag, Donne Nieva, Kendra Eranes, Lexter Arceo, Princess Lopez, Lionel Santua, Lourd Lintan, Yumi Querubin, Shannon Acosta, Janah Andag, Czarina Nangit, Quanyin Acosta, Christle-Jean Bunao, Cyshie Verga, Yoa Nathea Linaban, Aaliyah Gabrielle Del Rosario, Sebynna Pria Lauren Parada, Zhaine Elizah O. Lavega, Rebimo Ylize Sarmiento On the bass: John Fernandez.

 

The Orchestra Prelude

It all began before the pandemic, with a vision to find an intersecting point of both passion and community. Mayor Abby Binay, inspired by the late arts patron Washington Sycip’s affinity for music, imagined a transformative project: a youth orchestra for Makati City. 

After procuring a slew of classical string instruments, the City Hall reached out to Jeffrey Solares, Executive Director of the Manila Symphony Orchestra Foundation, Associate Conductor of the Manila Symphony Orchestra, and now Project Director and Conductor of the Makati City Youth Orchestra. 

Guided by Binay’s vision, Solares crafted a proposal that laid the groundwork for the symphonic group.

At the time it was the tail-end of 2019. The project got revving, but as the new year rolled in, so did the pandemic. Of thirty children, only ten have stayed on, named the resilient “batch one.” The orchestra powered through by adapting, to online training till finally, face-to-face sessions that have steadily expanded into a larger, fresh ensemble of precious violins, violas, and cellos. 


Jeffrey Solares

Jeffrey Solares, Executive Director of the Manila Symphony Orchestra Foundation, Associate Conductor of the Manila Symphony Orchestra, and now Project Director and Conductor of the Makati City Youth Orchestra.

I have watched Solares in a rush-hour concert before at the Ayala Museum. Sometimes, in between songs, he pauses to involve the audience, giving a briefer on the composition. In a world where classical music concerts can exclude people, this pause for a little music lesson creates ripples that make it more accessible, increasing cultural and musical literacy in the Philippines. It then comes as no surprise that he has taken on this project to teach music to the youth in Makati. 

A luminary born in Bicol, Solares has dedicated over 20 years to music in both the form of performing and teaching. As conductor of the MSO, the first orchestra in Asia founded 98 years ago, he tells us how it has grown, “We want the orchestra to be a means of livelihood. And has it achieved this?” Currently, about 40 of the senior members are on salary, becoming a source of viable income, while giving MSO members additional projects like teaching the Makati City Youth Orchestra.


Orchestrating Dreams for All

In a world where classical music is often reserved for the privileged, the Makati City Youth Orchestra is a rare beacon of light that allows opportunities for those who wouldn’t normally be able to learn music. Normally, training is accessible only to families who can afford the exorbitant fees of expensive instruments and 1000-pesos-per-hour lessons. Rarely do children appreciate it, and instead see it as a chore. 

This project, supported by the city, opens doors for every child. Since none of the children can initially play, they are selected by musical aptitude tests—singing. The tone of a voice can uncover sensitive ears and mindful speech, nurturing potential that others may not see. “Out of probably twenty, five will be in tune,” Solares says. 

Under the tutelage of Jeffrey Solares and a seasoned MSO team of seven to eight teachers, these specially chosen young musicians flourish. The teacher says, 

“I’ve seen it in the first batch. They look different. They move differently…. You can see how it changed them to grow. Even in school, they’re more developed. Normally, the valedictorians and the top kids play music. I wouldn’t be surprised if they are at the top of their class dynamics.”

 

A Rhapsody of Growth

Solares teaches through the Suzuki method, a gentle yet disciplined philosophy that believes everyone can learn to play music. The sequence takes the same steps as learning a language with daily listening, constant repetition, praise, and encouragement. This nurtures a child’s natural, innate talent. The director tells us the kids practice pieces he wrote himself, as well as Filipino folk songs—although keeping classical music as the core of their studies. 

As the children evolve in learning musical notes, they enrich not just their talents, but their character. Outside time in the classroom, the children spend hours working on their craft, fine-tuning the brain’s development, and cultivating a sense of discipline. 

One student, Lindsey, stands with her cello. She tells us how she is part of the second batch. At only eleven years old, she is not in the least bit shy, but full of confidence and calm. As we move through the cobblestones of Makati City Hall, she is careful to take care of her instrument. 

As the children journey from their homes in the winding streets of Makati or PEMBO, these educational after-school programs incubate holistic development beyond the classroom. 

“Musical training like this develops not only music. It develops basic discipline, attention, learning habits, and then of course, character. It’s persistence, really.”

 

Ode to Tomorrow

In the complex tapestry of Makati City, the Youth Orchestra represents not just a symbol of musical excellence, but a catalyst of change. Beyond melodies, the children show that regardless of circumstance, the power of art and community can crescendo life into a better reality. It carries the collective aspiration of a city, echoing the belief that every child, regardless of their station, deserves the chance to compose a harmonious future. Director Solares shares how it changes the children’s daily life, 

“They get to travel. It’s not their routine. You don’t get this in the normal school environment. And really, I think they feel empowered to have this talent and skill.”

 The journey of the Makati City Youth Orchestra is a symphony of hope, a testament to the profound impact of nurturing talent through opportunities. Their future brims with promise, marked by excited performances and a plan to grace the Samsung Performing Arts Theater on December 20—a testament to their burgeoning talent.

The Manila Symphony Orchestra will hold a concert ‘Lisztomania!’ with pianist Michael Cu on December 30, 2023 at the the RCBC Theater. Contact 0962 087 6715 for more details. 

The Makati City Youth Orchestra will hold a free public concert ‘Hatid Saya sa Makatizens’ featuring Manila Symphony Junior Orchestra, offered by Mayor Abby Binay on December 20, 2023, at the Samsung Performing Arts  Theater Circuit Makati. Contact MyMakati for more details.

Produced by Ria Prieto


One Moment In Time - Dana Winner (live) - English-Vietnamese lyrics



Grown-Up Christmas List - Cover by - Daryl Ong, Sam Mangubat, Katrina Velarda