SO YOUNG - The Corrs Live in Manila 2023 [HD]

22,080 views Premiered Oct 22, 2023

Presents: THE CORRS Live in Manila 2023 Song: So Young Date: October 22, 2023 Venue: Araneta Coliseum No copyright intended

"Historia de un amor" - Luz Casal.

A. Piazzolla. Libertango

58,901,238 views Jul 29, 2012

Moscow City Symphony "Russian Philharmonic" Phonograph Jazz Band Conductor -- Honoured Artist of Russia Sergey Zhilin Soloists -- Yuri Medyanik (bandoneon), Rodion Petrov (violin) Pair of dancers -- Inna Svechnikova, Dmitry Chernysh Moscow International House of Music, Svetlanov Hall September 30, 2010 A. Piazzolla. Libertango

Joseph Joachim Romanze in C

Joseph Joachim Romanze in C

Joseph Joachim (June 28, 1831 -- August 15, 1907) (pronounced YO-a-chim) was a violinist, conductor, composer and teacher. He is regarded as one of the most influential violinists of all time. Joseph Joachim was born to Julius and Fanny Joachim, who were Hungarian Jews, as the seventh of eight children. Joachim was born in Kittsee (KopÄ any / Köpcsény), near Bratislava and Eisenstadt, in today's Burgenland area of Austria. At the time, Kittsee was part of the Esterhazy holdings in Hungary, and for this reason Joachim is often considered to be Hungarian. Joseph Joachim's birth house in Kittsee. In 1833 his family moved to Pest, where he studied violin with Stanislaus Serwaczynski, the concertmaster of the opera in Pest. (Serwaczynski later moved to Lublin, Poland, where he taught Wieniawski). In 1839, Joachim continued his studies in Vienna (briefly with Miska Hauser and Georg Hellmesberger, Sr.; finally â€" and most significantly â€" with Joseph Böhm). He was taken by his cousin, Fanny Wittgenstein (grandmother of the philosopher Ludwig Wittgenstein) to live and study in Leipzig, where he became a protégé of Felix Mendelssohn. In his first public performance with the Leipzig Gewandhaus Orchestra he played a violin concerto by Heinrich Wilhelm Ernst. The twelve-year-old Joachim's 1844 performance of the Beethoven violin concerto in London (under Mendelssohn's baton) was a triumph, and helped to establish that work in the repertory. Although his second concert tour there was less successful, Joachim was to remain a favorite in England.

Kodály: Háry-János-Suite ∙ hr-Sinfonieorchester ∙ Juraj Valčuha

Zoltán Kodály: Háry-János-Suite ∙ (Auftritt) 00:00 ∙ I. Vorspiel. Das Märchen beginnt 00:27 ∙ II. Wiener Spielwerk 04:36 ∙ III. Lied 06:42 ∙ IV. Schlacht und Niederlage Napoleons 12:40 ∙ V. Intermezzo 16:45 ∙ VI. Einzug des kaiserlichen Hofes 21:56 ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Juraj Valčuha, Dirigent ∙

Yuja Wang. Tea for Two. BBC Proms 4/08/2023 - Encore

WHEN THE POLICE HEARS BOHEMIAN RHAPSODY - QUEEN - VIOLINE - 432HZ

Kirsti Hille ♪

2.01K subscribers

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48,144 views Jul 11, 2022 #bohemianrhapsody #healingmusic #432hz

My Sommershow 2022 is happening. This one I´m playing in 432 HZ HEALING FREQUENCIES .. so you can lean back and get some healing benefits while listening :) Live from my Street Performance - Bohemian Rhapsody (original by Queen) on the violin I hope you like it:)

Nostalgia Philippines.

CREDITS :

Percy Faith      -   Theme from A Summer Place

Lettermen       -    A Time for Us

The Walker Brothers - The Sun Ain't Gonna Shine Anymore! (1966) 4K

281,374 views Dec 2, 2021 #ClassicHitsStudio #TheWalkerBrothers #TheSunAintGonnaShineAnymore

The Walker Brothers performing "The Sun Ain't Gonna Shine Anymore", released originally in 1966. It reached #1 UK Singles Chart, #2 Canada Top Singles, and #13 US Billboard Hot 100. "The Sun Ain't Gonna Shine Anymore!" is a cover of a Frankie Valli song, co-written by Bob Gaudio and Bob Crewe. The Walker Brothers' version of the song is widely regarded as a classic and more successful than Valli's version. The Walker Brothers were not actually brothers, but a Los Angeles trio. They tried their hand at the song with a different production team, and their version rose to No. 1 in England and No. 13 in the United States. The Walker Brothers were an American pop group that achieved significant commercial success in the 1960s, particularly in the United Kingdom. The trio consisted of Scott Engel (who later changed his name to Scott Walker), John Maus (who later changed his name to John Walker), and Gary Leeds (who later changed his name to Gary Walker). Despite the name, none of the members were actually brothers. Scott Walker was the group's primary vocalist and is regarded as one of the most revered innovators at the sharp end of creative music, whose influence on many artists has been freely acknowledged. The scope and dynamism of his vision have added dimension to both film and dance, and he has stunned audiences with music whose composition transcends genre and whose sheer originality defies pigeonholing.

Louis Armstrong & Duke Ellington "In A Mellow Tone" on The Ed Sullivan Show

Carl Loewe(1796-1869): Symphony Nº 1 in D minor (1832)

Johann Carl Gottfried Loewe (Löbejün, 1796- Kiel, 1869):Symphony Nº1 in D minor (1832) I.Allegro maestoso:00:00 II.Scherzo-Vivace:06:42 III.Andante grazioso:14:18 IV.Adagio espressivo-Allegro-Adagio-Allegro:19:40 Philharmonie de Lorraine Jacques Houtmann Picture:Carl Gustav Carus (1789-1869):Memory of a Wooded Island in the Baltic Sea.

Carl Loewe - his music and his life

 Carl Loewe, (born Nov. 30, 1796, Löbejün, near Halle, Brandenburg [Germany]—died April 20, 1869, Kiel, Prussia), German composer and singer who is best-known for his songs, particularly his dramatic ballads.

Loewe began to compose while still a choirboy in Köthen and completed his musical training in Halle. He frequently toured Europe singing his songs with great success, and in Vienna he was called “the north German Schubert.” Although he wrote operas, oratorios, and much instrumental music, today he is almost exclusively known for his songs. Among these the most-admired include settings of Goethe’s Erlkönig, the Scottish folk ballad “Edward,” “Herr Oluf,” “Archibald Douglas,” and “Tom der Reimer.”

Lucie Silvas - Nothing Else Matters (Radio 2 concert)

28,396,893 views Mar 7, 2010

Lucie Silvas sings "Nothing else matters" at a Radio 2 concert with the Metropole Orchestra. Recorded on May 27th 2005.

Reger - Piano Concerto in F minor, op. 114 (Audio+Sheet) [de Groote]

Max Reger's (1873-1916) vast, monumental piano concerto, played by Steven de Groote. TIMECODES: I. Allegro moderato 0:00 II. Largo con gran espressione 19:37 III. Allegretto con spirito 31:15 Steven de Groote, piano Michael Gielen, conductor SWR Symphony Orchestra

22 Nocturnes for Chopin

by Frances Wilson, Interlude

This new anthology is a result of EVC Music’s #CallToWomenComposers worldwide search for talented but not yet published women composers and includes new piano works by twenty-two women composers inspired by Chopin’s Nocturnes.

The project was initiated by Rose McLachlan, talented daughter of Scottish pianist and pedagogue Murray McLachlan, as part of her Masters degree. Applications were open to women composers aged 14+ and EVC Music received over eighty pieces in a variety of styles from romantic to experimental. The pieces were selected blind: the selection committee was presented with ‘nameless’ scores, and sixteen pieces were chosen in addition to six pieces commissioned from established women composers.

Rose McLachlan, pianist

Chopin dedicated almost all of his piano works to a woman; for example, his Op25 Etudes are dedicated to Marie d’Agoult, and other works were dedicated to female friends or talented students. Thus, this new anthology of piano music by women composers completes the circle, as it were.

The featured composers are from the UK, Ukraine, Israel, Poland, Canada and the USA. Most have not been published before; some have contributed pieces to exam syllabuses; each brings their own authentic voice to their music, and the result is a varied collection of music of intermediate (cGrade 6) to advanced level (cGrade 8).

Frédéric Chopin © Hadi Karimi

Many of the pieces display the typical characteristics of Chopin’s Nocturnes (and indeed John Field’s before him), with flowing, arpeggiated accompaniments, songful, lyrical melodies embellished with ornaments, fiorituras, improvisatory or cadenza-like passages, and chromaticism. The harmonies are in general consonant, with some unexpected piquancies or key shifts which add interest and character to the music. Interestingly, almost all the pieces are scored in a minor key. Some feel very close to Chopin’s originals, and the uninitiated listener could be forgiven for thinking some of these pieces are actually by Chopin. This may be because some are directly inspired by specific Nocturnes (e.g. Nos. 8, 13, 19, 20), while others are influenced by other works by Chopin or by Bellini’s Bel Canto arias, which inspired Chopin himself (e.g. No. 12 Triste by Victoria Proudler). Some take their inspiration from literary or poetic sources and the natural world (e.g. No. 17 Waves Collide with the Precipice by Charlotte Botterill); a handful take a rather more leftfield approach, incorporating more ambiguous or atonal harmonies and rhythms inspired by ragtime and jazz (No. 22 by jazz pianist and composer Zoe Rahman). All are infused with the nostalgia, poignancy, and Zal of Chopin’s music.

A sample page from the piano anthology

This is an interesting and attractively produced anthology, with clear engraving on thick cream paper. A QR code links back to the publisher’s website with information about the composers and brief notes on each of their Nocturnes, plus audio links to listen to each one.

As an introduction to the Nocturne genre as well as an anthology of brand new piano music for intermediate to advanced students, this is a welcome addition to the repertoire and a useful resource for teachers and students who may wish to study attractive contemporary Nocturnes alongside Chopin’s originals.