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Thursday, May 14, 2020

Health authorities say choir practice ...

... caused the ‘superspread’ of 52 coronavirus cases

By ClassicFM London
Health authorities say choir practice caused the ‘superspread’ of 52 coronavirus cases
Health authorities say choir practice caused the ‘superspread’ of 52 coronavirus cases. Picture: YouTube/John Yaeger
By Helena Asprou, ClassicFM London
4K
The infamous choir rehearsal, held two weeks before Washington State’s lockdown, infected 52 singers with coronavirus and resulted in two deaths.
A choir practice that infected 52 singers with coronavirus and resulted in two deaths is now being described by US health authorities as a “superspreader” of the virus.
The outbreak, first reported in the LA Times in March, occurred during a two-and-a-half-hour rehearsal at a church near Seattle.
Now a new study, led by staff at Centers for Disease Control and Prevention, confirms the practice was attended by 61 members of Washington State’s Skagit Valley Choral, including a symptomatic patient, 32 confirmed cases and 20 probable secondary COVID-19 cases. Of those members, three were hospitalised.
The study suggests the outbreak was ‘likely facilitated by close proximity (within 6 feet) during practice and augmented by the act of singing’.
Study warns ‘superspread’ of 52 coronavirus cases in US town caused by choir rehearsal
Study warns ‘superspread’ of 52 coronavirus cases in US town caused by choir rehearsal. Picture: CDC
At the rehearsal, choir members had no physical contact but sat close together. The study says a fine mist of virus particles, emitted through singing, might have contributed to the outbreak.
It also transpires that one singer felt unwell at the time of the practice, but was unaware they had the virus.
Although the choir members said they had no physical contact, some snacked on cookies and oranges towards the back of the church during the 15-minute break and others arrived early to help set up chairs – which were arranged in six rows of 20 chairs each, spaced 6-10 inches apart.
The singers who fell ill with COVID-19 – who were mostly women, with an average age of 69 – reported flu-like symptoms from one to 12 days after the rehearsal.
Self-isolating choir members sing new psalm ‘in time of coronavirus’
To control the spread of COVID-19, the scientists have concluded that “superspreader” events such as choir and orchestra rehearsals are best avoided in the current climate, saying in the case of this rehearsal: “choir practice attendees had multiple opportunities for droplet transmission from close contact”.
If music groups must get together, scientists advise “physical distancing” and “wearing cloth face coverings”.
They also suggest bringing awareness to music groups, to discourage symptomatic patients from attending rehearsals and potentially infecting other singers and musicians. And where social distancing and wearing masks is not possible, singers are being advised to “wash hands often, cover coughs and sneezes, and frequently clean and disinfect high-touch surfaces.”

Monday, April 13, 2020

Andrea Bocelli’s ‘Music for Hope'

By Rosie Penetreath, ClassicFM London

The Italian tenor sang at the historic landmark without an audience, in a special concert for Easter Sunday.
Andrea Bocelli performed a special online concert from the Duomo cathedral in Milan this Easter Sunday (12 April 2020).
Entitled ‘Music for Hope’, Bocelli’s concert was poignantly performed without an audience and instead streamed globally via Bocelli’s YouTube channel, in light of social distancing measures in place across the globe to stem the spread of coronavirus.
Bocelli was joined – at distance, of course – by cathedral organist, Emanuele Vianelli, who provided accompaniment for his chosen pieces. Selected to communicate a message of love, healing and hope to Italy and the rest of the world during this difficult time, the pieces included the popular Bach/Gounod setting of ‘Ave Maria’ and Mascagni’s ‘Sancta Maria’, as well as an arrangement of John Newton’s enduring ‘Amazing Grace.’
Andrea Bocelli will perform in isolation at Duomo Di Milano for a special online concert to mark Easter Sunday this year.
Andrea Bocelli will perform in isolation at Duomo Di Milano for a special online concert to mark Easter Sunday this year. Picture: Veneranda Fabbrica del Duomo di Milano
The Italian tenor, who was invited to give the special solo performance by the City of Milan and the cathedral itself, says: “On the day on which we celebrate the trust in a life that triumphs, I’m honoured and happy to answer ‘Sì’ to the invitation of the City and the Duomo of Milan.”
Bocelli continues: “I believe in the strength of praying together; I believe in the Christian Easter, a universal symbol of rebirth that everyone – whether they are believers or not – truly needs right now.
“Thanks to music, streamed live, bringing together millions of clasped hands everywhere in the world, we will hug this wounded Earth’s pulsing heart, this wonderful international forge that is reason for Italian pride.”
The Andrea Bocelli Foundation is currently fundraising for hospitals, to help with the purchase of medical and protective equipment needed in the face of the coronavirus pandemic.

Friday, March 13, 2020

Sharks love jazz music but don’t get classical ...

(C) By ClassicFM London

Sharks love jazz music but don’t get classical
Sharks love jazz music but don’t get classical. Picture: Getty
By Sian Hamer
0
A study finds the ‘regular beat’ of jazz is alluring to the finned species... when there’s a tasty snack involved.
Scientists say sharks may have a musical preference, and it’s not for classical music.
study found that one species of the finned predator, the Port Jackson shark, enjoys the sound of jazz – when there’s food on offer.
Sharks, like most fish, rely on sound waves underwater to locate food and hiding spots, and to communicate with other creatures.
Researchers from the Macquarie University Fish Lab in Australia theorised that sharks might be able to recognise musical stimuli, when associated with an edible reward.
A Port Jackson shark
A Port Jackson shark. Picture: Getty
To test out the theory, researchers played jazz music at one end of a tank, and taught eight young sharks to swim towards a feeding station for a tasty reward.
It was quite the task for the creatures, who were unable to tell the difference between music genres when classical music was also introduced to the task.
“Right off, I would probably guess that the jazz music happened to have more of a regular beat that would be more what the sharks are used to being attracted to,” explained Phillip Lobel, a biology professor at Boston University.
Port Jackson sharks can recognise jazz music when food is involved
Port Jackson sharks can recognise jazz music when food is involved. Picture: Getty
Although the sharks struggled to determine the difference between the music genres, the study could still offer some insight into the learning abilities of the shark – several species of which are more intelligent than the average fish.
Experts are particularly keen to dispel the negative perception of sharks as “human-hunting death machines”.
“Gaining a better understanding of this will help grow positive public opinion of sharks and may shift public and political will towards their conservation,” Lobel said.

Thursday, February 27, 2020

Pianist Yuja Wang issues emotional reply ...

...after critics shame her for wearing glasses on stage

(C) by ClassicFM London
Pianist Yuja Wang shamed for wearing sunglasses on stage
Pianist Yuja Wang shamed for wearing sunglasses on stage. Picture: Getty
By Maddy Shaw Roberts, ClassicFM London
9K
“Humiliated” after being detained at the airport, Yuja Wang says she delivered the recital in sunglasses to hide her tears.
Chinese pianist Yuja Wang has issued an emotional response, after being criticised for wearing sunglasses during a recital in Canada.
After Friday’s concert, Wang was shamed by critics for her appearance, with one classical music blogger – Norman Lebrecht, who runs Slipped Disc – labelling her “attention-seeking”.
The piano virtuoso has defended herself in an emotional response, explaining that she had been detained and subjected to “intense questioning” for over an hour at Vancouver International Airport, causing her to almost miss her recital at the Chan Centre for the Performing Arts.
She adds, in an Instagram post, that although she found the experience “humiliating and deeply upsetting”, she was determined not to let her audience down so decided to wear sunglasses to cover her “visibly red and swollen” eyes.


On 23 February, Lebrecht published a blog post quoting audience member and conductor Tania Miller, who wrote on her own Facebook page:
“Your innocent audience, some donning masks to protect themselves from the potential Coronavirus, came to be in your presence for this sold-out concert, and to hear the music and extraordinary talent that you had to share. Instead they experienced the rejection of an artist withholding the permission to share in the feeling, transcendence and the shared emotion of the beauty, joy, and humanity of music.”
Miller has since apologized for her comments.

Friday, February 7, 2020

Vivaldi’s ‘infuriating’ Four Seasons

... dropped as hold music by Government hotline

Vivaldi 'Spring' is no longer DWP's hold music
Vivaldi 'Spring' is no longer DWP's hold music. Picture: Getty
By Maddy Shaw Roberts, ClassicFM London
893
Callers waiting to speak to the Department of Work and Pensions will no longer hear music from the Baroque masterpiece, after saying they couldn’t deal... ‘Viv-al-di’ repetition.
Vivaldi’s Four Seasons has been dropped by the Department of Work and Pensions as its on-hold music, after callers said the repetitive clip was making them feel anxious. Callers waiting to speak to an adviser about a benefits problem have heard a 30-second loop of ‘Spring’, the first concerto in the great Italian composer’s masterpiece, for nearly 15 years.
But with millions of callers on hold for up to an hour, many people were hearing the clip up to 120 times in a row. One user called the DWP’s choice of music a “cruel and unusual punishment”.
“We had some feedback that the Vivaldi clip caused anxiety for claimants and in particular had an impact on autistic callers,” a DWP spokesperson said.
The Department has said ‘Spring’ will be replaced by a ‘calming’ 20-minute mix of eight unnamed musical tracks that aims to reduce callers’ anxiety by creating “a steady and neutral pace and reducing the issue of repetition”.
“We tested it with claimants in job centres and they overwhelmingly preferred it,” a DWP spokesperson said. “It was seen as more calming and peaceful and light. One person said, ‘I loved The Four Seasons, it’s a lovely piece of music’, but most preferred the new music.”
The DWP has used ‘Spring’ as its on-hold music since 2006. They called it a ‘cost-effective solution’, explaining that while the music would usually be funded by taxpayer money, they were licensed to play the Vivaldi for free.
But while the average helpline on-hold time is eight minutes, waiting times can go up to an hour. The repetitive music appears to have caused unnecessary anxiety for those calling about an often stressful matter.
“Queue times can be long, longer than the whole symphony on occasion, and callers are required to listen to the same sample, interspersed with the same recorded message, for infuriating periods of time,” it said.
“The false jollity of the piece in question, combined with the repetition involved in the short sample length, is largely at odds with the motives of people ringing the line, usually because of a problem with receipt of benefits.”