Can you name the music?

Can you name the music?

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This piece is from Grieg's 'Peer Gynt' and it's called 'In the Hall of the Mountain King'. You might recognise it from adverts for Alton Towers.

What's this piece?

In the Doctor's Waiting Room

In the Hall of the Mountain King

In the Banqueting Hall

In the Lobby

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This is Barber's Adagio for Strings – AND it was famously used in the film 'Platoon'.

Can you name this piece?

It's the Devastatingly Sad Adagio

It's the American National Anthem

It's Barber's Adagio for Strings

It's the soundtrack from Platoon

3   /7

This piece has been used in lots of films and television programmes – but it was made famous by 'The Lone Ranger'. It's from Rossini's opera 'William Tell'

What's this piece?

The Overture from William Don't Tell

The theme tune for the Grand National

The soundtrack from the Lone Ranger

The Overture from William Tell

4   /7

This piece comes from Tchaikovsky's ballet 'Swan Lake' – and it appears in the final scene of both the film and stage versions of 'Billy Elliot'.

What about this one?

It's from Swan Lake

It's from Billy Elliot

It's from The Nutcracker

It's from Sleeping Beauty

5   /7

This opera aria is called 'Nessun Dorma' (which means None Shall Sleep and is from Puccini's opera 'Turandot'. It's been linked with football ever since it was used as the theme tune for TV coverage of Italia '90.

What's the piece?

La Donna è Mobile

Time to Say Goodbye

Nessun Dorma

Match of the Day theme tune

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There are two correct answers here… this piece is the Dance of the Knights from Prokofiev's 'Romeo and Juliet' AND it's the music used as the theme tune for The Apprentice.

Which piece does this come from?

Romeo and Juliet by Prokofiev

Swan Lake by Tchaikovsky

The theme tune for The Apprentice

Dragons' Den theme tune

7   /7

This is the Flower Duet from 'Lakmé', by Delibes. It's perhaps most famous as the music from a British Airways advertising campaign.

What's the name of this famous piece of music?

The Pearl Fishers Duet

The Bakers' Duet

The Blacksmiths Duet

The Flower Duet

Happy Birthday!

Happy Birthday Klaus, from everybody at Classic FM!

From all of the team here at Classic FM (and Pavarotti), we wanted to wish you a very happy birthday.

Royal College of Music is first to rename ...

...piano ‘accompaniment’ course

NEWS: Royal College of Music recognises piano accompanists

Dame Felicity Palmer and Simon Lepper perform 'Das Zerbrochene Ringlein', arranged by Dame Felicity's father, Marshall Palmer

By Maddy Shaw Roberts, ClassicFM London

4K

A major step has been taken to recognise piano ‘accompanists’ and reflect the “tremendous skill needed to work in this field”.

The Royal College of Music (RCM) has renamed its Masters in Piano Accompaniment to reflect the essential role of pianists in music making.

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The course, renamed ‘Masters in Collaborative Piano’, is the first in a London conservatoire to remove the word ‘accompanist’ from its title.

The RCM has a number of piano alumni who have established themselves as well-known chamber musicians and song pianists, including Benjamin Britten, who regularly performed in a duo with tenor Peter Pears.

Simon Lepper, Collaborative Piano Coordinator at the RCM, says: “Unfortunately, some pianists still see the word ‘accompanist’ as someone who failed as a soloist. In reality, it is a pianist who enjoys different forms of music making which all involve a collaborative element.

“By using the term ‘collaborative pianist’, we can go some way in continuing to change the perception of audiences and other musicians as to tremendous skill needed to work in this field.”

Students on the RCM’s Masters in Collaborative Piano course will receive two years of training, developing a broad knowledge of the instrumental duo, chamber and song repertoire as well as being introduced to the skills needed to become a répetiteur, ballet pianist, continuo player, orchestral pianist or vocal coach.

Applications for the Masters in Collaborative Piano are now open on the RCM website.

Royal College of Music – new organ

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Mamma Mia 2

... every actor's singing, ranked from worst to best

By Maddy Shaw Roberts, ClassicFM London

From those who've mastered vocal acrobatics to barking animals (oh Pierce, we could never mean you), we’ve ranked all the famous actors in 'Mamma Mia! Here We Go Again' from worst to best, according to their singing abilities.

Following the much discussed release of Mamma Mia! Here We Go Again, we’ve analysed every major character’s singing, and ranked them in order of greatness.

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WARNING: Article contains spoilers

1. Stellan Skarsgård – Bill

   Stellan Skarsgård described his singing in the first movie as “horrible” and “really painful”. His singing time has been drastically cut down in the second film, so we only get to hear the odd croak from older Bill.

   

   Colin Firth, Stellan Skarsgård and Pierce Brosnan in Mamma Mia! Here We Go Again. Picture: Rex

2. Pierce Brosnan – Sam

   Critics were not kind to Pierce Brosnan after his attempts to sing in the first film. The actor has since told the Radio Times he was “very relieved” to have his singing time radically reduced in Here We Go Again. As were we all, Pierce (kidding-not-kidding).
   But what Pierce lacks in singing time, he more than makes up for in sentimentality. His toned-down, solo version of ‘SOS’ is – although still a little barky – quite poignant, as the widowed Sam Carmichael.

3. Andy Garcia – Fernando

   “Andy Garcia’s character was invented so that Cher could sing ‘Fernando’,” said screenwriter/director Ol Parker. “I started from the Fernando joke and worked backward trying to figure out what Andy was doing there.”
   But understandably, Garcia sadly gets a bit lost next to the '90s diva and voice of such pop hits as ‘Believe’ and ‘I Got You Babe’.

4. Colin Firth – Harry

   “They didn’t audition me, and I thought, ‘They’re being reckless here. What do they think they’re doing?’,” Firth said at the time of the first film. “They cast me, Pierce Brosnan and Stellan Skarsgård without asking any of us if we could sing. So I figured they didn’t care if we couldn’t.”
   We saw less singing and more of Firth’s (admittedly first-rate) dance moves in the sequel – so for now, let’s reminisce over his sweet, vulnerable vocals in ‘One Last Summer’, featuring some questionable French pronunciation.

5. Dominic Cooper – Sky

   In Here We Go Again, Cooper makes a valiant attempt at a tricky ABBA song – but his part in ‘One of Us’ is a bit disengaged, with talk-singing reminiscent of Brosnan’s attempts in the first film.
   After being asked to sing in the first film, LAMDA-trained Dominic Cooper told Vanity Fair that singing was “part of my training; I’d done it. I just didn’t have confidence in it.”

6. Hugh Skinner – Young Harry

   The comedy geeks among you will recognise Skinner from Fleabag ­– but Skinner was also around on the musicals scene not too long ago, playing Joly in Les Misérables (2015) alongside Amanda Seyfried.
   Another LAMDA-trained actor, Skinner gives a very entertaining performance of ‘Waterloo’, in which he attempts to sweep Lily James (the young Donna) off her feet. If loving the sight of a young ‘Colin Firth’ dancing in a tiny, child-sized leather jacket in a French restaurant is wrong, we don’t want to be right.

7. Alexa Davies – Young Rosie

   Previously seen in TV comedies Detectorists and Raised by Wolves, Davies wasn’t known for her singing before Here We Go Again. It might, therefore, seem like a daunting prospect to sing the title song, 'Mamma Mia!', as the young Julie Walters (aka Rosie). But alongside James and Jessica Keenan Wynn in their band Donna and the Dynamos, she more than holds her own.

8. Jeremy Irvine – Young Sam

   Irvine gives a sweet performance of ‘Knowing Me, Knowing You’. His background is largely in screen drama, but he proves his worth by singing through the part of young Sam with an endearing youthfulness. Unfortunately, he seems to lose it in his old age (sorry, Pierce, we really do mean you this time).

   

   Lily James and Jeremy Irvine in Mamma Mia! Here We Go Again. Picture: Rex

9. Jessica Keenan Wynn – Young Tanya

   Having previously starred in stage rock musical Heathers, Keenan Wynn is no newbie to musical theatre. She has plenty of singing time with Davies and James in Here We Go Again, as part of the band Donna and the Dynamos, and she sounds just great.

10. Julie Walters – Rosie

    As one of the most loved and qualified actors in the cast, Dame Julie Walters was always going to do a sensational job as Rosie, the original third Dynamo. Her hilarious performance of ‘Take a Chance on Me’ in Mamma Mia! was, admittedly, a tough act to follow. But this time, she still performs on a number of songs, including ‘Angel Eyes’. As you’d expect, she nails it like the Dame she is.

11. Josh Dylan – Young Bill

    As one of the youngest in the cast, 24-year-old Dylan was up against some stiff competition, from the likes of Firth and Brosnan. But he needn’t have worried: his performance of ‘Why Did It Have to be Me?’ is up there with the original, and proves Dylan as one of the most competent male singers in the film.

12. Christine Baranski – Tanya

    Juilliard-trained Baranski is no stranger to musicals, having won two Tony Awards for her Broadway appearances in Rumors and Tom Stoppard’s The Real Thing. She almost stole the show in the first Mamma Mia! film with her risqué performance of ‘Does Your Mother Know’ – and she more than lives up to it with ‘Angel Eyes’ and ‘I’ve Been Waiting For You’ in Here We Go Again.

13. Meryl Streep – Donna

    We might not get to see as much of Donna as we’d like in Mamma Mia 2, after Streep said that when all is said and done, she couldn’t hack doing a whole movie’s worth of training again. But her fleeting appearances, including singing on ‘My Love, My Life’ and ‘Super Trouper’, are poignant and shiver-worthy. Have a listen to her harmonies with Amanda Seyfried on ‘My Love, My Life’. Our hearts.

14. Cher – Ruby Sheridan

    Cher appears pretty near the end of the film as Sophie’s grandmother, sings ‘Fernando’, and is majestic as hell. She might be 72 years old, but this '90s powerhouse still has one heck of a belt on her. You might not get as much Cher as you would like for your money, but you can’t put a price on musical joy.
    Plus, listen out for some classic Cher-style autotuning in the final 30 seconds of ‘Super Trouper’. It’s top of the range.

15. Lily James – Young Donna

    Lily James is the breakout star of Mamma Mia! Here We Go Again, playing the young Donna Sheridan – but she’s no newcomer. Trained at Guildhall School of Music and Drama, James starred as the title role in Cinderella (2015), as well as playing Debora in Baby Driver (2017) last year.
    It’s her coy rendition of ‘Andante Andante’, sung to the young Sam Carmichael, that steals the show in Mamma Mia 2. Her voice is sweet and husky in the verses, with the higher notes of the chorus bringing out a lovely musical theatre twang in her vocals. We like, a lot.

16. Amanda Seyfried – Sophie

    Ah, the sweet vocals of the Seyfried. Once again, Amanda takes on the role of Sophie in the sequel to Mamma Mia! – and somehow, she’s even more impressive than the last time. Seyfried, who trained as a singer before turning to acting, almost became an opera singer instead of an actress. In 2015, she told Celebs Now magazine: “[My biggest regret is] quitting opera-singing training when I was 17. That had been my passion before acting took over and I wish I had stuck with it.”
    So do we, Amanda, so do we. Her trembling voice cuts through beautifully in the penultimate chorus of ‘My Love, My Life’, and her harmonies with Meryl Streep on the line ‘like reflections of your mind’ are truly shiver-inducing. Try not to cry… we have already failed.

    

    Amanda Seyfried and Meryl Streep. Picture: Rex

Lily James singing in 'Mamma Mia 2' trailer

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