Philippine theater gets funding support from ‘Music, Movies, Magic’

Gracing the presscon launching the ‘Music, Movies, Magic’ fundraiser are (standing, from left) Philippine Philharmonic Orchestra Society, Inc (PPOSI) vice president Nes Jardin, chairman Anton Huang, Dio Saraza Jr., and ‘Music, Movies, Magic’ director Alex Cortez. Seated are (from left) PPOSI president Margie Moran Floirendo, CCP president Kaye Tinga and Camille Lopez-Molina.

Charmie Joy Pagulong - The Philippine Star 

MANILA, Philippines — Funding is the “greatest challenge” that the theater landscape is facing today, according to Philippine Philharmonic Orchestra Society, Inc. (PPOSI) president Margie Moran Floirendo.

“It’s always funding,” Floirendo remarked during the “Music, Movies, Magic” presscon. Slated on Nov. 22 at the Samsung Performing Arts Theater in Makati City, the fundraising show is presented by the Cultural Center of the Philippines (CCP) and the PPOSI.

“In the case of the CCP, our building is not yet finished. It’s still under construction and we need more funding to finish it. And so, we need help, of course, from the government and the private sector to finish it,” she continued.

“And then also, I speak about other theaters in the country that are funded by LGUs (local government units). They also need more funding to maintain (them) and to have content so that performers can perform in those theaters as well.”

Floirendo also stressed the importance of audience education. “Because we’re losing the young generation to watch theater. One, because in the past, I remember that the Department of Education (DepEd) would send students and pay for their tickets and fill up our theaters. There’s so many restrictions now with DepEd. So, that doesn’t happen anymore. So, they come on their own, with their parents. But you don’t see the masses of students watching the performances,” she explained.

“And then also, marketing budgets,” she pointed out. “We need to announce what’s happening. Many people don’t realize there are good shows in Quezon City or in Pasay or in Makati. So, things like that, aside from traffic.”

Amidst such challenges, the country still has a lot of talents to offer here and abroad, cited Floirendo. “If you watch the PPO, there were 100 musicians on stage. It was really a delight to watch them. Those performing in ‘Music, Movies, Magic’ are top performers as well. So, there are a lot of talents in the state and the country. And you have a lot of talents in the world who are performing.”

Kaye Tinga, president of CCP, echoed Floirendo, stating: “As a lot of you might know, PPO (Philippine Philharmonic Orchestra) is actually the resident orchestra of the Cultural Center of the Philippines. And like Margie was saying, the problem is funding. And as a government institution, we’re always lacking funds.

“And we would like to grow our orchestra. Presently, we have 40 regular players. We would like to grow it to 70. And this production will go a long way in helping us raise funds, provide instruments to make sure that we have the PPO that the Philippines deserves.”

Moreover, the “Music, Movies, Magic” show will transport audiences to worlds created by iconic songs and melodies that have defined many timeless films cherished throughout generations and will also feature both international and local hits.

The event will highlight Johann Strauss II’s Die Fledermaus Overture, Pyotr Ilyich Tchaikovsky’s Swan Lake, Edward Elgar’s Enigma Variations: IX to be performed by PPO; Umberto Giordano’s La Mamma Morta to be staged by opera singer Camille Lopez-Molina; Jules Massenet’s Thaïs: Meditation to be mounted by concert violinist Diomedes Saraza Jr.; and Mozart’s The Magic Flute: Queen of the Night to be played by award-winning soprano Lara Maigue.

The other performers also include Arman Ferrer, Cris Villonco, Jonathan Velasco, Alice Reyes Dance Philippines, Philippine Madrigal Singers, among others. The show’s music director and conductor is Gerard Salonga with Alexander Cortez as the director.

The “Music, Movies, Magic” aims to support the growth and development of the PPO and its various initiatives, including the training and development of orchestra members, the promotion of international performances, and the expansion of outreach programs to build a supportive national audience. It is made possible by SSI Group, Inc., LCS Group of Companies, Sta. Elena Construction & Development Corporation, Megaworld Corporation, Bank of the Philippine Islands, Rustan Coffee Corporation, and San Miguel Corporation.

(Tickets start at P8,000 for Orchestra Center seats; P6,000 for Orchestra Side; P4,000 for Loge Center; P3,000 for Loge Side; P2,000 for Balcony 1; and P500 for Balcony 2. Secure your spot via TicketWorld at ticketworld.com.ph or 0917-5506997, the CCP TIG Box Office (0931-0330880), or through Lulu Casas (0917-5708301).

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Top 10 metal moments in classical music

My personal list. There's so many more of these moments out there, it was tough to choose 10. Honorable mention for Bach, in part because he really started it all. To me, these pieces evoke intensity, speed, rhythmic energy, dark chromatic harmonies, and/or general loudness characteristic of metal music. 0:00 - Bach - Harpsichord Concerto No. 1 in D minor, BWV 1052, pf. Jean Rondeau 0:36 - Scriabin - Étude in D-sharp minor, Op. 8 No. 12, pf. Vladimir Horowitz 1:10 - Vivaldi - La follia, pf. Il Giardino Armonico 1:44 - Schubert - Erlkönig, arr. for solo piano by Liszt, pf. Evgeny Kissin 2:18 - Bartók - The Miraculous Mandarin, pf. Borusan Istanbul Philharmonic 2:55 - Royer - Pièces de clavecin, No. 11: Le vertigo, pf. Jean Rondeau 3:40 - Holst - The Planets, Mars, pf. London Symphony, cond. André Previn 4:14 - Stravinsky - The Rite of Spring, Sacrificial Dance, pf. musicAeterna, cond. Teodor Currentzis 5:04 - Vivaldi - Summer, pf. Dover Quartet 6:15 - Bartók - String Quartet No. 4, pf. Belenus Quartett 7:29 - Shostakovich - String Quartet No. 8, pf. Dover Quartet

Searching for a Button, Searching for Life: George Benjamin’s Picture a Day Like This

by Maureen Buja

English composer George Benjamin (b. 1960) started working with British playwright Martin Crimp (b.1956) in 2006, resulting in four operas: Into the Little Hill (2006), Written on Skin (2012), Lessons in Love and Violence (2018), and Picture a Day Like This (2023).

George Benjamin (Photo by Matthew Lloyd)

Martin Crimp

The first is a chamber opera based on the story of the Pied Piper of Hamelin.

Written on the Skin is set in 13th -century Provence and tells the legend told by the troubadour Guillaume de Cabestanh, where an unfaithful wife is served a dinner of the heart of her lover. When she’s told what she’s eaten, she turns the tables on her murderous husband by declaring that nothing can now remove the taste of her lover’s heart from her. As her husband rushes at her to kill her, she jumps off the balcony to her death.

Miniature of Guillem de Cabestany / Guillaume de Cabestanh, 13th century (Gallica: BnF ms. 12473: btv1b60007960, folio 89v)

Lessons in Love and Violence is about the relationship between King Edward II (1284–1327) and Piers Gaveston (1284–1312). Gaveston impressed Edward I, who assigned him to the household of his son, Edward of Caernafon. Edward I kept separating the two because Edward of Caernafon was so extreme in his partiality to Piers. What is unclear is the relationship, variously described with them being friends, lovers, or sworn brothers.

Edward II receiving the English Crown, 1350 (British Library, Royal MS 20 A ii, folio 10)

For the 2023 Aix-en-Provence Festival, the new text was for another chamber opera with 5 singers and a 22-member orchestra. The setting is a kind of never-when and fairy-tale like; the characters occupy separate worlds and operate on a kind of ‘dream-like logic’.

Marianne Crebassa in Picture a Day Like This at the Aix-en-Provence festival, 2023 (Photograph by Jean-Louis Fernandez)

A woman’s child dies, and, wrapping the boy in silk, she prepares the body for cremation. People in black arrive to take the body and one tells her: ‘Find one happy person in this world and cut one button from their sleeve – do it before night and your child will live’. She gives the mother (called simply Woman in the opera) a paper list that tells her where to look.

Picture a Day Like This: Scene 1, The Woman and the Death Attendants, 2023 (Festival-d’Aix-En-Provence) (photo by Jean-Louis-Fernandez)

George Benjamin: Picture a Day Like This – Scene 1: The Page (Marianne Crebass, Woman)

It’s Quest Opera, but with a dark and sombre center. The Woman goes off, and first finds 2 lovers, clothes discarded to the side. She asks for a button, as they’re clearly happy in themselves. They agree but then get into an argument about past and current lovers, and jealousy and happiness flee. So does the mother when one of the lovers looks to her to add to his list.

Next, she finds an Artisan. He’s retired and sitting happily in the sun. He confirms he’s happy, but when she asks for a button, he refuses. He was a button maker, and all the buttons on his suit were made with his hands. What he wants is the knife that she should use to cut off the button. What he also wants is chlorpromazine, used to treat psychiatric disorders. As he rolls up his sleeves, she sees all the cuts on his skin from all the times he’s tried to commit suicide. The woman leaves as the nurse leads the unhappy man away.

The Woman (Marianne Crebassa) and the Artisan (John Brancy)

The Composer and her assistant arrive next. The Composer is so busy that happiness has no part in her life.

In the middle, in an Aria, the woman reflects on the hopeless people she’s just met: ‘fools – vain fools – the insane’ when what she wanted was miracles. If dead flowers can come to life, why not her son? She throws away the paper list she was given.

The Collector enters. He says he’s on her list and shows her his collection of paintings: Warhol’s Gold Marilyn, Manet’s last vase of flowers, a book of hours, a Matisse….

Warhol: Gold Marilyn Monroe, 1962
(New York: Museum of Modern Art)

He refers to his rooms of artworks as his rooms of miracles. He invites her to take anything that will make her happy…but she must love him. And, he doesn’t have any buttons. She continues her search, paper list back in her hand.

Her last meeting is with Zabelle, a woman seemingly like herself. In a beautiful garden, Zabelle appears when the Woman reads her description on the paper list. She has 2 children playing on the swings; her husband lies half-asleep in the rose garden…can the mother share in this happy and beautiful life? Zabelle says to look again at the garden: shadows are falling, men are at the gate to occupy the park and destroy things, she’s dropped the baby boy, and he seems cold…it’s all an illusion. There is no happiness. Zabelle says that just because her name is on a list doesn’t mean she’s happy because she, in fact doesn’t exist. As she disappears, she twists a button off her sleeve and holds it out, but an invisible barrier separates the two characters.

Picture a Day Like This: Scene 7, The Woman and the Death Attendants, 2023 (Festival-d’Aix-En-Provence) (photo by Jean-Louis-Fernandez)

At the end, the Woman finds herself back where she started, the death attendants are still in the room. They tell her the quest was in vain because

The page is torn from the vast book of the dead –
punched through by grief –
sewn with a human thread –
no one can alter it.
Now do you understand?

The woman smiles at them and bids them to look at ‘the bright button in my hand’.

It’s an intriguing and puzzling story – how things appear on the surface do not survive closer scrutiny. New characters bring different definitions of happiness and different pictures of their hope and despair – lovers are unfaithful, the artisan was broken, the composer was self-obsessed, the collector was lonely, and even the beautiful Zabelle is happy only when it’s not dark. The Woman goes through an impossible journey but still emerges victorious at the end. It was about her own happiness, not others.

The composer said the sequential scenes made it feel like he was writing a new opera for each scene – but, on the other hand, he welcomed the challenge. Another part of the challenge the composer and writer set each other is to find something new and different for each work: fairy tales to stories of the troubadours to royal scandals, and now a dream quest – they couldn’t be more different in the subject if they tried!

The opera closes ambiguously. In the final scene, Zabelle describes the change from the day’s beauty to the night’s horrors, the Woman confronts the women who gave her the impossible quest and shows them her button. Does she get her son back? It’s not clear.

George Benjamin: Picture a Day Like This – Scene VII: III. Picture a Day Like This (Anna Prohaska, Zabelle; Marianne Crebass, Woman)

George Benjamin: Picture a Day Like This
Nimbus Records: NI 8116
Release date: 6 September 2024

Official Website

   

 by Janet Horvath, Interlude

Musicians and music lovers enjoy musical puns. Who doesn’t need a laugh these days? I thought why not expand on some of the puns colleagues have shared with me, of course omitting the ubiquitous viola jokes! (Special thanks to prolific writer and cellist David Johnstone.)

I was going to tell an Alban Berg joke but I have to go to the loo, Lou!

I have a Wagner joke but it would take 110 musicians and more than four days to tell…

I have a Debussy joke, but it’s hard to follow. More of an impression really…

There is a Hungarian joke to tell over a pint of beer, but Bartók can’t happen at the moment due to the pandemic. They’re all closed.

I considered telling a joke about an orchestral suite of Handel but thought it might not go off with a bang especially if it was all wet.

I figured out why Bach had so many children. He didn’t have a stop on his organ!

I have a Haydn joke but I can’t tell you now. It’s a Surprise.

When I began a class about the development of the famous piece Bolero my students told me it was too difficult to un-Ravel.

OK. Who left the Ring in the bath?

I’d tell you a Tchaikovsky joke but it’s rather Pathétique.

There’s a humorous story about Messiaen, but in the end, I don’t have Time.

Do you know the joke about Schubert? But it’s un…

I related an opera joke to my friend Bill but could William Tell?

My Philip Glass joke; My Philip Glass joke; My Philip Glass; My Philip Glass joke…

I have a Reger joke. Ha-ha. Tricked you. There’s obviously no such thing!

I could tell a John Cage joke, but I don’t have 4 minutes and 33 seconds and it’s too loud here.

Did you hear about the composer who committed suicide? He didn’t even leave a note.

I have a joke about American music but it’s too late now. Ives gotta go to bed.

There are children in the room so I won’t tell an off-color Baroque joke. I don’t think they can Handel it.

Joan Towered over me as she referred to my very petite stature.

I was going to tell the joke about The Trout, but my wife said, “shoo, Bert!”

Want to hear the joke about the staccato in Mozart? Never mind it’s too short.

Did you hear the one about Arnold Schoenberg? When he walked into a bar he asked for a gin without the tonic.

What a Florence Price to pay for that evening. Amy felt totally de-Beeched by the atmosphere.

Did you know Mozart was a child prodigy? He was A sharp minor.

I wanted to tell you the joke about Carmen but I’m too Bizet at the moment.

I was going to tell you about the trout who practiced her scales in Schubert’s quintet. It was tough to listen to…over and over…“Da capo al fin.”

I don’t understand why you’re complaining about these jokes. You can’t Telemann anything these days.

For anyone who didn’t “get” some of these here is a key, and with deepest regrets to:

Alban Berg and his opera Lulu

Richard Wagner’s Der Ring des Nibelungen (The Ring of the Nibelung) or The Ring consists of four operas all very long: Das Rheingold, Die Walküre, Siegfried, Götterdämmerung.

Claude Debussy was considered an impressionist composer.

Béla Bartók was one of the giants of 20th century music from Hungary.

Béla Bartók

Two of George Frideric Handel’s works includes his Music for the Royal Fireworks and Water Music

Carl Nielsen was a Danish composer, conductor, and violinist.

Carl Nielsen

J.S. Bach had two wives and an astounding 20 children.

Joseph Haydn’s Symphony No. 94 in G major is nicknamed “Surprise.”

One of Maurice Ravel’s most well-known pieces is his Bolero.

Pyotr Ilyich Tchaikovsky Symphony No. 6 in B Minor Op. 74 is entitled the Pathétique.

Olivier Messiaen Quartet for the End of Time, written for clarinet, violin, cello and piano was written in 1941 when the composer was a prisoner-of-war in Germany.

Franz Schubert’s Symphony No 8 in B Minor was left unfinished and has only 2 movements.

William Tell is an Opera by Gioachino Rossini. The overture is one of the most famous overtures in the repertoire and is frequently performed in concert.

Many accuse Philip Glass’ music of being repetitive. It’s tough for that reason to play, but I love listening to it! Mesmerizing.

Max Reger, a German composer, pianist, organist conductor and pedagogue. His music was serious, especially his many works for organ.

Max Reger

John Cage was thrust into the public eye by his work 4’ 33” a piece which the performer remains silent on stage for that length of time.

American composer Charles Ives.

American composer Joan Tower.

Joan Tower

Franz Schubert’s Piano Quintet in A Major D 677 is named The Trout due to a song he uses in the fourth movement, which is a set of variations on his famous song, “Die Forelle” (The Trout.) Stunning.

Wolfgang Amadeus Mozart.

Arguably Georges Bizet’s best-known work is his opera Carmen.

Arnold Schoenberg was the first to introduce the 12-tone system of composition and rarely was there a “key” or a tonic note.

Florence Price, an American composer, pianist, organist, and teacher, was the first African-
American woman to be recognized as a symphonic composer.

Florence Price

The Boston Symphony premiered American composer and pianist Amy Beach’s Symphony in 1896—the first symphony composed and published by an American woman.

German baroque composer George Philipp Telemann, a self-taught musician, played several
instruments and was a prolific composer.