"The Manhattan Transfer Calls It a Night With a Final Show at Disney Hall: There's ‘Grieving,' but ‘We Think We're Going Out on Top'"
https://variety.com/2023/music/news/m...
The group's apparent swan song in downtown Los Angeles' toniest venue was a happy-sad-ebullient-misty-eyed affair. Two things were left definitively established as part of the essence of swing: clock pendulums, and the Manhattan Transfer.
No revolving doors here. Two members of the quartet have been with the group since its early ‘70s origins, Alan Paul and Janis Siegel; Cheryl Bentyne, for her part, has been in the ensemble nearly as long as those two, having joined up before the ‘70s came to a close; even new guy Trist Curless has a decade's worth of tenure.
Prior to and following the show, the four members talked with Variety about winding things up with a final tour - and final show - that they decided should coincide with a planned 50th anniversary outing. If the goal was to convince everyone attending that this is a group that should not be quitting, mission accomplished.
"I think we're going out on top. And that's the way I always wanted it. I think we all felt that way," says Paul. "We didn't want to have it deteriorate. We want to be remembered for our greatness, and we certainly have a wonderful legacy."
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