It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
Tuesday, January 17, 2023
To Love Again (Chopin Nocturne E flat major) (From The Eddy Duchin Story)
Carole King - You've Got a Friend (from Welcome To My Living Room)
A Day In The Life with orchestra - The Beatles (arr. Sam Haug)
While My Guitar Gently Weeps (Taken from Concert For George)
UP Concert Chorus celebrates 60 years with concert on Feb. 4
by Manila Bulletin Entertainment
The University of the Philippines’ performing group, the UP Concert Chorus (UPCC) or simply Korus, celebrates its 60th anniversary with a concert entitled “Sama-Sama Together” to be held on Saturday, Feb. 4, 5 pm at the UP Theater in Diliman, Quezon City.
Established in 1962 under the incumbency of UP President, General Carlos P. Romulo with Dean Ramon Tapales as UPCC’s first conductor, the UPCC has evolved into an internationally renowned and multi-awarded choir that has perfected versatility in singing classical, folk, pop and Broadway musical genres with their signature vibrant choreography under the stewardship of the much-beloved Dean Rey T. Paguio.
An icon of stage performance that pioneered ChoreoCapella or choreographed a capella in the Philippines, it is the recipient of several distinctions, including the world’s best in folk choral performance at the 2012 Festival Internacional de Cantonigros in Spain, Grand Prix winner at the 6th International Krakow Choir Festival in Poland, and 2012 Aliw Awards’ Lifetime Achievement Award.
The anniversary concert features different UPCC batches from the 1960s to the present performing songs and choreography of various musical genres such as liturgical, classical, opera, Filipino folk, Broadway, and pop.
“From Thompson to Fettke, from Abelardo to Lucio San Pedro to John Lennon, from VST to APO Hiking Society, from Gary Valenciano to Itchyworms, from Nonong Pedero to Willy Cruz to Ryan Cayabyab… we are going sing the songs by these remarkable artists. The concert is going to be a musical extravaganza to remember 60 years by,” says Atty. Noriz Reyes, chairperson of the UPCC 60th Anniversary Concert Committee.
Three celebrated conductors will be leading the choir, they are: Prof. Joel Navarro, Prof. Ed Manguiat, and current UPCC conductor Jai Sabas-Aracama. Mr. Rico Mortel will be directing the show.
Among those who have confirmed to perform include singer-comedienne Nanette Inventor; Edru Abraham of Kontra Gapi; Becky Demetillo-Abraham of Inang Laya; broadcaster Kata Inocencio; celebrity voice teacher Kitchie Molina; Bob Serrano and Popo Suanes of the Tux; Zebedee Zuñiga and Sushi Reyes of Opera; lawyers Dot Gangcayco, Noriz Castillo, Gigi Dizon Reyes and Jenny Aldecoa-Delorino; doctors Tony Comia and Melfred Hernandez; international performer Jonathan Badon; stage actors Lionel and Cynthia Guico; Filipino-American musician Nhick Pacis; singer-actress Olive Isidro; speech language pathologist Kaye Tuiseco of the Ryan Cayabyab Singers, music teacher Emmy Cayabyab; public relations strategist Ritzi Ronquillo; Vallejo City Vice-Mayor Rozzana Verder-Aliga of California, and around 200 more UPCC alumni.
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Prof. Joel Navarro, himself a UPCC alumni, promises that the event will be a treat not just for those who are familiar with the UP Concert Chorus’ brand of performing. He says, “It’s a lifetime event that you will want to attend. It’s not just our story. It’s the story of how music can build a community, transform a people and move the world.”
UPCC Alumni Association President Atty. Dot Gancayco stresses that as their way of giving back to the Alma Mater the Korus, the proceeds of the concert will go to the Dean Rey T. Paguio Scholarship Fund.
For ticket details and inquiries, contact Lowell Reyes mobile 09228050471.
Monday, January 16, 2023
I Dreamed a Dream (From "Les Misérables")
Nostalgia Philippines ( The 70s)🎶🎶🎶🇵🇭
La Belle Dame Sans Regrets
Iniibig Kita
Waldteufel - Valse des patineurs
Sunday, January 15, 2023
Hold Me in YOur Arms Teddy Pendergrass and Whitney Houston!!
Offenbach - Orpheus in the Underworld Overture
A Brief History of Clementi, the Underrated Innovator His Music and His Life)
Friday, January 13, 2023
The Father of Piano: Muzio Clementi
by Fanny Po Sim Head, Interlude
Background as an Organist and Performer
Born in 1752, Italian composer Clementi showed his musical talent at an early age. Not only did he begin composing and writing an oratorio at the age of 13, but he was also hired as an organist of the parish church of San Lorenzo in Dámaso. However, he didn’t work for the church for a long time. Instead, in 1766, he was taken to England by Sir Peter Beckford. The following seven years, Clementi stayed at one of Beckford’s estates, Stepleton House, where he gave his first public performance. The performance was successful, and the audience was impressed with his playing.
His Encounter with Mozart
Clementi left the estate when he turned 22 years old. His reputation as a performer quickly developed as he toured around London and later all over Europe. When he was in Vienna in 1781, he was invited by Holy Roman Emperor Joseph II to contest with Mozart. The composers were asked to improvise and perform excerpts of their works. Even though the contest was declared a tie, Mozart and Clementi had very different impressions of each other. Clementi was impressed by Mozart’s performance. One of Clementi’s students, Ludwig Berger, recalled what Clementi said of Mozart:
“Until then I had never heard anyone play with such spirit and grace. I was particularly overwhelmed by an adagio and by several of his extempore variations for which the Emperor had chosen the theme, and which we were to devise alternately.”
However, Mozart was not impressed by Clementi’s playing at all. In one of his letters to his father, Mozart mentioned that Clementi’s playing was a “mere mechanic” and
“Clementi is a charlatan, like all Italians. He marks a piece presto but plays only allegro.”
Although Mozart remained negative of Clementi, Clementi was influential to many composers and pianists even to this day. On the other hand, Beethoven looked highly upon Clementi and his compositions. He encouraged his nephew, Karl van Beethoven, to learn Clementi’s works. Beethoven said, “They who thoroughly study Clementi, at the same time make themselves acquainted with Mozart and other composers; but the converse is not the fact.”
The “Newer School of Technique on the Piano”
Clementi has been known as the “Father of the Piano.” Through his 110 piano sonatas, Clementi expanded and showcased the capabilities of the pianos, as well as exhibited many virtuosic passages and demanding skills required to execute his works.
Ignaz Moscheles once wrote that Clementi founded the “newer school of technique on the piano.” Moscheles was among one of the students of Clementi. Others included Johann Baptist Cramer, Therese Jansen Bartolozzi, Johann Nepomuk Hummel, Ludwig Berger (teacher of Felix Mendelssohn), and John Field.
Influences on the History of Piano-Making
This Father of the Piano influenced piano history in more than just as a composer, a performer, and a pedagogue. Clementi was also known as a clever businessman. Clementi was involved in both music publishing and piano manufacturing. In 1798, when he was 45 years old, he took over Longman and Broderip and began a publication line, “Clementi & Co., & Clementi, Cheapside.”
Clementi brought significant improvements to the design of pianos, and many remained the piano standard. In 1810, Clementi almost completely stopped performing and devoted most of his time to composing and piano making. One of his last compositions, Gradus ad Parnassum, is a set of 100 studies published in 3 volumes. The studies are short but cover both technical and interpretative skills that deserve more attention from piano lovers.
Besides Gradus ad Parnassum and the 110 piano sonatas, Clementi’s Capriccios are equally charming. His output of Capriccios spanned over his career, and among them, the two Capriccios in op.34 display many expressive and improvisatory elements in Clementi’s music. lementi, a legendary performer, composer, educator, publisher, and piano manufacturer, lived a prolific life and is well deserved to be called the Father of Piano. Yet, he also was a conductor who founded the Philharmonic Society of London (which later became the Royal Philharmonic Society in 1912). He also wrote a few symphonies and chamber works, including Symphony No.3. It is nicknamed “the Great National,” and Clementi used God Save the King (National Anthem of the United Kingdom) in various movements.