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Thursday, September 10, 2020

Why are iconic arts venues like the Royal Albert Hall facing closure?


Royal Albert Hall faces £20m shortfall
Royal Albert Hall faces £20m shortfall. Picture: Getty
By Maddy Shaw Roberts, ClassicFM London
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The Royal Albert Hall is a beacon of UK arts and music, hailed by the government as a “crown jewel” venue. So why does it need £20m to survive?
The Royal Albert Hall is in an “extremely perilous” state, its chief exec has said. The independent Kensington concert venue has launched an appeal to raise £20,000,000 for its survival, following overwhelming damages by the coronavirus pandemic.
Since its enforced closure in March, the great hall has lost £18m in income and £6.5m in refunded ticket sales. Now, after six months with no income, its reserves are exhausted.

What about the £1.75bn arts package?

Well, indeed. After finding out it wasn’t eligible for any of the government’s emergency grants, the Albert Hall applied for a repayable loan which, if confirmed, will arrive in December.
Chief exec Craig Hassall said this still leaves the hall in a “perilous” position. 
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"Six months on from enforced closure, and circa £18 million down in lost income, we are not eligible for any of the Government’s emergency grants,” he said in a Digital, Culture, Media and Sport committee meeting, in which he was consulted on decisions around allowing arts venues to reopen.
“This leaves us in an extremely perilous position, with no way of replacing our lost income, apart from a Government loan which may or may not materialise.”
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Why can’t venues like the Albert Hall put on shows yet?

Since 15 August, concert halls and theatres have been permitted to open their doors to live audiences, as long as they are socially distanced. Unfortunately, this means inviting in less than half the capacity a venue would normally be allowed to take in.
As Andrew Lloyd Webber once again pointed out yesterday, shows need at least 70 to 80 per cent capacity in order to break even. And that’s before they can start making any money.
Venues also need time to plan shows – around four to five months, for most operas, musicals and plays. It’s therefore impossible to plan the staging of a Christmas ballet, for instance, when venues don’t know if regulations might change again at the last minute.
What venues desperately need, is a date in the diary for when they can reopen with full audiences. That’s Stage Five of the government’s five-stage roadmap, a timeframe for which is not clear.
The Royal Albert Hall
The Royal Albert Hall. Picture: PA

So, where’s the money going to come from?

It’s been a frustrating time for arts venues, as many remain unable to put on shows, and a much-hoped-for government funding boost is yet to make it to the hall’s main stage.
RAH’s chief exec said concerns over the hall and other independent, non-government-funded venues were raised “months ago”, and that the venue now faces “a bleak future”.
“We raised concerns months ago about the potential for independent, unfunded organisations such as the Royal Albert Hall to miss out on Government support, and especially having been held up by Government as a ‘crown jewel’ that must be saved.
“We are fortunate to have supportive members and private donors who have given generously, but unfortunately, the Rescue Package fanfare has given many potential donors the false sense that we are being sufficiently supported elsewhere,” he said.
“The Royal Albert Hall now faces a bleak future unless it can secure not only a repayable Government loan, but also urgent donations to plug our current £20 million shortfall.”
London's iconic arts venue
London's iconic arts venue. Picture: PA

Are there venues that won’t survive this pandemic?

It’s a real possibility. The Albert Hall was warned in July it would go bust next year, without support. London’s Royal Opera House faces a similar reality, with its chief exec Alex Beard warning a few months ago that it would not survive past Autumn with its current reserves, while the Southbank Centre has warned of 400 job losses.
Then there are smaller, regional venues. Southhampton’s Nuffield Theatre has already announced it has gone into administration – although it appears now that that had less to do with the pandemic, and more to do with Arts Council England withdrawing all its funding in the middle of lockdown.

Friday, September 4, 2020

John Williams’ ‘Schindler’s List’ voted No. 1

... in the Classic FM Movie Music Hall of Fame


John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame
John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame. Picture: Getty
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As well as composing the nation’s very favourite film theme, the legendary movie composer was the most voted-for composer, and had the most pieces of music featured in the chart.
We have revealed the nation’s favourite film music in The Classic FM Movie Music Hall of Fame in partnership with Radio Times.
And John Williams’ music for Schindler’s List has been voted No. 1, after thousands of Classic FM listeners and RadioTimes readers cast their votes.
Schindler’s List hit the silver screen nearly 27 years ago, and this year it knocks Howard Shore’s score for The Lord of the Rings off the top spot in the Classic FM Movie Music Hall of Fame.
John Williams told Classic FM, “I’d like to express my gratitude to the listeners of Classic FM for selecting my music from Schindler’s List for this high honour. It was a privilege to be involved in the making of this film, and it’s very gratifying to know that so many people around the world continue to embrace it after nearly 30 years.”
John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame
John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame. Picture: Classic FM
As well as taking the No. 1 film score, John Williams has again been voted the nation’s favourite composer of film music, with five entries in the top twenty alone, including Schindler’s ListStar WarsJurassic ParkHarry Potter and the Philosopher’s Stone and E.T. The Extra Terrestrial.
John Williams told Classic FM, “I’d like to express my gratitude to the listeners of Classic FM for selecting my music from Schindler’s List for this high honour. It was a privilege to be involved in the making of this film, and it’s very gratifying to know that so many people around the world continue to embrace it after nearly 30 years.”
The Classic FM Movie Music Hall of Fame 2020 also revealed a surge in popularity for film music composed by Ennio Morricone, who died in June at the age of 91, with three entries in the top 20. Morricone’s five entries show the breadth of his work outside of the Westerns he is best known for, with The MissionCinema Paradiso and Once Upon A Time in America appearing alongside The Good, the Bad and the Ugly and Once Upon A Time in the West.
Other popular film composers include John Barry and Hans Zimmer with eight entries each in the top 100. Barry wrote the scores for Out of Africa and Dances with Wolves, which reach numbers four and five in the chart respectively, his highest placing in the chart. Hans Zimmer took third position with the score for the legendary film Gladiator, which was released 20 years ago this year.
Oscar winning Hildur Guðnadóttir, who won an Academy Award for the best original score for Joker, becoming only the fourth woman to win in the category, reached number 79 in the chart, and Debbie Wiseman, Classic FM’s composer in residence placed at 65 with the biographical film Wilde.

Andrew Collins, presenter of Saturday Night at the Movies and Film Editor at Radio Times, said: “It's been a while since we polled the discerning listeners of Classic FM and readers of Radio Times about their favourite film themes and what we learn about their choices is that the greatest hits remain immovably and unimprovably great!
“Nobody would deny the near permanence of John Barry or the late Ennio Morricone or the trailblazing Vangelis in any Top 10. Lord of the Rings, a true masterwork of narrative scope and innate personality will always give the other fabulous scores something to aim for.”

Collins continued: “I am personally sad not to see my own choice Interstellar in the Top 10 but Hans Zimmer at No. 3 with Gladiator makes another mighty showing. Are we not entertained?
“As for John Williams... we have found your favourite film theme and it's as moving and mournful as any winner. Williams doubted he could pull it off. He was wrong. My advice, as ever, is to explore the lower scores. There’s a lot of invention and innovation down there. I’m humming ‘S.T.A.Y.’ from Interstellar just to reset the musical universe.”

Thursday, August 20, 2020

Research shows huge surge in Millennials and Gen Zers streaming classical music


Huge surge in Millennial and Gen Z-ers streaming classical music
Huge surge in Millennial and Gen Z-ers streaming classical music. Picture: Derek Bremner/Getty
By Maddy Shaw Roberts, ClassicFM London
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With the rise of streaming services, young people are listening to more Mozart and Bach than they did 10 years ago. And during lockdown, classical music has experienced a second boom.
Classical music is becoming more popular among young people, according to new joint research by the Royal Philharmonic Orchestra, streaming service Deezer, and British Phonographic Industry (BPI).
Of those streaming classical music in the last year, a third (34 percent) were 18 to 25 years old. Over the same period, classical streams by listeners under 35 rose by 17 percent.
A decade ago, data published by BPI showed just a tenth of classical listeners were under 30, while the vast majority (70 percent) were over the age of 50.
Classical had a second ‘spike’ when lockdown hit in March, as both modern classical artists and more traditional composers were suddenly a hit among younger listeners. The report, which looks at official streaming data on Deezer, a competitor of Spotify, shows that over three months, global plays of classical music among 18 to 25-year-olds grew by 11 per cent.
Mozart and Bach are the platform’s most popular classical composers, while streams of female pianists including Khatia Buniatishvili and Martha Argerich soared during that three-month period.
Mozart is Deezer’s most popular classical composer
Mozart is Deezer’s most popular classical composer. Picture: Getty
According to an earlier report from the RPO, more than a third (35 percent) of respondents under 35s felt listening to orchestral music during lockdown had helped them relax and maintain a sense of calmness and wellbeing.
The joint research also reveals how classical music habits are changing among young people. Young classical talent and crossover playlists, like ‘Classical Goes Pop’, are proving popular.
Playlists linked to mood, like ‘feel good’, ‘calm’ and ‘sleep’, have also been well-liked during the pandemic, as young people turned to classical music as a means of finding solace, reassurance and relaxation in an uncertain time.
Calming piano music is a favourite among young listeners. ‘Calm Piano’ continued to be classical music’s most popular playlist in March. And those under 35 listening to the ‘Classical For Sleep’ playlist shot up by 10 per cent. Streams of this playlist also spiked by a huge 284 per cent across all age groups during this time.
Among the top performing artists and composers of 2020 worldwide, were Italian artists Einaudi and Andrea Bocelli, and Game of Thrones composer Ramin Djawadi.
Albums are seeing a resurge too, as classical listeners streamed more in full than fans of other genres, despite previous research showing that fewer people than ever are listening to whole albums.
Female pianists, such as Khatia Buniatishvili, are increasingly popular
Female pianists, such as Khatia Buniatishvili, are increasingly popular. Picture: PA
Classical artists have been voicing their support for the positive findings, including Max Richter, Ray Chen, Jess Gillam and Alexandre Desplat.
Oscar-winning film composer, Desplat, said: “It’s heartening that the appeal of classical music is clearly expanding and connecting with a broader and younger audience.
“The ease of discovery and connectivity through streaming must be playing its part, but so too is the global reach and power of film soundtracks, which draw such inspiration from classical composition.”
Renowned composer Max Richter added: “It is wonderful that new audiences are coming to classical music during this time of anxiety. Streaming offers listeners the chance simply to follow their enthusiasms through the musical universe without any boundaries, and I’m really happy to hear that many people are turning to classical music for the first time.
“As well as being a historical art form, classical music is also part of what is happening now and it is great to see more people embracing it.”
(C) 2020 by ClassicFM London

Thursday, July 30, 2020

Andrea Bocelli violated Italy’s lock-down ...

 ... because he felt ‘humiliated and offended’

Andrea Bocelli has criticised Italy’s approach to COVID-19

Andrea Bocelli has criticised Italy’s approach to COVID-19. Picture: Getty

By Maddy Shaw Roberts, ClassicFM

The tenor encouraged people to reject social distancing, said children in schools shouldn’t wear masks and said he knows no one admitted to intensive care from COVID-19.

Andrea Bocelli says he voluntarily violated the ban on going out during Italy’s lock-down.

Speaking as a guest at a conference in the Senate, called Covid-19 in Italy: Between Information, Science and Rights, the Italian tenor said:

“I looked at reality and I saw that things were not as we were being told.

“When I started to express doubts about the seriousness of this so-called pandemic, the first to attack me were my children who told me to think about Tosca, because you don’t understand viruses.

“I know a lot of people but none of them ended up in intensive care. So, what was all this gravity for?”

Read more: Andrea Bocelli criticised for ‘dangerous’ remarks on Italy’s lockdown >

Bocelli says he violated the ban on going out during Italy’s lockdown.
Bocelli says he violated the ban on going out during Italy’s lockdown. Picture: Getty

Bocelli went on to say he felt “humiliated and offended as a citizen”, when a national quarantine was imposed by the Italian government on 9 March, restricting the movement of people in response to the coronavirus crisis.

The 61-year-old singer, who recently admitted to having had COVID-19 before his historic Easter concert at Milan Cathedral, also said he violated lockdown by going out, because “it didn’t seem right or healthy to me”.

He added: “I am of a certain age and I need sun and vitamin D.”

Bocelli announced he had tested positive for the virus in March, weeks before his ‘Music for Hope’ concert. He had no serious symptoms linked to the virus, and added that he had donated blood to fund research.

Read more: Andrea Bocelli says he had coronavirus before historic Easter concert >

Bocelli, who has two grown-up sons from his previous marriage and one daughter with wife and manager, Veronica Berti, also criticised the Italian government’s approach to reopening schools.

“I have an 8-year-old daughter and it’s unthinkable that these children will have to go to school divided by a piece of plexiglass and hidden behind a mask.

“It’s unthinkable that schools were closed so quickly, and with the same speed nightclubs were reopened, where young people go not to learn, but to disperse their brains.”

At the end of his speech, Bocelli controversially encouraged others to reject lockdown and social distancing rules. “Let’s refuse to follow this rule, let’s take some books, turn around, get to know each other, speak, talk to each other.”

The tenor has since apologised for his comments, saying: “If my speech to the Italian Senate caused suffering, I wish to extend my sincere apologies, because my intention could not have been more different.

“[My intent] was to send a message of hope for a near future in which – children first and foremost – can find a sense of normality again and hope to live ‘as children’, playing with and hugging one another, as they should at their age, and to be able to grow up happy and healthy.”

Under the latest lock-down rules in Italy – which have now been largely regionalized – face masks are mandatory on public transport and in shops, and social distancing of one metre is required in public spaces.

Theatres and concert halls can now resume; indoor events with a maximum attendance of 200 audience members; and 1,000 for outdoor areas. It is estimated that 35,000 people have died of coronavirus in Italy.

(C) 2020 by ClassicFM