Thursday, September 10, 2020

Why are iconic arts venues like the Royal Albert Hall facing closure?


Royal Albert Hall faces £20m shortfall
Royal Albert Hall faces £20m shortfall. Picture: Getty
By Maddy Shaw Roberts, ClassicFM London
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The Royal Albert Hall is a beacon of UK arts and music, hailed by the government as a “crown jewel” venue. So why does it need £20m to survive?
The Royal Albert Hall is in an “extremely perilous” state, its chief exec has said. The independent Kensington concert venue has launched an appeal to raise £20,000,000 for its survival, following overwhelming damages by the coronavirus pandemic.
Since its enforced closure in March, the great hall has lost £18m in income and £6.5m in refunded ticket sales. Now, after six months with no income, its reserves are exhausted.

What about the £1.75bn arts package?

Well, indeed. After finding out it wasn’t eligible for any of the government’s emergency grants, the Albert Hall applied for a repayable loan which, if confirmed, will arrive in December.
Chief exec Craig Hassall said this still leaves the hall in a “perilous” position. 
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"Six months on from enforced closure, and circa £18 million down in lost income, we are not eligible for any of the Government’s emergency grants,” he said in a Digital, Culture, Media and Sport committee meeting, in which he was consulted on decisions around allowing arts venues to reopen.
“This leaves us in an extremely perilous position, with no way of replacing our lost income, apart from a Government loan which may or may not materialise.”
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Why can’t venues like the Albert Hall put on shows yet?

Since 15 August, concert halls and theatres have been permitted to open their doors to live audiences, as long as they are socially distanced. Unfortunately, this means inviting in less than half the capacity a venue would normally be allowed to take in.
As Andrew Lloyd Webber once again pointed out yesterday, shows need at least 70 to 80 per cent capacity in order to break even. And that’s before they can start making any money.
Venues also need time to plan shows – around four to five months, for most operas, musicals and plays. It’s therefore impossible to plan the staging of a Christmas ballet, for instance, when venues don’t know if regulations might change again at the last minute.
What venues desperately need, is a date in the diary for when they can reopen with full audiences. That’s Stage Five of the government’s five-stage roadmap, a timeframe for which is not clear.
The Royal Albert Hall
The Royal Albert Hall. Picture: PA

So, where’s the money going to come from?

It’s been a frustrating time for arts venues, as many remain unable to put on shows, and a much-hoped-for government funding boost is yet to make it to the hall’s main stage.
RAH’s chief exec said concerns over the hall and other independent, non-government-funded venues were raised “months ago”, and that the venue now faces “a bleak future”.
“We raised concerns months ago about the potential for independent, unfunded organisations such as the Royal Albert Hall to miss out on Government support, and especially having been held up by Government as a ‘crown jewel’ that must be saved.
“We are fortunate to have supportive members and private donors who have given generously, but unfortunately, the Rescue Package fanfare has given many potential donors the false sense that we are being sufficiently supported elsewhere,” he said.
“The Royal Albert Hall now faces a bleak future unless it can secure not only a repayable Government loan, but also urgent donations to plug our current £20 million shortfall.”
London's iconic arts venue
London's iconic arts venue. Picture: PA

Are there venues that won’t survive this pandemic?

It’s a real possibility. The Albert Hall was warned in July it would go bust next year, without support. London’s Royal Opera House faces a similar reality, with its chief exec Alex Beard warning a few months ago that it would not survive past Autumn with its current reserves, while the Southbank Centre has warned of 400 job losses.
Then there are smaller, regional venues. Southhampton’s Nuffield Theatre has already announced it has gone into administration – although it appears now that that had less to do with the pandemic, and more to do with Arts Council England withdrawing all its funding in the middle of lockdown.

Friday, September 4, 2020

John Williams’ ‘Schindler’s List’ voted No. 1

... in the Classic FM Movie Music Hall of Fame


John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame
John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame. Picture: Getty
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As well as composing the nation’s very favourite film theme, the legendary movie composer was the most voted-for composer, and had the most pieces of music featured in the chart.
We have revealed the nation’s favourite film music in The Classic FM Movie Music Hall of Fame in partnership with Radio Times.
And John Williams’ music for Schindler’s List has been voted No. 1, after thousands of Classic FM listeners and RadioTimes readers cast their votes.
Schindler’s List hit the silver screen nearly 27 years ago, and this year it knocks Howard Shore’s score for The Lord of the Rings off the top spot in the Classic FM Movie Music Hall of Fame.
John Williams told Classic FM, “I’d like to express my gratitude to the listeners of Classic FM for selecting my music from Schindler’s List for this high honour. It was a privilege to be involved in the making of this film, and it’s very gratifying to know that so many people around the world continue to embrace it after nearly 30 years.”
John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame
John Williams’ ‘Schindler’s List’ voted No. 1 in the Classic FM Movie Music Hall of Fame. Picture: Classic FM
As well as taking the No. 1 film score, John Williams has again been voted the nation’s favourite composer of film music, with five entries in the top twenty alone, including Schindler’s ListStar WarsJurassic ParkHarry Potter and the Philosopher’s Stone and E.T. The Extra Terrestrial.
John Williams told Classic FM, “I’d like to express my gratitude to the listeners of Classic FM for selecting my music from Schindler’s List for this high honour. It was a privilege to be involved in the making of this film, and it’s very gratifying to know that so many people around the world continue to embrace it after nearly 30 years.”
The Classic FM Movie Music Hall of Fame 2020 also revealed a surge in popularity for film music composed by Ennio Morricone, who died in June at the age of 91, with three entries in the top 20. Morricone’s five entries show the breadth of his work outside of the Westerns he is best known for, with The MissionCinema Paradiso and Once Upon A Time in America appearing alongside The Good, the Bad and the Ugly and Once Upon A Time in the West.
Other popular film composers include John Barry and Hans Zimmer with eight entries each in the top 100. Barry wrote the scores for Out of Africa and Dances with Wolves, which reach numbers four and five in the chart respectively, his highest placing in the chart. Hans Zimmer took third position with the score for the legendary film Gladiator, which was released 20 years ago this year.
Oscar winning Hildur Guðnadóttir, who won an Academy Award for the best original score for Joker, becoming only the fourth woman to win in the category, reached number 79 in the chart, and Debbie Wiseman, Classic FM’s composer in residence placed at 65 with the biographical film Wilde.

Andrew Collins, presenter of Saturday Night at the Movies and Film Editor at Radio Times, said: “It's been a while since we polled the discerning listeners of Classic FM and readers of Radio Times about their favourite film themes and what we learn about their choices is that the greatest hits remain immovably and unimprovably great!
“Nobody would deny the near permanence of John Barry or the late Ennio Morricone or the trailblazing Vangelis in any Top 10. Lord of the Rings, a true masterwork of narrative scope and innate personality will always give the other fabulous scores something to aim for.”

Collins continued: “I am personally sad not to see my own choice Interstellar in the Top 10 but Hans Zimmer at No. 3 with Gladiator makes another mighty showing. Are we not entertained?
“As for John Williams... we have found your favourite film theme and it's as moving and mournful as any winner. Williams doubted he could pull it off. He was wrong. My advice, as ever, is to explore the lower scores. There’s a lot of invention and innovation down there. I’m humming ‘S.T.A.Y.’ from Interstellar just to reset the musical universe.”