Sunday, March 26, 2023

20 most famous and influential French composers of classical music

 Here are the 20 most famous and influential French composers of classical music from the 17th to the 20th century. I know, some composers might be missing in this list, so feel free to comment about the ones you think that they deserve a place in this list. Enjoy!

For those who are wondering: I have sorted the composers by the year of birth. That is why some pieces that have been written later may come earlier in the video. I plan to make a similar video for composers of other nationalities, but I do not know how long it will take. French classical music began with the sacred music of the Roman Catholic Church, with written records predating the reign of Charlemagne. It includes all of the major genres of sacred and secular, instrumental and vocal music. French classical styles often have an identifiably national character, ranging from the clarity and precision of the music of the late Renaissance music to the sensitive and emotional Impressionistic styles of the early 20th century. Important French composers include Pérotin, Machaut, Du Fay, Ockeghem, Josquin, Lully, Charpentier, Couperin, Rameau, Leclair, Grétry, Méhul, Auber, Berlioz, Alkan, Gounod, Offenbach, Franck, Lalo, Saint-Saëns, Delibes, Bizet, Chabrier, Massenet, Widor, Fauré, d'Indy, Chausson, Debussy, Dukas, Vierne, Duruflé, Satie, Roussel, Hahn, Ravel, Honegger, Milhaud, Poulenc, Auric, Messiaen, Françaix, Dupré, Dutilleux, Xenakis, Boulez, Guillou, Grisey, and Murail. During the early Christian era of the Middle Ages, sacred monophonic (only one voice) chant was the dominant form of music, followed by a sacred polyphonic (multi-voices) organum. By the thirteenth century, another polyphonic style called the motet became popular. During the Ars Nova era of the thirteenth and fourteenth centuries, the trend towards writing polyphonic music extended to non-Church music. In the fifteenth century, more secular music emerged, such as the French chanson. In the late sixteenth-century, composers attempted to recreate Greek drama using a style called monody. In the seventeenth century, Italian opera styles such as opera seria, opera buffa were very important. This Italian opera was taken up in France, where Lully developed a French national opera style. In the seventeenth century, instrumental music developed a great deal, and vocal music was usually accompanied by a written bassline called the basso continuo. Instrumental works included keyboard suites, which were based on dance suites, sonatas, organ music, and music for small groups (trio sonatas) or orchestra (e.g., sinfonias and concerto grossos). Baroque music from the eighteenth century moved towards a simpler, lighter style of instrumental music. Later in the eighteenth century, the Classical style dominated, with the main forms being sonatas, symphonies, and string quartets... Source: https://en.wikipedia.org/wiki/French_... Here are the timestamps: 01) Louis Couperin: 00:24 02) Jean Baptiste Lully: 02:08 03) Marc-Antoine Charpentier: 03:41 04) Francois Couperin: 04:50 05) Jean-Philippe Rameau: 06:11 06) Hector Berlioz: 07:38 07) Charles Gounod: 09:25 08) Jacques Offenbach: 10:54 09) Edouard Lalo: 13:05 10) Camille Saint-Saens: 14:23 11) Leo Delibes: 16:06 12) Georges Bizet: 17:07 Mistake: He died in 1875!!! 13) Gabriel Faure: 18:11 14) Claude Debussy: 19:38 15) Erik Satie: 20:38 16) Maurice Ravel: 22:22 17) Lili Boulanger: 24:25 18) Francis Poulenc: 25:56 19) Olivier Messiaen: 28:11 20) Pierre Boulez: 30:06 And here are the recordings I used: 01)    • Louis Couperin - ...   02)    • Jean Baptiste Lul...   03)    • Marc-Antoine Char...   04)    • Quatrième Concert...   05)    • Rameau: Les indes...   06)    • Berlioz - Symphon...   07)    • J. S. Bach / C. G...   08)    • Orpheus in the Un...   09)    • Lalo: Symphonie E...   10)    • Danse macabre, Op...   11)    • Ballet Suite from...   12)    • Bizet - Carmen - ...   13)    • Gabriel Fauré - S...   14)    • Debussy: La Mer —...   15)    • Trois Gymnopédies...   16)    • Daphnis et Chloé ...   17)    • Lili Boulanger - ...   18)    • F. Poulenc SONATE...   19)    • Turangalîla Symph...   20)    • Le marteau sans m...   French anthem (intro/outro):    • France National A...   I do not own any of the recordings used in the video and do not plan to make any profits from this. Yet, if a copyright owner of any of these recordings wants me to delete this video, feel free to contact me. I will not hesitate to delete it because it is your copyright, not mine. This video is just for entertainment and education purposes!

20 most famous and influential Italian composers of classical music


Here are the 20 most famous and influential Italian composers of classical music from the 16th to the 20th century. I know, some composers might be missing in this list, so feel free to comment about the ones you think that they deserve a place in this list. Enjoy! For those who are wondering: I have sorted the composers by the year of birth. That is why some pieces that have been written later may come earlier in the video. I plan to make a similar video for composers of other nationalities, but I do not know how long it will take. Here is an excerpt from Wikipedia's article about Italian classical music: The Renaissance: Most people do not think of music when they hear the term Renaissance. Yet, in the same sense that architects, painters, and sculptors of the 16th century were paying tribute to the newly rediscovered values of classical Greece, poets and musicians of that period attempted to do the same thing. The years between 1500 and 1600 are the most revolutionary period in European musical history; it is the century in which harmony was developed and the century that gave birth to opera. 17th century: The period from about 1600 to 1750 encompasses the Baroque era of music. Many important things happened in this period. One was a return to the melodic complexities of polyphony; however, the melodies ran within a modern, established system of harmony based on chords and major and minor scales. This latter element is an extension of the concept of homophonic music and allowed melodic complexity of any variance to rise to dominance over the importance of text. 18th century: From the early 18th century to the end of that century encompasses what historians call "classical music". (Note that this use of the term "classical" does not correspond to what non-historians mean when they say "classical music"—that is, all opera and symphonic music, as opposed to "popular music".) The term "classical" is appropriate for this period of music in that it marks the standardization of musical forms such as the symphony and concerto. 19th century: This is the century of Romanticism in European literature, art, and music. Romanticism in music is marked by many of the same characteristics that define that century's literature and painting: less attention to the formalities of classicism, more involvement of human passions such as love, heroism, courage, freedom, etc., all of which is a direct outgrowth of the humanism of the French Enlightenment. Italian opera tends to forsake the light-heartedness of the Comic opera for the more serious fare of Italian lyric Romanticsm. Although the ever-popular Rossini is certainly an exception to that, Italian music of the 19th century is dominated at the beginning by the likes of Bellini, Donizetti, and then, of course, for the last fifty years of the century by Giuseppe Verdi, the greatest musical icon in Italian history. Source: https://en.wikipedia.org/wiki/Italian... Here are the timestamps: 01) Da Palestrina: 00:24 02) Monteverdi: 01:38 03) Allegri: 03:22 04) Corelli: 04:48 05) A. Scarlatti: 06:21 06) Albinoni: 08:59 07) Vivaldi: 10:44 08) D. Scarlatti: 12:54 09) Tartini: 14:23 10) Pergolesi: 15:41 11) Boccherini: 17:00 12) Salieri: 18:19 13) Climenti: 19:33 14) Paganini: 20:43 15) Rossini: 22:28 16) Verdi: 23:41 17) Puccini: 25:26 18) Busoni: 26:39 19) Respighi: 29:17 20) Morricone: 31:51 And here are the recordings I used: 01)    • Kyrie - Missa Pap...   02)    • Monteverdi: Lamen...   03)    • Miserere mei   04)    • Corelli | Concert...   05)    • Flute Sonata No. ...   06)    • Adagio   07)    • The Four Seasons,...   08)    • Scarlatti: Sonata...   09)    • Concerto for Viol...   10)    • Flute Concerto in...   11)    • 미뉴엣 보케리니   12)    • Requiem in C Mino...   13)    • Sonatina in F Maj...   14)    • Niccolo Paganini ...   15)    • 03 New Philharmon...   16)    • Verdi - Requiem -...   17)    • Puccini: Turandot...   18)    • (1/2) Busoni - Pi...   19)    • Respighi's ROMAN ...   20)    • The Good, The Bad...   Italian anthem (intro/outro):    • Italy National An...   I do not own any of the recordings used in the video and do not plan to make any profits from this. Yet, if a copyright owner of any of these recordings wants me to delete this video, feel free to contact me. I will not hesitate to delete it because it is your copyright, not mine. This video is just for entertainment and education purposes!

Friday, March 24, 2023

The Way We Were - Lucy Thomas - (Official Music Video)



The Way We Were - Barbra Streisand - Lucy Thomas Cover I hope you enjoy my recording of this beautiful Oscar winning song from the film "The Way We Were" starring the wonderful Barbra Streisand and Robert Redford❤️️ "The Way We Were" was written in 1973 by Marvin Hamlisch, Alan Bergman and Marilyn Bergman the film "The Way We Were" starring Barbra Streisand who also recorded the original version of the song. "The Way We Were" won the Oscar and Golden Globe Award for Best Original Song as well as the Grammy Award for Song of the Year in 1974. If you would like to watch more of videos on my channel Lucy Thomas Music please click the Subscribe button and the 🔔 icon to receive notification of new videos!

MORISSETTE MULING NAPABILIB SI DAVID FOSTER AT ANG AUDIENCE..GRABE SOBRA...


112,384 views Mar 25, 2023

Thursday, March 23, 2023

Lang Lang’s Incredible Piano Performance Draws HUGE Crowd


In his first public performance at a railway station, Lang Lang drew a huge crowd to hear him perform The Flight of the Bumblebee, composed by Nikolai Rimsky-Korsakov, followed by Liebesträume, by Franz Liszt, on a piano specially brought into London’s St Pancras station. The performance, inspired by the incredible amateur pianists featured on the Channel 4 show, The Piano, came ahead of the series one finale. Hosted by Claudia Winkleman, #ThePiano sets out to find the best amateur pianists from across the UK. Performing on public pianos across iconic venues such as London St Pancras, Glasgow, Leeds and Birmingham train stations, while sharing their beautiful stories and music with the British public.

Don't Let Me Down - Orquestra Ouro Preto


Orquestra Ouro Preto - The Beatles Don't Let Me Down Direção Artística e Regência Maestro Rodrigo Toffolo Produção de Vídeo Navalha Produtora Audiovisual Direção Geral/Produção Executiva Marco Aurélio Ribeiro Produção de Gravação, Edição, Mixagem e Masterização Ulrich Schneider (USC Brasil) Gravado ao vivo no Cine Theatro Brasil, em Belo Horizonte, Minas Gerais, Brasil. www.orquestraouropreto.com.br

Wednesday, March 22, 2023

Martin Nievera sings "Ikaw Lang ang Mamahalin" LIVE on Wish 107.5 Bus


Wish 107.5 is an all-hits FM radio station based in Quezon City, Philippines. It has truly gone out, beyond the conventional, to provide multiple platforms where great Filipino talents can perform and showcase their music. With the Wish 107.5 Bus, people now need not to buy concert tickets just to see their favorite artists perform on stage. However, innovation doesn’t stop in just delivering the coolest musical experience — Wish 107.5 has set the bar higher as it tapped the power of technology to let the Filipino artistry shine in the global stage. With its intensified investment in its digital platforms, it has transformed itself from being a local FM station to becoming a sought-after WISHclusive gateway to the world.


Beaches • Wind Beneath My Wings • Bette Midler


The song "Wind Beneath My Wings" was originally written in 1982 by Jeff Silbar and Larry Henley. Singer Roger Whittaker recorded the first official release of the song, followed over the years by Sheena Easton, Lee Greenwood, Colleen Hewett, Lou Rawls, Gladys Knight & the Pips & Gary Morris. However the most well known and highest charting version by far was recorded by Bette Midler for the 1988 film "Beaches" Soundtrack from the 1988 Garry Marshall film "Beaches" with Bette Midler, Barbara Hershey, John Heard, Spalding Gray, Lainie Kazan, Grace Johnston, Mayim Bialik & Marcie Leeds. HD Film Tributes makes zero money from YouTube as obviously none of these videos will ever be monetized by us. Any and all ad revenue that's generated from this channel goes directly to Google as well as to the various copyright owners; the film studios and the recording industry.

"You Don't Bring Me Flowers" A one of a kind rendition


This one of a kind version of "You Don't Bring Me Flowers" first aired in July, 1978 on WGN radio's Roy Leonard Show in Chicago. For several weeks Leonard and his producer, Pete Marino, had played Neil Diamond's solo recording of the song. Shortly thereafter, Barbra Streisand's new "Songbird" album was released and it included her rendition of this beautiful ballad. When Marino heard the Streisand recording he came up with the idea of creating a duet. He went into one of the WGN radio studios with an engineer and a record turner. Streisand's album was placed on one turntable and Diamond's on another. They started with Barbra's vocal, immediately followed by Neil's voice overlapping hers. The two superstar voices blended magically and beautifully together. As they repeated the romantic lyrics back and forth, what came out of the studio speakers was jaw-dropping. There weren't any actual edits and it was mixed in one take. Even after the official Columbia Records version was released, WGN radio listeners continued to request the Roy Leonard Show version. The song became an instant classic and Leonard and Marino were each presented with a Gold Record for one million copies sold. Eventually, the song went Platinum. On February 27, 1980, Neil Diamond and Barbra Streisand brought the house down at the Shrine Auditorium when they made a surprise appearance at the 22nd Annual Grammy Awards where they performed the duet "Live" for the first time.


Dusty Springfield - If You Go Away


From her tv show in 15 August 1967