It's all about the classical music composers and their works from the last 400 years and much more about music. Hier erfahren Sie alles über die klassischen Komponisten und ihre Meisterwerke der letzten vierhundert Jahre und vieles mehr über Klassische Musik.
22 November 2019, 16:39 | Updated: 26 November 2019
Violinist Aleksey Igudesman and pianist Hyung-Ki Joo are joined by the Vienna Symphony for this hilarious Vangelis parody.
We’re rarely ones to resist an amusing musical parody, and comedy duo Igudesman & Joo’s recent orchestral take on Chariots of Fire is a hoot.
With violinist Aleksey Igudesman and pianist Hyung-Ki Joo at the front of the stage as soloists, Vienna Symphony orchestra hilariously mimics the iconic slow-motion running scene in the opening of the 1981 film, Chariots of Fire – scored so memorably by Vangelis – by swaying about on stage (watch above).
Igudesman on violin adds the electronic whooshes, which those of you familiar with Vangelis’ track will know, with his own mic’d-up voice.
Meanwhile, Hyung-Ki Joo accompanies the whole spectacle expertly on the piano at the Vienna Konzerthaus.
Igudesman & Joo perform Chariots of Fire with Vienna Symphony. Picture: Igudesman & Joo / YouTube
The fun doesn’t stop there – Chariots soon morphs into Monti’s virtuosic Czárdás, with members of the orchestra – who happen to be still standing up from the swaying antics before – fire off a skilled ensemble arrangement of the flashy piece.
Igudesman & Joo high-five as they leave stage – as would we have done had we been there.
Three quarters of young Brits have never heard of Mozart. Picture: Getty
By Sian Hamer
One in five of those surveyed also believe Bach is still alive.
Three quarters of young people in the UK have never heard of Mozart, a new survey has found.
Of the 18 to 34-year-olds surveyed, one in five said they also believe Bach, who died in 1750, is still alive.
Other classical names which continued to stump young Brits include Scottish violinist Nicola Benedetti, whose name was recognised by less than one in five people.
One in five 18 to 34 year olds in Britain believe Bach is still alive. Picture: Getty
The survey, conducted by the classical music streaming service Primephonic, also found that just 14 per cent of 20 to 34-year-olds knew that ‘Land Of Hope And Glory’ was composed by Elgar.
By contrast, almost all (94 per cent) of the 2,000 respondents knew of the pop singer Adele.
Austrian composer Wolfgang Amadeus Mozart. Picture: Getty
Debbie Wiseman, Classic FM’s Composer in Residence, said she was “really saddened” by the survey, but “not at all surprised”.
“Learning an instrument at school and engaging in classical music has been shown to have huge benefits to children in other areas of their academic life and helps them become more effective learners,” Wiseman told Classic FM.
“But, unfortunately, enthusiastic music-making in schools, where pupils are encouraged to participate in orchestras and choirs, are in a minority.”
“Not every child will want to grow up and be a professional musician or composer, but to engage with classical music at a young age should be open to everyone,” she continued.
“Music is inclusive. Music speaks across culture, across class, across language. It seems to be hard-wired into humans. Music is spontaneous, and music can enrich lives forever.
“Classical music should be encouraged and available to all.”
Mozart from soprano Olivia Boen at the incredible Verbier Festival in Switzerland.
Wheelchair-bound pianist stuns social media with her incredible Chopin videos
Credit: Valentina Irlando/Instagram
By Maddy Shaw Roberts, ClassicFM London
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A year ago, this young Italian pianist couldn’t read music. Now, she’s playing Chopin recitals and storming the Internet with her incredible progress videos.
Valentina Irlando, 13, was born with a rare muscle disease – and has been in a wheelchair for as long as she can remember.
But over the last year, Valentina has found the perfect therapy: playing the piano.
The performance videos are now sweeping the Internet, with her beautiful renditions of Beethoven and Chopin demonstrating remarkably quick progress on the instrument.
“For me playing piano is the best medicine!” she tells Classic FM.
“When I was little, I really liked to ‘play’ the piano that my uncle had at home. Since I was born, my grandfather pushed my parents to buy me a piano because his dream was to have a musician in the family.
“So, for Christmas they gave me a toy piano, I really enjoyed playing with it but after a while I started not using it anymore.”
For a number of years, Valentina lost her love of the piano – but last year, she felt that something was missing from her life. So, she decided to take it back up.
“But I had never learned. When I was little, I did not take lessons. I did not even know the musical notes.”
Over the last year, Valentina has been practising every day, and sharing her progress with her Instagram followers.
Her videos, that have been shared across the Internet – and even liked by the famous French-Georgian pianist Khatia Buniatishvili – are a wonderful demonstration of the power of music.
In many of her videos, Valentina credits her teacher – Credici on Instagram – for always sticking by her.
“I would like to thank my teacher for believing in me and for always supporting me, even when what I wanted to do was impossible,” she writes.
“And to think that a year ago I didn’t even know the musical notes.”
Nicola Benedetti: ‘Music teaching is vital to a child’s education’
By Maddy Shaw Roberts
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The leading violinist on the state of music education in schools, the essential role of music in our day-to-day lives, and why we need to do more to celebrate our country’s teachers.
Nicola Benedetti has spoken passionately about the need for better music education in schools, saying “music teaching is vital to a child’s education”.
In a speech held at Elizabeth Garrett Anderson School in London, the violin virtuoso drew on her time spent campaigning for better music provision in some of England and Scotland’s most underprivileged schools.
“Any one moment can flick a switch and turn a tide. Each moment with someone young can be that moment for them – when they choose hope over apathy or choose to persevere over giving up,” she says, speaking to members of the Royal Philharmonic Society and the wider classical music industry.
“Music fires the imagination in young minds. On many an occasion, I have learned more about the pieces I’m playing from critiques of a four-year-old listening to me playing, than I have from years of studying and learning professionally,” Benedetti says, with a smile.
Nicola Benedetti is campaigning for better music education across the UK. Picture: PA
The Scottish-born violinist, who has tirelessly campaigned for better music education across the country, has previously said that while her first love is music, her second is educating people through the art of music.
Since the age of 15, Benedetti has worked with schools and music organisations around the world, engaging with local music-making and spending countless hours working alongside teachers who have dedicated their lives to music.
“I saw a huge number of inspiring teachers engaging their students with no sacrifice on quality,” she recalls.
“I saw great teaching and playing, regardless of level. The more I looked, the more excellence, ingenuity, creativity, dedication, resilience and unbelievable steadfastness in both teacher and student I encountered.”
Benedetti pauses. “But I also saw lacklustre music teachers and students, worn down by years of zero celebration of their work, continuous battles to hold onto the tiny resources they have, and feeling like they are pushing against a culture that only celebrates music sold like addictive candy.”
Nicola Benedetti is a leading violinist and music education ambassador. Picture: Andy Gotts
In January this year, Nicola and her team set up the Benedetti Foundation, a charitable organisation which will support students and teachers in music-making.
The foundation’s main focus will be the ‘Benedetti Sessions’ – a series of orchestra-based weekend workshops, designed to address the needs of young musicians and of teachers, and to enrich the lives of today’s young people through music.
“Music is a gift from the depth of one person’s soul to another. It is the art of all things we cannot see nor touch,” the virtuoso says.
“The teaching of music is important because, put simply, music is important.”
Footage shows Venice flooded as the city struggles to cope with rising water
By Kyle Macdonald
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The historic church, which dates back to 1092, has been swamped with water following the city’s highest tide in 50 years.
St Mark’s Basilica, which has seen music performances from the likes of great Baroque composers Vivaldi, Monteverdi and Gabrieli, has been flooded following high tides which have impacted the entire city of Venice.
Last night saw the highest tide in more than 50 years, peaking at 1.87 metres. Waters swamped the city’s famous canals, flooding squares, houses, shops and the 11th-century Basilica.
People worked through the night to clear water from the historic mosaics that adorn the floor of the building, situated in St Mark’s Square. According to church records, this is the sixth time the building has been flooded in its history.
The Mayor of the city, Luigi Brugnaro, tweeted: “Venice is on its knees. St Mark’s Basilica has suffered serious damage, as have the whole city and the islands.”
The floods have so far claimed the lives of two people on the nearby island of Pellestrina. Italy was hit by heavy rainfall on Tuesday, with more wet weather forecast this week.
The Mayor also pledged that the long-delayed MOSE project, designed to protect Venice and the Venetian Lagoon from tides of up to three meters, will be completed. It began in 2003, but has been continually set back by cost overruns, scandals and delays.
Over the centuries the Basilica has been one of the world’s most important places for Baroque music.
As a young man, composer Antonio Vivaldi's was believed to have occasionally played in the Orchestra of St Mark’s.
Baroque composers such as Monteverdi and Gabrieli wrote large-scale religious works for the vast, elaborate building.
