Total Pageviews

Friday, September 12, 2025

The Seven Most Popular Piano Concertos on YouTube

From Rachmaninoff (lots and lots of Rachmaninoff…) to Mozart to Chopin, here are the seven most viewed piano concerto performances on YouTube, along with our commentary about each, in reverse countdown order.

And not to sound like a YouTube title cliche, but the most popular one might surprise you!

a close up of hands playing piano

7. Frédéric Chopin: Piano Concerto No. 1 by Olga Scheps

Olga Scheps is a German pianist born in 1984, who is especially passionate about the works of Chopin.

This performance of his first piano concerto was recorded in 2014 with the Chamber Orchestra of Polish Radio.

Scheps brings an elegant, lyrical touch to this repertoire. Every phrase conjures some new gradation of emotion. She concentrates hard while still being clearly delighted by the music she’s playing, and that combination is irresistible.

The performance’s intimate atmosphere is enhanced by the smaller chamber orchestra.

6. Sergei Rachmaninoff: Piano Concerto No. 3 by Yunchan Lim 

Yunchan Lim’s winning performance from the 2022 Van Cliburn Competition made him a classical music superstar overnight…and this performance is a major reason why. Even videos just commenting on this video have millions of views!

Rachmaninoff’s Third Concerto is notorious for its countless demands, both technical and emotional, but Lim vanquishes all of them with an ease that verges on preternatural.

His poise, control, and intensity are jaw-dropping. (Did we mention he’s only eighteen in this video?)

This performance is a must-listen for any modern piano lover.

The performance went so viral that the Van Cliburn Competition actually posted a second version featuring remastered audio. That one has 4.9 million views of its own. If you combine the two, it would place number four on this list.

5. Frédéric Chopin: Piano Concerto No. 1

Here’s another competition-winning video that went viral: a performance of Chopin’s first piano concerto by Seong-Jin Cho, who won the 2015 Chopin International Piano Competition.

Cho’s interpretation is refined and heartfelt, with a natural elegance that makes even difficult passages seem effortless.

It’s sheer joy to watch him finish the concerto; he looks like he’s in his own little world of musicmaking, and we’ve been lucky enough to get to spy on it.

4. Sergei Rachmaninoff: Piano Concerto No. 2 by Nobuyuki Tsujii  

The musicality of blind pianist Nobuyuki Tsujii touches audiences deeply.

He learns music by ear, which enables him to learn (and hear) this music in a different way from other performers.

His technical mastery is remarkable, as is his heartbreaking sincerity.

The YouTube heatmap reveals that the most popular part of the performance is the ebullient ending from 30:45 on, where all of the sad loneliness of the first two movements turns into hard-won triumph. It’s mysterious and moving.

3. Wolfgang Amadeus Mozart: Piano Concerto No. 21 by Yeol Eum Son  

This performance is from the final round of the 2011 Tchaikovsky Competition, where pianist Yeol Eum Son would go on to win the silver medal.

It’s a lovely performance. Her touch throughout is beautifully measured. Every phrase has something to say, and serves a purpose within the longer musical line.

The concerto’s most famous part is its slow movement, which begins at 15:05. It was used in the movie Elvira Madigan, which has become the concerto’s nickname.

2. Sergei Rachmaninoff: Piano Concerto No. 2 by Anna Fedorova  

Anna Fedorova’s rendition of Rachmaninoff’s second piano concerto is the kind of performance that hits a listener squarely in the center of the chest: full-blooded and deeply personal.

Filmed at the Royal Concertgebouw in Amsterdam, this video is shot in a way that emphasises the architecture of the hall, as well as the way that the hall’s audience is wrapped tightly around the musicians. It lends a sense of intimacy to both the music-making and the cinematography.

Fedorova’s ability to balance power and restraint makes the concerto especially moving. Listen at 4:20 to how she treats the dreamy ascending and descending passages, then immediately follows those up with a quicksilver fleetness.

1. Cat Concerto from Tom and Jerry by Yannie Tan

66 million views   

Here’s the most-viewed piano concerto video on YouTube. Turns out it’s not actually a piano concerto at all: it’s a version of Liszt’s Hungarian Rhapsody No. 2, as arranged for the cartoon Tom and Jerry, performed by pianist Yannie Tan.

It’s cute, fun, and completely unexpected. The result is pure piano joy…complete with a cat ear costume.

Conclusion

From Rachmaninoff’s second concerto to Rachmaninoff’s third concerto, from Chopin to Chopin, and from Mozart to a concerto for a cat, all seven of these performances prove how compelling piano concerto videos can be to online audiences.

Which one of these seven is your favourite? And which pianist do you think will be the first to break 100 million views?

Thursday, September 11, 2025

Candy Dulfer & David A. Stewart - Lily Was Here


Yuja Wang's Greatest Performances.



West Side Story - Prologue - Official Full Number - 50th Anniversary (HD)



Wednesday, September 10, 2025

Zager & Evans - In the Year 2525



Matt Monro - Walk Away / Born Free (Saturday Variety, July 1st 1972)



Land of the Best Singers in the World - The Philippines | Female Category


The Philippines has been known for it’s people who has a very warm hospitality and of course, their talents. Singing has always been a part of every Filipinos lives. Almost a majority of the Filipino people can sing, about 70-90%. Filipino singers also find their way in the international stage like The X Factor (UK, Australia, Romania, US, etc.) | The American Idol, The Voice and Got Talents from different countries and more. So here’s a list of the TOP or the Best of the Bests when it comes to singing in the Philippines. 1. Regine Velasquez - Asia’s Songbird 2. Jonalyn Viray - Fearless Diva 3. Morisette Amon - Asia’a Phoenix 4. Charice Pempengco - Int’l Singing Sensation 5. Katrina Velarde - Suklay Diva 6. Rachel Ann Go - International Theater Diva 7. Angeline Quinto - Female Pop Superstar 8. Sheryn Regis - Crystal Voice of Asia 9. Kyla - Asia’s Queen of RnB 10. Jaya - Asia’s Queen of Soul 11. Lea Salonga - Broadway Diva 12. Lani Misalucha - Asia’s Nightingale 13. Sarah Geronimo - Asia’s Popstar Princess 14. KZ Tandingan - Asia’s Soul Supreme 15. Nina - Asia’s Soul Siren 16. Aicelle Santos - Soul Flair Songstress 17. Julie Ann San Jose - Asia’s Pop Sweetheart 18. Klarisse De Guzman - The Voice of the Philippines 19. Jessica Sanchez - American Idol Thank You for clicking. I hope you enjoy.

"Don't Let me be MisUnderstood" - Santa Esmeralda



Tuesday, September 9, 2025

Haydn: Symphony No. 94 in G major “Surprise”


Wake up! It's the symphony “with the kettledrum stroke”. Joseph Haydn’s Symphony No. 94 in G major “Surprise” is probably his most famous symphony. Here, it is performed by the Lucerne Festival Orchestra under the direction of Andris Nelsons. The concert took place on 19 August 2015 at the Lucerne Culture and Congress Centre. (00:00) I. Adagio cantabile – Vivace assai (08:55) II. Andante (15:32) III. Menuetto: Allegro molto (20:30) IV. Finale: Allegro molto Joseph Haydn (1732 - 1809) composed the Symphony No. 94 in G major, Hob. I:94 “Surprise” in 1791 during his first visit to London. The premiere took place on March 23, 1792, in the Hanover Square Rooms and was an enormous success. Haydn himself conducted, leading the orchestra from the fortepiano. The “Surprise Symphony” is the second of Haydn’s twelve London Symphonies and a model of the classical four-movement symphony. Its nickname derives from the famous moment at the beginning of the second movement (09:31), when, after 15 measures of a gentle melody, a sudden fortissimo chord with timpani stroke bursts forth. Legend has it that Haydn wanted to wake up dozing London concertgoers with this jolt. More likely, however, he had another aim in mind. As he told his biographer Georg August Griesinger: “I was interested in surprising the public with something new.” The English gave the work the nickname “Surprise,” which captures the effect of this fortissimo chord more vividly than the German title “Symphonie mit dem Paukenschlag” (Symphony with the kettledrum stroke). The shock in the second movement can easily overshadow the other qualities of the symphony, yet all four movements are masterfully crafted. The first movement, with its dance-like character, shifts gracefully between forte and piano and develops its two themes with elegance. The second movement delights with contrasting variations on a childlike tune. The third movement is deliberately simple—almost rustic—reminiscent of an Alpine Ländler. The finale recaptures the playfulness and drive of the opening movement and brings the work to a brilliant conclusion. Born in Austria, Joseph Haydn played a decisive role in the history of the symphony. He wrote his first for Count Morzin of Bohemia, though he served him only briefly. In 1761 he became Kapellmeister to the Esterházy court in Hungary, where he composed numerous symphonies for its small orchestra. By the end of the 1760s Haydn had already written more than 40 symphonies, with another 25 following in the 1770s. By the 1780s he had reached full artistic maturity, and his works were performed throughout Europe—and even, by 1782, in America. In his final creative period, encompassing the twelve so-called London Symphonies, Haydn’s mastery is most evident. He traveled to England for the first time in 1791 and enjoyed great success with his Symphonies Nos. 93–98. London boasted one of the finest orchestras of the day, offering Haydn—long accustomed to the modest resources of the Esterházy court—new possibilities that deeply influenced his writing. He composed the second set of London Symphonies (Nos. 99–104) during his second visit (1794–95). Even today, Symphony No. 94 conveys the poise, elegance, and spirit of invention that characterize Haydn’s late style.

Luciano Pavarotti & Barry White



Tina Turner - Proud Mary (Live from Arnhem, Netherlands)



Roy Orbison - Oh, Pretty Woman (from Black & White Night)



Monday, September 8, 2025

KATICA ILLÉNYI - Bolero



[Instr.] V. Monti - "Csardas", P. Sarasate - "Gypsy Airs"


Kim Jong Un organized the Moranbong band as required by the new century, prompted by a grandiose plan to bring about a dramatic turn in the field of literature and arts this year in which a new century of Juche Korea begins. The band just several months old raised its curtain for its significant demonstration performance proclaiming its birth before the world. [KCNA]

Sunday, September 7, 2025

La Traviata: “Libiamo, ne’ lieti calici”