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Monday, July 22, 2019

Seven Pieces of Classical Music Inspired by Walking

Classical pieces inspired by walking

Classical pieces inspired by walking. Picture: Tumblr
By Helena Asprou, ClassicFM London
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From sweet-sounding duets to magnificent concertos, here are seven classical works inspired by hilly hikes and leisurely strolls.
1. The Hebrides (Fingal’s Cave), Mendelssohn
Composed in 1830, this spectacular tone poem written by Felix Mendelssohn was inspired by his travels to the British Isles – particularly the island of Staffa on Scotland’s west coast, which is home to Fingal’s Cave. Written in B minor and originally titled Die einsame Insel (The Lonely Island), the concert overture is intended to set a scene for the cave’s unusual echoes. It consists of two main themes – the opening notes are initially played only by the violascellos and bassoons, suggesting solitude, while the second theme depicts the sea.
2. Seven Days Walking, Einaudi
Earlier this year, Italian pianist and composer Ludovico Einaudi unveiled his ambitious plan to release seven albums in seven months. He was inspired to create the collection, titled Seven Days Walkingafter a walk in the Alps. It's signature Einaudi in terms of sound, and each selection of pieces portrays a different aspect of his wintery wander. Dreamy moments like a reflection of the moon on snow, and tracks left behind in the snow by foxes, are imagined in the music.
3. In the Hall of the Mountain King, Grieg
This orchestral masterpiece was penned in 1875 by Edvard Grieg as incidental music for Henrik Ibsen’s 1867 fantasy play, Peer GyntEnduringly popular, its stomping main theme – played by cellos, double basses and bassoons – is instantly recognisable and tells the story of the play’s lead character, Peer Gynt, as he sets foot in the mountain troll’s hall. Written in the key of B minor, this epic piece builds tension by starting in a slow tempo and gradually speeds up to a prestissimo finale.
4. Beethoven’s ‘Pastoral’ Symphony
A self-confessed nature fan and lover of trees, Ludwig van Beethoven liked to go walking almost daily – and many of his best ideas came to him during walks in the country, including his 'pastoral' Symphony No. 6. Completed in 1808, its five movements contain programmatic content intended to depict the rural surroundings Beethoven encountered on his walks – including a scene by a brook and a merry gathering of locals.
5. ‘The Lark Ascending’, Vaughan Williams
This mesmerising piece of music was inspired by George Meredith’s poem of the same name about a skylark taking flight, and its song that could be heard during Meredith’s frequent strolls. Although Vaughan Williams wrote his first musical adaptation of the work in 1914 for violin and piano, he re-scored it in 1920 for solo violin and orchestra. This second version has become a classical music favourite and was voted No. 1 in this year’s Classic FM Hall of Fame.
6. Vivaldi’s The Four Seasons
Written in 1723, this majestic concerto is surely one of Antonio Vivaldi’s most famous programmatic works and each of its four movements corresponds to a different season. The Baroque composer liked to observe his surroundings while walking and translated this into beautiful music – highlights in The Four Seasons include high-pitched plucking from the strings to depict icy rain, while violas portray a barking dog in ‘Spring’.
7. Delibes’ Flower Duet (from Lakmé)
Premiering in Paris in 1883, this gorgeous duet for soprano and mezzo-soprano is taken from Léo Delibes’ stunning three-part opera, Lakmé. The duet takes place in act one as lead character, Lakmé, and her servant, Mallika, wander through the great outdoors and gather flowers by a river.
Love walking and helping others? This September Classic FM’s Big Walk is raising money for our charity, Global’s Make Some Noise. We're all getting out and walking to raise money, and would love for you to join us.

Thursday, July 18, 2019

Ranked from worst to best ...

The biggest songs in West Side Story

Tony and Maria in West Side Story
Picture: United Artists
By Maddy Shaw Roberts, ClassicFM
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It has possibly the greatest musical score of all time, and it’s all based around that ominous, uncomfortable tritone… but which songs are really the best? Here’s our definitive ranking* of Bernstein’s songs from West Side Story.
*Tears were shed and friendships ruined in the making of this listicle.
  1. A Boy Like That

    A duet between Anita and Maria, this is Anita’s final piece of wisdom for her sister-in-law, before Tony’s (spoiler alert) sticky end. The tempo constantly flits between 3/4 and 4/4 time, creating a feeling of unease. More than anything, it just makes us think: why didn’t Maria just listen to wise old Anita? It would have saved her a lot of upset.
  2. Cool

    The tritone, also known as the devil’s interval, is frankly everywhere in West Side Story – so this is by no means the only example of it on this list. ‘Cool’, like ‘Maria’ and ‘Gee, Officer Krupke’, is based around the devil’s interval, and it creates a dark, stilted atmosphere to tell the audience that something is up. (It’s not that we don’t like ‘Cool’, by the way, it’s just Bernstein wrote too many bangers.)
  3. I Feel Pretty

    In eighth place, it’s Maria’s solo ‘I Feel Pretty’. It’s a bit twee, but the song will always be charming, sweet and one of Bernstein’s most memorable melodies.
    Lyricist Stephen Sondheim described the idea behind this song as “simple’. The New York Times elaborated, saying that Sondheim “said he was never particularly fond of his lyrics in ‘West Side Story’, especially ‘I Feel Pretty’.”
  4. Jet Song

    Tritone klaxon! In the ‘Jet Song’, the juicy interval appears prominently, but is never resolved. By leaving it unresolved, Bernstein builds that uncomfortable, ominous atmosphere that will set the tone for the rest of the musical.
  5. Gee, Officer Krupke

    ‘Gee, Officer Krupke’, the great comic number in the musical, is a perfect example of Bernstein and Sondheim’s incredible teamwork. It kicks off in a light, vaudeville style, before launching us into another whopping great tritone in the first interval.
  6. Tonight

    Ah, those sweet teenage dreams of finding a Shakespearean man to sing to us on our parents’ balcony... In their first love duet, Maria and Tony are suspended in time, while the rest of the world fades away. Oh, and there are no tritones here – only nice, loved-up fourths and fifths. *swoons*
  7. Maria

    There’s no greater example of the tritone than in ‘Maria’. After that echoed build-up (which makes it sound a bit like poor Tony is lost in a train tunnel somewhere) a great big tritone comes in as Tony exclaims Maria’s name aloud for the first time.
    But the mood here couldn’t be further from the menacing feeling the tritone normally creates – and that’s because it’s only there for a moment, before it resolves to create a lovely perfect fifth interval.
  8. Something’s Coming

    In third place, it’s the musical’s tagline. Full of jumpy rhythms, ‘Something’s Coming’ is based on a syncopated ostinato, which is repeated throughout. It sets the tone for Tony becoming disillusioned with gang violence, and his desire to leave the Jets.
  9. America

    Grab your castanets! ‘America’ is the biggest dance number in the musical, and Sondheim’s rhyming game is exceptional here. Beginning with triplets, it paints a nostalgic picture of Puerto Rico, before moving into 6/8 time and that earworm-y C major melody.
  10. Somewhere

    ‘Somewhere’ has probably found the most fame outside of the musical – and at least a smattering of our Bernstein-shaped tears can be attributed to this final, heartbreaking love duet.
    It borrows the tune from the slow movement of Beethoven’s ‘Emperor’ Piano Concerto, but the final note is shifted a tone higher, hinting at a brief moment of hope for the star-crossed lovers.
Te Deum is performed at the opening ceremony of the Eurovision Song Contest 2013

Thursday, July 11, 2019

Little Mermaid Live Action Remake:

Who’s in the cast, when is the Disney film released and what’s the soundtrack?


The Little Mermaid Trailer
Credit: Walt Disney Productions
By Maddy Shaw Roberts, ClassicFM
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With a soundtrack by Disney royalty Alan Menken and rising star Halle Bailey playing Ariel, the remake of ‘The Little Mermaid’ looks to be another live-action hit for Disney.
The Little Mermaid is receiving a live-action remake, courtesy of Walt Disney Studios and director Rob Marshall (Mary Poppins Returns).
The original 1989 animation told the story of 16-year-old mermaid Ariel, who is fascinated with life on land.
When she falls in love with Eric, a human prince, she strikes a dangerous deal with a sea witch, Ursula, to become human for three days.
The remake will start production in April 2020, but here’s everything you need to know in the meantime...
The Little Mermaid – original 1989 animation
The Little Mermaid – original 1989 animation. Picture: Disney

Who’s in the cast of The Little Mermaid?

Halle Bailey, a 19-year-old rising star and one half of viral singing duo Chloe X Halle, has been cast as Ariel.
Halle was first noticed by Beyoncé, who spotted the two sisters’ song covers on YouTube and signed them both to her label Parkwood Entertainment.
“After an extensive search, it was abundantly clear that Halle possesses that rare combination of spirit, heart, youth, innocence, and substance – plus a glorious singing voice – all intrinsic qualities necessary to play this iconic role,” director Rob Marshall said in a statement.
Chloe X Halle at 10th Annual DVF Awards
Chloe X Halle at 10th Annual DVF Awards. Picture: Getty
Melissa McCarthy is rumoured to be playing sea witch Ursula, while Awkwafina (Ocean’s 8) is in talks to play Ariel’s seagull friend, Scuttle.
Jacob Tremblay, who was named Best Young Actor at the 21st Annual Critics’ Choice Awards for The Room, will play Flounder the fish. Prince Eric, Sebastian the Crab and King Triton are all yet to be announced.

What’s the soundtrack?

The Little Mermaid will include many of the best loved songs from the animation, including ‘Under the Sea’, ‘Kiss the Girl’ and ‘Part of your World’ by original composers Alan Menken and Howard Ashman.
The remake will also feature new songs from Hamilton composer Lin-Manuel Miranda.

What’s the release date?

The Little Mermaid will start production in April 2020 and an official release date is yet to be announced, so we’ve still got a while to wait...

Thursday, July 4, 2019

Nigel Kennedy - His Music and His Life

Nigel Kennedy