'Coppélia,' 'Christmas Fairytales,' and 'Limang Daan' highlight Ballet Philippines' 54th season

Ballet Philippines 2023: A diverse box of delights.

BY PHILIP CU UNJIENG

Jun 29, 2023 11:48 AM

  

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This 54th season of Ballet Philippines sees the troupe living up to its theme of the “Power of Dance,” by showcasing diversity. And to enrich the agenda, Ballet Philippines is proud to announce that it has a new home for the next three years: The Theatre at Solaire.

This is a coup for Ballet Philippines, as many performing arts companies have been scrambling for regular venues since the Cultural Center of the Philippines (CCP) went into hiatus for its three-year renovation program. The Theatre at Solaire is one of the most sought-after, well-equipped, and designed live performance venues in town, so it is a great fit for Ballet Philippines.

At a media lunch held at the Oasis, Solaire, the Ballet Philippines Board of Trustees was represented by Kathleen Lior-Liechtenstein, Bernadette Aboitiz, and Rosalind Wee. Artistic Director Misha Martynyuk introduced a short snippet of "Coppelia," which will serve as a teaser for the company's 54th season.

Kathleen Liechtenstein speaking to Mark Wilson, with Bernadette Aboitiz to Mark’s right.

"Coppélia" will be performed on Aug. 4-6, with five performances spread over the three days. The ballet was first performed in 1870, and it is considered a classic of the genre. It was originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with a libretto by Charles Louis Nuitter. "Coppélia" is a comic ballet, and it is a wonderful light-hearted way to usher in Ballet Philippines' 54th season.

At its core, "Coppélia" is a story about a young boy named Franz who falls in love with a life-sized doll named Coppelia. Franz's girlfriend, Swanilda, is determined to dispel Franz's infatuation with the doll, and she soon discovers that Coppelia is actually a creation of Professor Coppelius, a mysterious inventor.

Ballet Philippines gave a sneak preview of "Coppelia" to media guests at the press conference in Solaire.

The premise of creating life from inanimate objects was a popular one in the 19th century, and "Coppélia" is one of many works that explore this theme. Other famous works that deal with this subject include "The Adventures of Pinocchio" and "Frankenstein, the Modern Prometheus."

This concept of creating life from inanimate objects is still a popular one today, as evidenced by the continued fascination with robots and AI bots. This is why the theme and storyline of "Coppélia" will have a broad appeal. If Misha ratchets up the comic elements, as he promised during the press event, then a good time is guaranteed for all, young and old alike.

The ever entertaining Rosalind Wee, with Metro Channel’s Lala Ventura.

The second performance of Season 54 will be "Christmas Fairytales," slated for Dec. 15-17. The set design and costumes promise to be part of the wonderment attached to this performance. The ballet is set at a regular home, and when the young girl asks her minder to read her a fairy tale, she is whisked away to a world where the toys and storybook figures come alive. And of course, waking up the next morning with her family is the best reality.

On March 8-10, 2024, Ballet Philippines will present "Limang Daan," a Filipiniana ballet that looks back through dance at 500 years of cross-cultural encounters and references, dominated by Spanish influences. "Limang Daan" is both art and history, reflecting on our yesterday, informing us of today, and preparing us for our tomorrow. It promises to be quite the spectacle.

The 54th Season of Ballet Philippines is a diverse lineup of performances, with something for everyone. From the classic "Coppélia" to the whimsical "Christmas Fairytales" to the thought-provoking "Limang Daan," there is sure to be something to enjoy.

The sun continues to shine brightly on Ballet Philippines, and its new home at Solaire is a fitting place for this talented company to continue to grow and thrive.

Rhapsody in Blue: How Gershwin broke the mold

Gershwin's Rhapsody in Blue is a unique genre-defying piece, it breaks all the rules, crosses all the boundaries and has remained massively popular despite regular getting a drubbing from the critics. In this video I take a look at what makes it tick.

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It reached #1 in the US Billboard Hot 100, #1 in New Zealand Charts, and #5 in the US Billboard Hot R&B Sides.

"Wonderland By Night" is an instrumental song that served as the theme of a film about Germany. Bert Kaempfert was a German-born multi-instrumentalist who worked with popular artists such as Elvis Presley, Frank Sinatra, and the Beatles. He produced the Beatles' first session in 1961, in which the Beatles backed Tony Sheridan, and Kaempfert's influence continued to inspire them.

Kaempfert started to achieve success with "Wonderland by Night," and his rise to the top began in 1959, when he was hired as a staff producer for Polydor Records in Germany. The song was particularly appealing to more mature listeners, and Decca Records, which made an agreement with Polydor to distribute Kaempfert's releases in America, worked to assemble an album around the song.

As a result, many of the tracks that rounded out the album, including the Kaempfert original "Lullaby for Lovers" and his version of the standard "La Vie En Rose," were filler.

Bert Kaempfert continued to chart albums through 1971. He died at the age of 56 in June 1980 in Switzerland.

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Some Advice to Young Musicians

By Janet Horvath, Interlude

One of my adult students, who happens to be a heart surgeon, came to a lesson last week with an idea. For his upcoming birthday, during the gathering at his home, he’s thinking he’d like to perform three or four cello pieces with the piano accompaniment for his friends. “Tell me if I’m crazy!” he said. I told him I thought it was a terrific plan. Not only would it give him the incentive to prepare and polish some pieces, but I was certain his friends and family would no doubt be delighted and proud of his accomplishments. And what could be more special than sharing music?” We selected music we thought he could play beautifully in six months, music that is pleasing to an audience—Enrique Granados Orientale, Rachmaninoff Prelude, and the first two movements of Haydn-Piatigorsky Divertimento, with piano. 

© Minnesota Youth Symphonies

Several of my adult students are passionate about their playing and are dedicated to setting aside time each day to make music, nurturing a lifelong passion, no matter their level of accomplishment. It got me thinking. What advice would I give young musicians, so they will always love playing music, wherever life takes them? Here are ten suggestions:

1. Play everything beautifully, even scales and exercises, with a warm alluring tone. Your sound quality is your voice, which should please you and your audience.

2. Always try to play with ease. Release any and all tension. Your music will flow if your body feels free. Think about breathing, and use the least amount of effort to execute a phrase.

3. Experiment with the way you express the music. Search for better and more meaningful ways to communicate. Avoid playing a phrase the same way twice. Change something—the phrasing, the dynamic, the fingering, the bowing, the bow speed, the sound quality.

4. Study the music away from your instrument. Attend performances of great music and outstanding musicians. Listen to a variety of artists’ masterclasses and recordings, including historic recordings. Compare their approaches, but never imitate. Try to find your unique interpretation.

5. Practice consistently and carefully. One hour a day is better than three hours every three days. Never let a passage go by that is out of tune, poorly executed, or sounds ineffective. Consistency will lead to fluency. Listen for interruptions in the musical line. Analyze what didn’t work and go back over the passage with questions—was it due to a fingering, a shift, a bow-change, a breath, a string-crossing, the position of your hand or arm?

6. Seek out excellent teachers and colleagues. Learn from as many of them as you can. Be a good colleague and collaborator. Be willing to play with others, and to listen to others.

7. Play for people and perform often—at your place of worship, in your home, at community centers, or recital halls. Join a community orchestra or form a small ensemble that gets together frequently. One learns very quickly what works and what doesn’t in the performance situation.

8. Musicians are constantly criticized. Heed constructive suggestions but try not to take them personally. Learn to incorporate useful information to improve your playing.

9. Perfect pieces within your capabilities. Work on the techniques, which will help you play a piece skillfully, and will allow you to focus on communicating the music. Avoid struggling with a work that is beyond you at the moment.

10. Have confidence. Playing music is a process. Celebrate every milestone. If your goal is to move people emotionally not playing “perfectly” you will have succeeded. It’s a privilege to learn to play music. It’s an even greater privilege to share music with others. Remember, your audience and the colleagues with whom you are playing are there for the collective experience, for beauty, for transcendence.

Our world today has unique challenges. Economies are moving further away from traditional employment. In a world where innovation and originality are so important, where logical thinking and the ability to innovate are sought-after talents—imagination, inventiveness, tenacity, and creativity have become coveted skills. Learning a musical instrument enhances these skills and uses your head, as well as your heart. Making music will always enrich everything you do in life.