It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
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Sunday, March 5, 2023
Saturday, March 4, 2023
Sarah Brightman & Alessandro Safina ,,Canto Della Terra" , ,,Sarai Qui"
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Friday, March 3, 2023
Samuel Barber - his music and his life
Samuel Barber's Adagio for Strings is one of the most recognizable pieces of classical music in the world. It's become America's semi-official music for mourning, used at Franklin Delano Roosevelt's funeral and after JFK's assassination.
But somewhere along the way, it went from an anthem of sadness to one of joy.
The Barber Adagio has been recorded dozens, if not hundreds, of times. Three of those have been made by conductor Leonard Slatkin. "This piece starts just with a single, very long melodic line in the violins," Slatkin explains, "which then goes over to the violas and then goes over to the cellos. It reaches a very strong climax, followed by what seems like an interminable silence. And then the music reappears for one last time and we hear, at the very end, two chords that might as well be saying 'Amen.' "
The Adagio for Strings arrived at the right moment, when America was still hurting from the Great Depression and Europe was sliding into war. The piece had its debut on Nov. 5, 1938, on an NBC radio broadcast conducted by Arturo Toscanini, who had already seen many European Jewish colleagues murdered.
Samuel Barber, (born March 9, 1910, West Chester, Pennsylvania, U.S.—died January 23, 1981, New York, New York), American composer who is considered one of the most expressive representatives of the lyric and Romantic trends in 20th-century classical music.
Barber studied the piano from an early age and soon began to compose. In 1924 he entered the Curtis Institute of Music in Philadelphia, where, in addition to piano and composition, he studied singing and conducting. After graduation in 1934, Barber devoted himself entirely to composition. His style was distinctive and modern but not experimental. He established his reputation with his overture to The School for Scandal (1933), based on Richard Sheridan’s comedy by that name, and with Music for a Scene from Shelley (1935), inspired by the poet Percy Bysshe Shelley’s Prometheus Unbound.
Although many of Barber’s works make literary allusions, his music is not programmatic in the strict sense. Significant in this respect are the three Essays for Orchestra (1938, 1942, and 1978), which are intended as musical counterparts of the literary form. Structural considerations govern Barber’s instrumental writing; there is great astringency in harmony, but the basic tonality remains secure; the rhythmic lines are very strong, without loss of coherence.
Adagio for Strings, Op. 11
Thursday, March 2, 2023
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13-year-old Ukrainian refugee plays poignantly on public piano, one year since the war began
By Sophia Alexandra Hall
@sophiassocialsThe young musician fled Ukraine at the start of the war last year, taking only the belongings ‘near her hands’.
13-year-old Ukrainian refugee Alisa Bushuieva performed a selection of ‘sad songs’ on a piano in a Liverpool shopping centre this morning, marking one year since Russian forces invaded her home country.
Bushuieva and her mother, Svitlana, fled their home country of Ukraine after Russian forces began dropping bombs on their hometown of Kharkiv on 24 February 2022.
The teenager and her mum subsequently spent time in Ukrainian and Polish refugee camps, where Bushuieva would play the piano to lift the spirits of those around her.
Now living in Wirral in the UK, Bushuieva was invited to play the piano in the city centre of the Liverpool ONE shopping centre this morning, exactly one year after the invasion of her home country began. Listen to a clip of her moving performance below.
Bushuieva was asked to perform by the Place Strategy Director of Liverpool ONE shopping centre, Donna Howitt, who saw her musical talents.
Howitt told PA News: “Inviting [Bushuieva] to perform felt a respectful way to support her passion and join on the solidarity with the Ukrainian community on this day.
“I had the privilege of being able to visit Alisa and hear her play and I was totally moved – she is an incredibly talented young lady and has obviously done so much to support her friends and indeed her community too.”
Before playing for the crowd that gathered around her piano, the teenager said, “this will be a very memorable occasion for me and something I will never forget”.
After performing a selection of slow and reflective pieces, the teenager marked a one minute silence, which was held across the UK at 11am to mark one year since Russia’s invasion of Ukraine.
Following the silence, Bushuieva played the Ukrainian national anthem, a work that has taken on a new meaning of hope and perseverance over the last year, with many musicians across the world performing the melody.
According to reports, Bushuieva’s performance carried an extra meaning to herself and her mother, who had recently learned that a close family friend had been killed amidst the fighting at home.
While living in Ukraine, the teenager studied at a music school, and has continued her lessons online since arriving in the UK.
Despite adjusting to life in the UK, Bushuieva shared with the Liverpool Echo that she “very much [wants] to go home”.
She told the local newspaper that she decided to perform in the city centre today because by her own testament, “music helps people feel better. It saves lives and I need to make people feel better.”
She added: “I’m very proud of my country that for a year during this hard time it still stands very strong. I hope that soon [the war] will be [over]”.