Thursday, January 12, 2017

A 7-year-old with leukaemia conducts a symphony orchestra

A 7-year-old with leukaemia was given his dream job - conducting a symphony orchestra

7-year-old Jordan Cartwright has leukaemia, but that hasn’t stopped him conducting the Edmonton Symphony Orchestra playing the Canadian national anthem.
7 year old conducts orchestra
Cartwright is a long-time music fan, and so the orchestra decided he deserved a shot at the top job - conducting one of Canada’s premier ensembles himself.

So up stepped Cartwright, concert dress immaculate, to show the orchestra the way through a stirring reading of ‘O Canada’. We think he’s got this conducting thing nailed - confident stance, even tempo and gestural control are all en pointe.

Look at the super-casual hand-in-the-pocket stance, too: what a pro!

Friday, December 9, 2016

Ten Pieces of Classical Music That Will 100% Change your Life

By Daniel Ross,


ClassicFM London

Hold on to your hats - if you haven’t heard any of these, your life is about to be changed 10 times in a row. Needless to say, each of these examples should be digested in a single sitting.
image: http://assets6.classicfm.com/2015/31/life-changing-music-1438621050-article-0.jpg
life-changing music
J.S. Bach - St Matthew Passion

What is it?
It’s one of two ‘Passion’ oratorios that have survived since Bach died (he could’ve written up to five), but it’s also become one of his most celebrated pieces. The original title is Passio Domini nostri J.C. secundum Evangelistam Matthæum (the ‘J.C.’ stands for Jesus Christ, which is maybe a bit familiar for someone he hadn’t met… but we’ll let him off).

Why it will change your life:
If you thought that Baroque music mostly dealt with plinky-plinky harpsichords paid for by wealthy and obscure members of Royal family, the St Matthew Passion will obliterate your puny mind. There are biblical proclamations of impending apocalypse littered throughout, and for each of them, Bach wangles in some sort of crushing atonality or strange chord, as if he’s wincing with pain each time it happens. This is such a human experience, composed at a time when human experiences weren’t chief among the aims of most Baroque composer composers.

Tchaikovsky - Symphony No. 6

What is it?
Tchaikovsky’s final symphony, nicknamed ‘Pathétique’. The premiere performance was given just nine days before the composer died.

Why it will change your life:
Tchaikovsky was surely one of the most personally troubled of the great composers - and this symphony was essentially the outpouring of many of his issues, in a way. Many initially thought it was a lengthy suicide note, others pointed to the hugely controversial homosexual leanings Tchaikovsky was known to have, while some thought it was just a tragic, sad, glorious and indulgent artistic expression. But the reason it’ll stay with you forever is that all of these contexts work in their own way, but it never detracts from how magisterial the music itself is. It’s a lesson in the very best ways of expressing emotions through music.

Mahler - Symphony No. 2

What is it?
Massive, that’s what it is. Ruddy massive. Mahler’s Symphony No. 2 (known as the ’Resurrection’) is a 90-minute attempt to put the whole nature of existence into a piece music. So pretty ambitious.

Why it will change your life:
If you think any bit of music over 3 minutes long is a bit indulgent and full of itself, this single piece will convince you that sometimes it’s completely worth spending an hour and a half on one musical concept (even if it is a huge concept). No other composer could’ve made it more entertaining (listen out for death shrieks!), or more rewarding. The epic final few minutes are a stupidly generous reward on their own, but getting there is half the fun.

Beethoven - Grosse Fuge

What is it?
One of the last pieces Beethoven wrote for string quartet, one of his celebrated ‘Late’ quartets. It’s a one-movement experiment in structure that was universally hated when it was first composed.

Why it will change your life:
It’s proof that not only can critics and audiences get it really, really wrong, but also that it’s all about interpretation. You can actually hear the struggle and the effort it must’ve taken to compose, which means it’s not always a relaxing listen, but few pieces in history have so nakedly shown how a composer can throw absolutely everything into a single work. And, in the end, it was hugely influential to serialist composers of the 20th century with none other than Igor Stravinsky proclaiming it a miracle of music. How about that for delayed gratification?

Mozart - Requiem

What is it?
The piece that Mozart wrote on his deathbed, in a furious fever. Well, if the movies are to be believed, anyway.

Why it will change your life:
From the opening Introitus, the mournful tone is set. It might just be us, but doesn’t it actually sound like Mozart is scared of death here? Aside from being spooky as anything, the Requiem is a haunting patchwork of things - completed by one of Mozart’s pupils, Franz Süssmayr, it’s become a legendary mystery and the perfect way to end the story of one of history’s most celebrated geniuses - i.e. not end it all. What an enigma.

Monteverdi - Vespers

What is it?
It’s beardy Baroque denizen Claudio Monteverdi’s defining work, a gigantic noise that some argue bridged the gap between the Renaissance and the early Baroque periods.

Why it will change your life:
It makes you realise that just because something’s really old, it doesn’t mean it’s automatically boring, or simply lauded because it was ‘groundbreaking’. Make no mistake about it - Monteverdi’s Vespers are hugely entertaining on their own terms. For starters, it’s simply enormous in scale. If you want to be crude about it (and we do) then you could describe it as Monteverdi taking church music to the opera, with all the drama that implies. Trumpets, drums, massive choruses, florid vocal lines… this really is the greatest hits of the early Baroque.

Elgar - Cello Concerto

What is it?
The only cello concerto that Edward Elgar wrote, and one of the most famous concertos of all time.

Why it will change your life:
It’s proof that intense emotion can come from the most unlikely of people. We don’t want to get all mushy on you, but there’s something spectacularly English about how the ultimate stiff-upper-lipped curmudgeon, Edward Elgar, was able to convey his emotions in music rather than in words or actions. His private life was surprisingly tumultuous (that’s another story), and in pieces like the Cello Concerto it’s as if the gasket has blown and Elgar is finally able to let out all the pent-up emotion in a focused blast.

Wagner - The Ring Cycle

What is it?
IT IS EVERYTHING.

Why it will change your life:
Realising for the first time that the world of opera could actually be this immersive is a very, very special feeling - if you don’t feel bereft at the end of the whole four-opera cycle, we fear for your ability to function in the real world. It’s got a terrible reputation among non-aficionados as ‘that really long opera that no-one likes’, and in a way it represents all the most exclusive, cerebral and faux-worthy stereotypes of the opera world. But we tell you: that perception is WRONG and the Ring Cycle is a fundamentally unhinged work of staggering genius. Ignore at your peril.

Max Richter - Vivaldi: Recomposed

What is it?
A radical, beautiful re-invention of Vivaldi’s Four Seasons concertos, by modern indie-classical composer Max Richter.

Why it will change your life:
Listening to Vivaldi: Recomposed is like discovering an old jumper that you used to love has magically, miraculously lost all its bobbly bits and is actually at the height of fashion despite everyone saying to you “mate, I’ve seen that jumper a thousand times and it offers me nothing new.” What Richter manages to do so incredibly well is to subtly sneak in delightful additions, tweaks and reinventions to a classic you already know extremely well, and freshen it up not just for the modern era, but for the eras to come too.

Gorecki - Symphony No. 3

What is it?
Possibly the most emotionally draining piece of music ever written.

Why it will change your life:
There’s a reason Polish composer Henryck Górecki called his third symphony the Symphony of Sorrowful Songs. Each movement features a solo soprano singing texts inspired by war and separation - but it’s the second movement that really stands out. The text is taken from the scribblings on the wall of a Gestapo cell during the Second World War and, as you can imagine, it’s pretty harrowing stuff - but Górecki makes it sound so transcendental that it’s hard to believe it was written in such dire circumstances. He said himself that he wanted the soprano line “towering over the orchestra”, and it certainly does that.

Thursday, November 24, 2016

Sir Edward Elgar - Pomp and Circumstance March No.1

This stunning vocal rendition of Elgar's Nimrod....

...  will have you weeping in seconds


A mesmerising new performance by one of Britain’s best a cappella groups and one of Britain’s best composers.
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VOCES8
VOCES8, considered to be one of the world’s most versatile and best-loved a cappella groups, performed ‘Nimrod: Lux Aeterna’ from the English composer Edward Elgar’s Enigma Variations as a tribute on Armistice Day 2016.
Their delicate tones resonate exquisitely in the church of St Anne and St Agnes as they pay their respects to those who served in First World War and veterans of all the subsequent wars involving British and Commonwealth troops:
Play
Lux Aeterna – Elgar
Voces8 perform a stunning version of Nimrod
03:53
image: http://cf.c.ooyala.com/1tbTdzNzE6jBEu-1bt6W111S8of2MrnL/3Gduepif0T1UGY8H4xMDoxOjA4MTsiGN
The text for this angelic piece is as follows:

"Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam
dona eis, Domine, 
et lux perpetua leceat eis.
May light eternal shine upon them, O Lord, with Thy saints forever,
for Thou art Kind.
Eternal rest
give to them, O Lord,
and let perpetual light shine upon them."
VOCES8 new album is out now and available to buy on Amazon.

Read more at http://www.classicfm.com/composers/elgar/news/voces8-nimrod/#pp1d1OQ4LMytjaCk.99

Freddie Mercury's Isolated Vocals Prove: He was one of the finest tenors in history

By Daniel Ross, Classic FM London


Just listen to how Freddie Mercury’s voice, isolated from the rest of the Queen sound, comes across so powerfully without double-tracking.
image: http://assets9.classicfm.com/2016/47/freddie-mercury-isolated-vocals-1479902828-article-0.jpg
freddie mercury isolated vocals
Queen’s ’We Are The Champions’ is a bombastic monument of a song, one of the most iconic in rock history - but what happens if you strip away all the instrumentation and leave only Freddie Mercury’s voice?
As it turns out, you’re left with a crystal clear bravura tenor that rivals any operatic performance for sheer intensity. Mercury’s gorgeous tone may be rough around the edges, but it has so much character that you’re compelled to overlook the technical shortcomings.

And how about that for a range? Fred, we salute you:
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Read more at http://www.classicfm.com/discover/music/freddie-mercury-isolated-vocals-champions/#p55yI2YKwS8qxItP.99

Friday, November 18, 2016

James Last - His Music and His Life


Biography of James Last

The James Last story commences on April 17th, 1929. He was born in Bremen, the third son for Louis and Martha Last, and christened Hans. His father, a post-office worker, was a keen amateur musician, competent on both drums and bandoneon.

The brothers Last, Robert, Werner and young Hans, enjoyed their game of street football and so father Louis was pleased when all three expressed more than just an passing interest in music.

By the age of nine, young Hans could play "Hanschen Klein", a German folk song in the piano, but his first music teacher, a lady, claimed at the age of ten he was totally unmusical. A year or so later with tutor number two, a gentleman, things started to happen. At the age of fourteen Hans was off to military school in Frankfurt where he studied brass, piano and tuba.

Hans' parents were pleased with the appointment. It was hoped that he would emerge from the school as classically trained conductor. After passing his first exam, the school was bombed and the students were evacuated to Buckenburg, just outside Hanover, to continue their training.

Later, Buckenburg was also lost in the war. Hans claims that if he had stayed at Buckenburg, he would have been a conductor of serious music by the time he was twenty three.

After the war, Hans-Gunter Oesterreich, who organised entertainment for the American clubs, signed Hans Last for his first professional engagements. Later, Oesterreich secured a major post with Radio Bremen, and soon, the Last brothers were all working together.

In 1948, they joined forces with Karl-Heinz Becker, and became known as the Last-Becker Ensemble.

Hans was sold on jazz, Woody Herman and Stephan Grapelli being among his favorites. In 1959 Hans Last was voted Germany's Top Jazz Bassist, a title held until 1953. In 1955 the Last-Becker Ensemble was on the verge of breaking up. At this stage Hansi considered forming his own band, but lack of funds halted this project. Instead they joined the North German Radio Dance Orchestra in Hamburg.

Soon Hans was arranging music for the NDR, he stayed with the NDR until 1964 when he signed a contract for Polydor. He became a much sought after arranger and was soon scoring hits for Caterina Valente, Freddy Quinn, Helmut Zacharias in Hamburg, he even flew to Nashville to record Brenda Lee singing in German.

It was in 1955 that Hans married the attractive Waltraud Wiese from Bremen and by 1958, the Last household had become four, with the birth of a son Ronald and a daughter Caterina.

So to 1964 and a contract with Polydor. Soon a couple of albums hit the market. Hans Last and his Orchestra had arrived, but suddenly the next release on the Polydor label featured James Last and his Orchestra. Somebody somewhere within the record company felt that James had more international appeal than Hans.

Now James Last wanted to unleash upon the Germans his new party sound. His idea was to record the top hits of the day, and them hold a party in the studio to build up the atmosphere. In 1965 the Non Stop Dancing sound of James Last was launched.

In 1967, with seven or eight of his early albums making the German charts, and the launch of the Non Stop Dancing series, Polydor produced a budget price sampler album "This is James Last" and suddenly the Last sound was launched worldwide.

In the United Kingdom, this sampler sold for twelve shillings and sixpence. "This is James Last" entered the British album charts on April 15th, 1967, it stayed for forty-eight weeks and reached the number six position. In the U.K. sales topped 400,000. James Last had arrived.

James Last albums were selling by the thousands in Germany, Holland, Belgium, and here in the United Kingdom. Album after album reached the national charts. Whilst on a crest of the wave in Europe, it is reported that in Canada in 1967, five percent of the total record sales were by James Last.

By 1969, the success in the record sales was phenomenal, but the Last band was a studio band, and yet to appear live. During 1969 Hans Last was persuaded to take the James Last Orchestra on tour. A four week tour of Germany had been lined up.

Many artists throughout the music business are great on disc, and terrible on stage, and vice-versa. Hansi wanted to recreate on stage the stereo sound which had been so succesful in the studio.

First the services of Peter Klemt were secured, he had succesfully mastered and mixed the early recordings. Peter immediately went out and purchased two mixers, one for the Hanover strings, whom Hansi had hired for the tour, and one for the brass section. The rhythm quartet was in front flanked by the English choir.

By the end of the tour, Last was well and truly established. Soon plans were in hand to take the Orchestra to Canada for Expo 69 in Montreal.

1969 was a big year for the James Last Orchestra. In Cannes they received the International Midem Prize, the music industry's Oscar. In Germany they were voted the number one Orchestra. The Germans gave Hansi the title of "Arranger of the Year".

In 1970 the Last Orchestra were on the road in Germany again, a tour which had to be lengthened because of the demand for tickets. They toured Denmark and the gold discs were arriving thick and fast.

Now Hansi wanted to conquer the British. The entourage finally arrived in October, 1971. The New Victoria Theatre in London, housed the first concert.

Whilst records came at the rate of around six a year, 1972, must have been the most productive year on the road. Another tour of Germany was followed by visits to Russia, South America, Australia, New Zealand, Singapore, Hong Kong and Japan. 10,000 fans attended a James Last Voodoo Party in the Hamburg woods.

Last returned to Britain in 1973. The tour included three sell out concerts at London's Royal Albert Hall. By the time the 1973, UK tour was under way, twenty seven Last albums have entered the British album charts. After Britain, another tour of Canada and in December 1973, Hansi received his 100th Gold Record.

During 1973, we saw the composition of a leissure centre Hansi built for the band at Fintel on Lumberg Heath. Here the band coudl relax and take a few days break, the complex had half a dozen or so bedrooms, kitchen, lounge, sports equipment. All the members in the band were given a key, and the centre was frequently used by many Last musicians to get away and relax after weeks on the road and in the recording studio.

By the mid-seventies Hansi and the James Last Orchestra were established as a top recording artist and sell out concerts attraction around the world.

Hansi, was also scoring as a composer. Most Last albums have included a Last composition. In March 1969 Andy Williams entered the U.S. charts with Hansi's composition "Happy Heart", it stayed for 22 weeks and reached number seven. Here in May, it reached number nineteen, appearing in the charts for nine weeks.

Elvis Presley recorded Hansi's composition called "No Words", words were added and "No Words" became "Fool". "Fool" reached number 23 in the U.K. charts in August 1973 and stayed for seven weeks.

Without any chart success, probably the most famous Last composition is "Games That Lovers Play". Over 100 recordings available worldwide including versions by Freddy Quinn, Connie Francis and Eddie Fisher.

Although Andy Williams scored with "Happy Heart" the number has been recorded by Petula Clark, Roger Williams, The Gunter Kaftan Choir, The Anita Kerr Singers, Norrie Paramor and his Orchestra and Peggy March.

Television has played a major part in the James Last success story. In 1968 ZDF Television launched a new music spectacular entitled Star Parade. The James Last Orchestra were residents for the 50 shows produced. The biggest names in music all guested on the show; Abba, Barry Manilow, Cliff Richard, Boney M, Roger Whitaker.

Many television specials had been produced here in the United Kingdom. In 1971 on their first British tour the BBC took Hansi and the Orchestra along to the Dorchester Hotel, to record a fifty minute special before an invited audience. Dance Night at the Royal Albert Hall was captured by the Beeb, and in 1976 was recorded a the Shepherd Bush studios.

By 1978, the James Last Orchestra, had achieved virtually what they set out to do. Hansi had noticed that at concerts in Great Britain, the audience would get up and dance when he played his non stop dancing titles. The German audiences loved him too, and so later that year Hansi persuaded ZDF Television to come to London, to record a concert at the Royal Albert Hall. The show was put together over two nights, each of those two nights some 5000 fans attended and had a ball.

The British fans were on their feet long before the interval, dancing and prancing around the Royal Albert Hall arena to their favourite James Last polkas. The second half was a riot, the fans had invaded the stage, they danced, they sang, and when Hansi asked them to sit on the floor, they sat on the floor and listened to "Don't Cry For Me Argentina".

Whilst seated, they sang "Cockless and Mussels", "Daisy, Daisy", and "Abide With Me". Back on their feet James Last struck up the band and introduced his version of "Dancing Party", and what a Dancing Party it was, all taking place at a James Last concert and being captured on film.

The show entitled "Live in London" became available on a single album in Germany, a double album in Great Britain. In Germany on television, ZDF presented a ninety minute special, whilst here the BBC gave us two thirty minute shows. On top of that a year or so later, Polydor released the official video, which they sold by the case load. In fact, sales were so good that several dealers listed this video in their top sellers chart.

On April 23rd, 1978 Hansi received the highest award that can be won in Germany. He was awarded the "Bundesverdienstkreuz" by the President of West Germany, for his services to his country.

April 1979, Hansi celebrated his fiftieth birthday in London and the fans presented him with a special birthday cake. In fact, seven cakes shaped into letters and numbers spelling out H-A-N-S-I-5-0.

Two days earlier, Hansi's most successful recording released in Great Britain's "Last The Whole Night Long" entered the British charts. It reached number two and stayed in the charts for forty five weeks.

The demand for live concerts was as high as ever. Late October 1979, the entourage left Hamburg for a month long tour of Japan. For this special occcasion, Hansi recorded a new album specially for the Japanese market entitled "Paintings".

Last was succesful now almost throughout the whole world. Although Hansi has a home in Florida, success in the U.S. has been limited to one album making eighty in the Billboard Top 100.

In April 1980, "The Seduction" hit the Billboard singles charts. It received air play across the United States, achieved position twenty eight and stayed for six weeks. A month later it made the British charts for four weeks reaching position number forty-eight.

In June 1980, the ZDF Television series "Star Parade" came to a close after 50 minute shows. In September 1980, ZDF launched the "Show Express", another ninety minute production featuring James Last, but his came to a halt after ten shows.

James Last worldwide album sales cannot be counted - only estimated. However, in Germany, the trade paper Musicmart claimed Last has sold 1,800,000 in Germany in 1979, and an American publication called "They Have Sold A Million" claim estimated worldwide sales in excess of 40 billion.

Throughout the sixties and seventies, the Last sound was dominant, hearing a track on the radio, the fans would reply "that is James Last".

In the eighties, Hansi experimented with some new sounds. His album "Biscaya" strongly featured bandoneon and synthesizer, "Bluebird" featured pan flute and synthesizer, "Deutsche Vita" was mainly electronic. Many fans welcomed the new sounds, sound were disappointed that the Old James Last sound was missing. However, tracks from these albums, became firm favourites and concert show pieces.

Last still continues to record around six albums per year. He does not spend so much time on the road these days, but in recent years has consistently toured the United Kingdom, Belgium and Holland.

In 1987, Last took the Orchestra to East Berlin for four sell out concerts, the East Berliners had a ball. From those four sell out concerts, Polydor released an album "Live in Berlin", followed by a video. In 1990, James Last joined forces with Richard Clayderman to produce a new album, "Golden Hearts".

His triumphant career has remained so over the years, also after he moved home from Hamburg to the sunny beaches of Florida. His son Ronny has followed his father and helps him as producer. Golf is
James's compensating exercise, almost his second profession. A hobby that the members of his band join him in.

Most James Last fans these days are renewing their collections with compact discs. James Last, the most prolific recording artist Europe has ever seen, has currently over 100 different titles available on compact disc. The avid record collector of the sixties is now the compact disc collector of the nineties. Many James Last fans are disappointed that only one hundred CD's are currently available. They want more. They want the entire James Last reportoire issued on compact disc. I dare say, as time goes by they will achieve their goal.