Claudio Giovanni Antonio Monteverdi (1567–1643) was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.
Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua (c. 1590–1613) and then until his death in the Republic of Venice where he was maestro di capella at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics.
Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale sacred works such as his Vespro della Beata Vergine (Vespers) of 1610, and three complete operas. His opera L'Orfeo (1607) is the earliest of the genre still widely performed; towards the end of his life he wrote works for the commercial theatre in Venice, including Il ritorno d'Ulisse in patria and L'incoronazione di Poppea.
While he worked extensively in the tradition of earlier Renaissance polyphony, such as in his madrigals, he undertook great developments in form and melody, and began to employ the basso continuo technique, distinctive of the Baroque. No stranger to controversy, he defended his sometimes novel techniques as elements of a seconda pratica, contrasting with the more orthodox earlier style which he termed the prima pratica. Largely forgotten during the eighteenth and much of the nineteenth centuries, his works enjoyed a rediscovery around the beginning of the twentieth century. He is now established both as a significant influence in European musical history and as a composer whose works are regularly performed and recorded.
1. L'Orfeo - Toccata (0:00)
2. Il combattimento di Tancredi e Clorinda - Battle Music (1:29)
3. Lamento della Ninfa (3:52)
4. Cruda amarilli (9:50)
5. Cor mio mentre vi miro (12:21)
6. Non si levav'ancor (14:18)
7. Quel augelin che canta (18:28)
8. O primavera, gioventu dell anno (20:26)
9. Il ritorno d'Ulisse in patria - "Di misera regina" (23:28)
10. L'Orfeo - 'Signor, quel'infelice' (33:25)
11. Lamento d'Arianna (41:14)
12. L'Incoronazione di Poppea - "Pur ti miro" (55:44)
13. Tirsi E Clori
I. Allegro [tutti] (1:00:15)
II. Allegretto (1:07:01)
III. Allegro gaio (1:13:31)
14. Vespro della Beata Vergine (1610) *excerpts
1. Deus in adiutorium (1:20:35)
2. Laudate pueri (1:22:52)
It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
Popular Posts
-
Friedrich Smetana was born on March 2, 1824 in Leitomischl, Austria and passed away on May 12, 1884 in Prague/CSSR. Smetana was the son...
-
What's the saddest piece of classical music? We've got some suggestions for the biggest classical tear-jerkers of all time...
-
Walking down the aisle, signing the register, the first dance – let Classic FM London help you plan the classical music for every stage of...
-
– it’s a direct link from heart to heart’ Conductor Vasily Petrenko: “To understand classical music you need no language – it’s a d...
-
Bela Bartok was born on March 25, 1881 in Southern Hungary and passed away on September 26, 1945 as migrant in New York. His father had bee...
Total Pageviews
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment