Thursday, May 18, 2023

An epic ‘Nessun Dorma’ that leaves a Royal Albert Hall audience in awe

By Kyle Macdonald

One of the great singers of our time, brings Puccini’s timeless opera masterpiece to an iconic concert hall. It’s a performance not many will ever forget.

“Vincerò!” or “I will win!” – it’s the famous and always moving climax to the aria from Puccini’s opera Turandot.

The aria is one of those very special moments of music that has gripped and enchanted millions over the years. It found truly global fame in the 1990s thanks to Luciano Pavarotti, Italia 90, and Three Tenors CDs that were on virtually everyone’s shelf.

Its drama and power, combined with that enduring public appeal makes it a natural show-stopper in live performances.

And so it was on this night, before 5,000 people at London’s Royal Albert Hall, during an opera-themed Classic FM Live with Viking.

But there’s always more than just those high notes at the very end of the aria. And on that night, there was a singer perfectly matched to reveal every glorious, moving moment of ‘Nessun Dorma’. Watch above.


Michael Spyres at Classic FM Live
Michael Spyres at Classic FM Live. Picture: Classic FM

Michael Spyres is an American opera singer. He’s rare for the fact that he can sing in both baritone and tenor voice types. His range spans from the rich and resonant baritone register, up to the highest notes of most agile Bel Canto tenor. Alongside the Puccini, he also gave us a Rossini baritone aria that night.

It’s one of the reasons why this performance was so special. 

Michael Spyres and conductor Paul Daniel at Classic FM Live with Viking
Michael Spyres and conductor Paul Daniel at Classic FM Live with Viking. Picture: Matt Crossick

Puccini sets the scene with hushed orchestra, on this occasion it played by English National Opera and conductor Paul Daniel. The singer then enters, pleading ‘Nessun dorma’ – first in the middle of his register, and then low. Then that powerful lyricism starts. This is all perfect territory for Spyres to show off that sonority and voice.

From these opening cries, to the final ‘Vincerò!’ on that winning high B, it’s a journey like few others in music. Spyres held that hall in rapt silence, before everyone erupted. ‘Nessun dorma’ does it every time.

Wednesday, May 17, 2023

Pink Floyd - Shine On You Crazy Diamond 1990 Live Video


Heart - Stairway to Heaven (Live at Kennedy Center Honors) [FULL VERSION]


Tuesday, May 16, 2023

Philippine historical musical 'Klasical' to happen in Makati this June

Klasical is a musical of Philippine history featuring “Tribu” and is produced to celebrate the 125th Anniversary of Philippine Independence.


Ephesus Teatron Group Inc., after a three-year hiatus, will return to the stage with their first major live musical concert, “Klasical.” The concert will be held on Saturday, June 10, 2023, at 7:30 p.m. at the OnStage Theatre in Greenbelt 1, Makati City.

Klasical is a musical of Philippine history featuring “Tribu” and is produced to celebrate the 125th Anniversary of Philippine Independence.

Featured artists are Sweet Samaniego (also the director of show), Marga Roco, Terence Guillermo, Onyl Torres and Nazer Salcedo.

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Magro Roco

Special guests are Pinky Marquez, Miguel Braganza and Gala Dance Company.

KLASICAL is a repertoire of traditional classical Filipino music with improvements on instruments, symphony, melody, harmony, orchestra, and vocal that make up a combination of traditional local and Western music. The inspiration of this collection is to preserve national culture in these traditional Filipino songs and to achieve renewed vigor by means of upgrading sound to be appreciated across generations.

Nazer Salcedo.jpg
Nazer Salcedo

Filipino music has grown from its grassroots origin of a highly emotional and romantic love song into a highly developed piece of art with a universal appeal. Even if you don't understand a single word, you'll likely find classical Philippine music to be a great way to relax and enjoy this unique style of Filipino culture.

“Klasical” is a repertoire of unforgettable kundiman songs such as Ako’y Kampupot, Mutya ng Pasig, Nasaan Ka Irog, Bituing Marikit, Gaano Ko Ikaw Kamahal, Folksong Medley, Kalesa , Ay, Ay, Ay, O Pag ibig, Katakataka.

Onyl Torres.jpg
Onyl Torres

It is a musical show about love, heartbreak, Filipino culture of courtship and serenade, passion, and poetic expression of love for country and history. Included in this rich collection are a few arias and opera pieces like O Mio Babbino Caro, Canto Patriotico De Maria Clara, and others.

Terence Guillermo.jpg
Terrence Guillermo

All these songs and themes that transcend time and place will be carried out by Tribu’s immense talent and their unwavering commitment to musical excellence. Listeners can expect an updated and well-arranged musical score by one of the most sought-after musical directors, Pifo Cifra.

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Tickets are available via Ticket2Me.

Sunday, May 14, 2023

Friday, May 12, 2023

Pianists and Their Composers: Franz Liszt

by Frances Wilson

3D rendering of Franz Liszt by Hadi Karimi

3D rendering of Franz Liszt by Hadi Karimi

In fact, he was a remarkable musician and human being. Sure, as a performer he could be flamboyant and extravagant in his gestures, but he helped shape the modern solo piano concert as we know it today and he also brought a great deal of music to the public realm through his transcriptions (he transcribed Beethoven’s symphonies for solo piano, thus making this repertoire accessible to both concert artists and amateur pianists to play at home). He was an advocate of new music and up-and-coming composers and lent his generous support to people like Richard Wagner (who married Liszt’s daughter Cosima).

His piano music combines technical virtuosity and emotional depth. It’s true that some of his output is showy – all virtuosic flourishes for the sake of virtuosity – but his suites such as the Années de Pèlerinage or the Transcendental Etudes, and his transcriptions of Schubert songs demonstrate the absolute apogee of art, poetry, and beauty combined.

Martha Argerich

Martha Argerich

Martha Argerich

Martha Argerich brings fire and fluency to her interpretations, underpinned by a remarkable technical assuredness. Her 1972 recording of the B-minor Sonata and Hungarian Rhapsody No. 6 is regarded as “legendary”.


Leslie Howard

Leslie Howard

Leslie Howard

Australian Leslie Howard is the only pianist to have recorded the solo piano music of Liszt, a project which includes some 300 premiere recordings, and he is rightly regarded as a specialist of this repertoire who has brought much of Liszt’s lesser-known music to the fore. 

Lazar Berman

Lazar Berman

Lazar Berman

Berman’s 1977 recording of the Années de Pèlerinage remains the benchmark recording of this repertoire for many. Berman brings sensibility and grandeur, warm-heartedness, and mastery to this remarkable set of pieces. 

Alim Beisembayev

Alim Beisembayev

Alim Beisembayev

Winner of the 2021 Leeds International Piano Competition, the young Armenian pianist Alim Beisembayev’s debut recording of the complete Transcendental Etudes is remarkable for its spellbinding polish, precision, and musical maturity, all supported by superb technique. 

Yuja Wang

Yuja Wang

Yuja Wang

Yuja Wang has been praised for her breath-taking interpretations of Liszt’s First Piano Concerto which combine force and filigree, emotional depth, and technical mastery to create thrilling and insightful performances. 

Other noted Liszt pianists include Georges CziffraJorge Bolet, Krystian Zimerman, Lang LangDaniil TrifonovSviatoslav RichterMarc-André Hamelin, Nelson Freire, Claudio Arrau, and Vladimir Horowitz.

Thursday, May 11, 2023

MY SWEET LORD "LIVE" (UHD) SENSATIONAL!! ONE OF THE BEST VERSIONS EVER!!!


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Lang Lang & Nicole Scherzinger perform at The King's Coronation Concert ...


The world-renowned pianist Lang Lang and international superstar Nicole Scherzinger captivated the audience with a breathtaking performance of ‘Reflection’ from Disney’s Mulan at The King’s Coronation. This historic concert which took place at the prestigious Windsor Castle showcased a fusion of Lang Lang’s unparalleled piano artistry and Nicole Scherzinger’s powerhouse vocals, against a ‘real-life fairytale’ backdrop creating an unforgettable musical experience for all in attendance. At the heart of this extraordinary collaboration, Lang Lang showcased his virtuosity on the legendary Steinway Model D piano. Known as the “king of pianos,” the Steinway Model D is renowned for its impeccable craftsmanship, rich tonal palette, and unparalleled precision. The instrument’s resonant soundboard and exceptional responsiveness provided Lang Lang with the perfect canvas to paint this masterpiece in celebration of His Majesty King Charles III and Queen Camilla – Marking a historic milestone in the nation’s history.

Friday, May 5, 2023

Tears (Concerto)


Tears (Concerto) · Ernesto Cortazar Concertos Vol. IV ℗ 2014 Piano Drops Music & Publishing

Ways of Listening

By Frances Wilson, Interlude

Ways of Listening - How a performer creates images, narratives and meaning for the audience“Art is not what you see, but what you make others see.”

This quote from the French artist Edgar Degas could be paraphrased for music – Music is not what you hear, but what you make others hear.

In other words, the role of the performer – like the artist – is to create images, narratives and meaning for the audience through the music they perform. Their own interpretation or concept of the music may not necessarily be easily audible to the listener: we will each perceive and interpret the music in our own way, and what sounds like pleasing music to one person may sound like noise to another! But if a performance evokes a mood or scene, provokes emotions or creates a meaningful experience for the listener, then it can be considered successful in its ability to communicate – in effect, “to make others hear”.

Ways of Listening - How a performer creates images, narratives and meaning for the audience

© Tim Robberts/Stone/Getty Images

I’ve selected ‘Dawn’ from Benjamin Britten’s Sea Interludes from Peter Grimes (in an arrangement for organ by Anna Lapwood) to illustrate this point. The composer gives us some help in the title of the piece, but it is down to the performer (Anna Lapwood) to illustrate in sound the “story” of the music to us. I think she does this very successfully, in the restrained opening section, suggesting the gradual increase of light as dawn breaks. 

Equally, the finale of Prokofiev’s Piano Sonata No.7 is said portray German tanks invading Stalingrad. Certainly, the music, a savage toccata, has an unrelenting energy, but the intended imagery may not be obvious to every listener – and that’s fine because ultimately, the listening experience should be whatever you get from it!  What makes a “good” performance is also in the ear of the beholder, to a greater or lesser extent. An ill-prepared performance, riven with errors and mishaps, will surely be obvious to even the most ingenue listener, but “good” or “great” performance is harder to define because our listening is so subjective and individual, and is inherently biased due to our personal tastes, insight and experience.

The best performers have a clear mental and aural picture of the music, the result of meticulous work not just during physical practicing but in time spent studying the score away from the instrument. In addition, a greater understanding of the music comes from wider knowledge of the composer’s oeuvre, the music of his or her contemporaries, the social and historical context in which the music was written, and comparative listening. Thus the performer can build a detailed, personal vision of the music which they hope will be communicated to their audience. We cannot read the performer’s mind (nor indeed the composer’s!), so it is down to the performer to “tell the story” of the music as best they can, to bring it alive for us through their performance.

One of the most enjoyable aspects of concert-going – and one which I have missed over the long months of the pandemic when opportunities to hear live music have been sparse – is attending a concert with a friend or group of friends and discussing what we have heard during the interval or after the concert. The range of views can sometimes be startling, from “I loved it!” to “I really couldn’t stand it!”, which reveal just how personal our listening experience is.

Music is about communication and expression. It has a special ability to connect, inspire and move us beyond the realms of everyday life.

“The feelings that we get from listening to music are something we produce, it’s not there in the notes. It comes from emotional insight in each of us, the music is just the trigger”. – Dr David Cope