Thursday, June 11, 2020

14 great classical composers who also happened to be gay

Great composers who happened to be gay

Great composers who happened to be gay. Picture: Getty
By Rosie Pentreath, ClassicFM London
0
From Copland to Corelli, we celebrate some of the greatest LGBTQ+ composers in classical music history.
With Pride season in full swing, we take a moment to celebrate the incredible contributions queer composers have made to the history of classical music.
  1. Benjamin Britten (1913-1976)

    Edward Benjamin Britten is one of the finest composers of English operas, choral works, and songs, many of which he wrote for his life partner, tenor Sir Peter Pears.
    Britten started writing music as young as nine, when he wrote an oratorio. He studied under Frank Bridge, John Ireland and Arthur Benjamin among others, and was also a fine pianist.
    His ground-breaking operas, which include Peter Grimes (1945), and The Turn of the Screw (1954) – and his famous War Requiem – tackle contemporaneous issues around psychology and post-war trauma, as well his own homosexuality, which was illegal in Britten’s lifetime.
    Britten founded the Aldeburgh Festival in Suffolk with Pears and librettist Eric Crozier.
    Sir Benjamin Britten on Aldeburgh Beach
    Sir Benjamin Britten on Aldeburgh Beach. Picture: Getty
  2. Dame Ethel Smyth (1858-1944)

    Ethel Smyth was a prolific composer and an active member of the women’s suffrage movement, and she made no secret of her relationships with women.
    Born in South-East London, Smyth studied at the Leipzig Conservatory and there met composers that included GriegTchaikovskyClara Schumann and Brahms. Her best-known works are the opera The Wreckers and her Mass in D.
    Her 1911 song, ‘The March of the Women’, which had lyrics by Cicely Hamilton, was dedicated to movement leader Emmeline Pankhurst – documented to have been a lover of Smyth’s – and became the official anthem of the Women’s Social and Political Union and women’s suffrage activism around the world.
    At the age of 71 Smyth, by all accounts, met and fell in love with Virginia Woolf (who would have been in her 40s at the time). Woolf described it as “like being caught by a giant crab”, for better or worse...
    Dame Ethel Smyth
    Dame Ethel Smyth. Picture: Getty
  3. Francis Poulenc (1899-1963)

    As well as being one of the first openly gay composers full stop, Poulenc also didn’t eschew his sexuality in the context of his religious faith.
    His compositions spanned from intimate chamber sonatas with sublime, twisting melodies and delicate impressionist harmonies (think the 1957 Flute Sonata), to his Piano Concerto and epic one-act opera for soprano and orchestra, La voix humaine.
    Music scholars continue to debate whether or not the diverse range of styles in his music serve as an outward representation of an inner moral conflict in Poulenc.
  4. Pyotr Ilyich Tchaikovsky (1840-1893)

    Tchaikovsky was born in Votkinsk, a small town in the Russian Empire, and began composition lessons with Anton Rubinstein in 1861. His great works include his ballets like Swan LakeThe Sleeping Beauty, and The Nutcracker, and his 1812 Overture.
    He had a disastrous marriage to one Antonina Miliukova in 1877 and attempted suicide. Tchaikovsky was gay at a time when it was illegal in Russia. His marriage was designed to stop people gossiping about his love life – but it turned into a source of misery and torment for both him and Miliukova.
    Tchaikovsky apparently fell in love with his own nephew Vladimir Davydov, a complication that was cut short by the older man’s tragic death from cholera – or another cause if other theories are to be believed – in 1893.
    Listen to a rare recording of Tchaikovsky's voice
    The wax cylinder recording is from 1890
  5. George Frideric Handel (1685-1759)

    Handel’s choral and operatic compositions remain among the most influential pieces ever written – from the enduringly popular Messiah, to the operas Rinaldo and Agrippina – not to mention his fine orchestral, chamber and instrumental works.
    The great composer was born in Halle, Germany, and studied music from a young age. He moved to England as an established composer, after English audiences particularly took to his 1711 opera Rinaldo.
    He was believed to have been gay, moving in circles in Italy and London where same-sex desire was accepted. Music historian Ellen Harris leads on the case for Handel’s homosexuality, arguing that his cantatas exhibit a clear homosexual subtext in her book Handel as Orpheus.
    Zadok the Priest – Handel
    The Royal Liverpool Philharmonic Orchestra and Choir perform at Classic FM's 25th birthday concert
  6. Jean-Baptiste Lully (1632-1687)

    The operatic composer and violinist Jean-Baptiste Lully worked in the court of King Louis XIV and was an ambitious figure in court and operatic music, dominating French opera in the 17th century.
    As well as being known for rising up influential ranks impressively quickly, Lully is thought to have had quite the colourful private life, embarking on affairs with both men and women – to the extent it got him in hot water with the King.
    Lully died relatively young, succumbing to a fatal infection in a wound on his foot, inflicted by his own conducting stick.
    Jean-Baptiste Lully
    Jean-Baptiste Lully. Picture: Getty
  7. Arcangelo Corelli (1653-1713)

    Corelli was a contemporary of both Lully and Handel (see above), moving in the same sexually-fluid circles as them. And like them, he was associated with gay clergyman, Cardinal Pietro Ottoboni.
    The Baroque composer and violinist is known for his chamber sonatas and concerti grossi, and has gone down in history for refusing to play a section of Handel’s oratorio, The Triumph Of Time And Truth, because a violin note went higher than Corelli believed appropriate for the instrument.
    Corelli: Christmas Concerto, from The Swingle Si
  8. Frederick the Great (1712-1786)

    King Frederick II of Prussia once wrote “Fortune has it in for me; she is a woman, and I am not that way inclined” following a particularly bitter defeat in battle.
    History has documented the King as having an early affair with Peter Karl Christoph von Keith, a page boy of his father Frederick William I’s, as well as Lieutenant of the Prussian Army, Hans Hermann von Katte, whom Frederick William had killed in response to these revelations about his son.
    Frederick the Great composed several concertos and sonatas, and was also a flautist who studied with Johann Joachim Quantz.
  9. Aaron Copland (1900-1990)

    New York-born composer, Aaron Copland, was one of the many renowned composition students of Paris Conservatoire’s Nadia Boulanger, whose roster of composition, performance and conducting students pretty much dominated 20th century music – from Astor PiazzollaPhilip Glass and Quincy Jones, to Daniel Barenboim and John Eliot Gardiner.
    Copland, whose best-known works include Appalachian Spring and Fanfare for the Common Man, was a famously private man, but unearthed letters between him and artist Prentiss Taylor indicate an intimate relationship. Copland also didn’t hide the fact he lived and travelled with other men, including photographer Victor Kraft and artist Alvin Ross.
    10-year-old Peter Leung plays Aaron Copland's 'The Cat and the Mouse'
    The child prodigy performed at the Oxford Piano Festival
  10. Samuel Barber (1910-1981)

    Unlike Copland, US composer Samuel Barber made no effort to keep his homosexuality out of explicit view and his life partner was composer Gian Carlo Menotti, who he studied with at the Curtis Institute.
    Barber won the Pulitzer Prize for Music twice – in 1958 for his opera Vanessa, and again in 1963 for his Piano Concerto.
    His Adagio for Strings was one of the first works by an American composer to be championed by the indomitable Arturo Toscanini, and featured famously in Oliver Stone’s 1987 film, Platoon.
    ThatCelloGuy performs Samuel Barber's 'Adagio for Strings'
  11. Gian Carlo Menotti (1911-2007)

    Not as much of a household name as his life partner Samuel Barber (see above), Italian composer Gian Carlo Menotti was no less lauded for his works. He was also a Pulitzer Prize-winner, having earned the accolade for his operas The Consul and The Saint of Bleecker Street.
    He founded the Spoleto Festival in the US in 1958, and 10 years later expanded it to the Melbourne Spoleto Festival, now known as the Melbourne International Arts Festival.
  12. Leonard Bernstein (1918-1990)

    Leonard Bernstein also studied at the Curtis Institute with Barber and Menotti (see above), and although he had an on-again-off-again relationship with actor Felicia Cohn Montealegre and eventually married her, he was openly gay.
    Montealegre herself wrote publicly about it in her book, The Bernstein Letters, “you are a homosexual and may never change – you don’t admit to the possibility of a double life, but if your peace of mind, your health, your whole nervous system depend on a certain sexual pattern what can you do?”.
    And Bernstein’s West Side Story collaborator Arthur Laurents is known to have called Bernstein “a gay man who got married”, stating, “He wasn't conflicted about it at all. He was just gay.”
    West Side Story (1961) – Official Trailer
    Credit: United Artists/The Mirisch Company Seven Arts Productions
  13. Franz Schubert (1797-1828)

    In his short life – he died even younger than Mozart, at just 31 – the great Romantic composer Franz Schubert composed 600 Lieder (songs), nine symphonies and numerous other large and smaller-scale works.
    In 1989, music historian Maynard Solomon suggested (controversially at the time), that Schubert’s song lyrics carry the evidence that Schubert was romantically attracted to men – something that has been hotly contested, including by historian Rita Steblin who believes Schubert was “chasing men”. Others have picked up on the former theory more recently, but it seems the Jury is still out.
  14. John Cage (1912-1992)

    John Cage – who famously “wrote” 4 minutes and 33 seconds of silence to explore concert hall ambience and what music actually means – married artist Xenia Andreyevna Kashevaroff, the daughter of a Russian priest, in 1935.
    But before that, Cage had had an ongoing relationship with Don Sample, as well as an affair with the wife of architect Rudolf Schindler, Pauline Gibling – so his sexuality was clearly fluid.
  15. (C) 2020 by ClassicFM London

Thursday, May 14, 2020

Classic FM draws 196,000 new listeners ...

... who flock to classical music for reassurance and comfort


Classic FM offers uplifting music, presented by the likes of Charlotte Hawkins.
Classic FM offers uplifting music, presented by the likes of Charlotte Hawkins. Picture: Classic FM
New audience figures show that more and more people are turning to the World’s Greatest Music for comfort, relaxation and reassurance in uncertain times.
Classic FM has welcomed a huge 196,000 new listeners over the last year, according to new figures released by RAJAR (Radio Joint Audience Research).
The survey, which covered the first three months of 2020, coincided with the first stages of lockdown and self-quarantining due to the coronavirus epidemic. The figures suggest that millions turned to classical music as a means of finding solace, reassurance and relaxation in a highly uncertain time.
The research also shows they spent more time with us than ever before – listening for a combined 2.6 million hours longer, as people turned to programmes of uplifting music presented by the likes of Bill TurnbullJohn Suchet and Charlotte Hawkins.
The popularity has crossed the generations too. Classic FM has seen a surge in younger listeners, with Under 25s now numbering 497,000 – up 100,000 compared to the same time last year.
Bill Turnbull, who presents Saturday mornings, has the biggest single programme on Classic FM.
Bill Turnbull, who presents Saturday mornings, has the biggest single programme on Classic FM. Picture: Classic FM
The station’s impressive numbers are driven by growth across the schedule. On a Saturday morning, with a total reach of 1.2 million – up 126,000 listeners on the year – Bill Turnbull has the biggest single programme on Classic FM.
Classic FM’s More Music Breakfast, presented by Tim Lihoreau, is up by 90,000 listeners on the year, as Tim now wakes up 1.9 million people every week with fantastic music and friendly company.

Alexander Armstrong on a Sunday adds 100,000 listeners to his programme – now up to 687,000. Alan Titchmarsh reaches over a million listeners again, with further impressive increases for broadcasters Charlotte Hawkins and John Humphrys, whose Sunday afternoon programmes now reach 407,000 and 612,000 respectively.
On weekdays, both John Suchet and Anne-Marie Minhall have added listeners, with yearly increases of 98,000 and 128,000 respectively. Elsewhere on Saturdays, Moira Stuart’s Hall of Fame ConcertBeethoven: The Man Revealed presented by John Suchet, and Smooth Classics with Myleene Klass, have all seen brilliant yearly increases.

Health authorities say choir practice ...

... caused the ‘superspread’ of 52 coronavirus cases

By ClassicFM London
Health authorities say choir practice caused the ‘superspread’ of 52 coronavirus cases
Health authorities say choir practice caused the ‘superspread’ of 52 coronavirus cases. Picture: YouTube/John Yaeger
By Helena Asprou, ClassicFM London
4K
The infamous choir rehearsal, held two weeks before Washington State’s lockdown, infected 52 singers with coronavirus and resulted in two deaths.
A choir practice that infected 52 singers with coronavirus and resulted in two deaths is now being described by US health authorities as a “superspreader” of the virus.
The outbreak, first reported in the LA Times in March, occurred during a two-and-a-half-hour rehearsal at a church near Seattle.
Now a new study, led by staff at Centers for Disease Control and Prevention, confirms the practice was attended by 61 members of Washington State’s Skagit Valley Choral, including a symptomatic patient, 32 confirmed cases and 20 probable secondary COVID-19 cases. Of those members, three were hospitalised.
The study suggests the outbreak was ‘likely facilitated by close proximity (within 6 feet) during practice and augmented by the act of singing’.
Study warns ‘superspread’ of 52 coronavirus cases in US town caused by choir rehearsal
Study warns ‘superspread’ of 52 coronavirus cases in US town caused by choir rehearsal. Picture: CDC
At the rehearsal, choir members had no physical contact but sat close together. The study says a fine mist of virus particles, emitted through singing, might have contributed to the outbreak.
It also transpires that one singer felt unwell at the time of the practice, but was unaware they had the virus.
Although the choir members said they had no physical contact, some snacked on cookies and oranges towards the back of the church during the 15-minute break and others arrived early to help set up chairs – which were arranged in six rows of 20 chairs each, spaced 6-10 inches apart.
The singers who fell ill with COVID-19 – who were mostly women, with an average age of 69 – reported flu-like symptoms from one to 12 days after the rehearsal.
Self-isolating choir members sing new psalm ‘in time of coronavirus’
To control the spread of COVID-19, the scientists have concluded that “superspreader” events such as choir and orchestra rehearsals are best avoided in the current climate, saying in the case of this rehearsal: “choir practice attendees had multiple opportunities for droplet transmission from close contact”.
If music groups must get together, scientists advise “physical distancing” and “wearing cloth face coverings”.
They also suggest bringing awareness to music groups, to discourage symptomatic patients from attending rehearsals and potentially infecting other singers and musicians. And where social distancing and wearing masks is not possible, singers are being advised to “wash hands often, cover coughs and sneezes, and frequently clean and disinfect high-touch surfaces.”

Monday, April 13, 2020

Andrea Bocelli’s ‘Music for Hope'

By Rosie Penetreath, ClassicFM London

The Italian tenor sang at the historic landmark without an audience, in a special concert for Easter Sunday.
Andrea Bocelli performed a special online concert from the Duomo cathedral in Milan this Easter Sunday (12 April 2020).
Entitled ‘Music for Hope’, Bocelli’s concert was poignantly performed without an audience and instead streamed globally via Bocelli’s YouTube channel, in light of social distancing measures in place across the globe to stem the spread of coronavirus.
Bocelli was joined – at distance, of course – by cathedral organist, Emanuele Vianelli, who provided accompaniment for his chosen pieces. Selected to communicate a message of love, healing and hope to Italy and the rest of the world during this difficult time, the pieces included the popular Bach/Gounod setting of ‘Ave Maria’ and Mascagni’s ‘Sancta Maria’, as well as an arrangement of John Newton’s enduring ‘Amazing Grace.’
Andrea Bocelli will perform in isolation at Duomo Di Milano for a special online concert to mark Easter Sunday this year.
Andrea Bocelli will perform in isolation at Duomo Di Milano for a special online concert to mark Easter Sunday this year. Picture: Veneranda Fabbrica del Duomo di Milano
The Italian tenor, who was invited to give the special solo performance by the City of Milan and the cathedral itself, says: “On the day on which we celebrate the trust in a life that triumphs, I’m honoured and happy to answer ‘Sì’ to the invitation of the City and the Duomo of Milan.”
Bocelli continues: “I believe in the strength of praying together; I believe in the Christian Easter, a universal symbol of rebirth that everyone – whether they are believers or not – truly needs right now.
“Thanks to music, streamed live, bringing together millions of clasped hands everywhere in the world, we will hug this wounded Earth’s pulsing heart, this wonderful international forge that is reason for Italian pride.”
The Andrea Bocelli Foundation is currently fundraising for hospitals, to help with the purchase of medical and protective equipment needed in the face of the coronavirus pandemic.

Friday, March 13, 2020

Sharks love jazz music but don’t get classical ...

(C) By ClassicFM London

Sharks love jazz music but don’t get classical
Sharks love jazz music but don’t get classical. Picture: Getty
By Sian Hamer
0
A study finds the ‘regular beat’ of jazz is alluring to the finned species... when there’s a tasty snack involved.
Scientists say sharks may have a musical preference, and it’s not for classical music.
study found that one species of the finned predator, the Port Jackson shark, enjoys the sound of jazz – when there’s food on offer.
Sharks, like most fish, rely on sound waves underwater to locate food and hiding spots, and to communicate with other creatures.
Researchers from the Macquarie University Fish Lab in Australia theorised that sharks might be able to recognise musical stimuli, when associated with an edible reward.
A Port Jackson shark
A Port Jackson shark. Picture: Getty
To test out the theory, researchers played jazz music at one end of a tank, and taught eight young sharks to swim towards a feeding station for a tasty reward.
It was quite the task for the creatures, who were unable to tell the difference between music genres when classical music was also introduced to the task.
“Right off, I would probably guess that the jazz music happened to have more of a regular beat that would be more what the sharks are used to being attracted to,” explained Phillip Lobel, a biology professor at Boston University.
Port Jackson sharks can recognise jazz music when food is involved
Port Jackson sharks can recognise jazz music when food is involved. Picture: Getty
Although the sharks struggled to determine the difference between the music genres, the study could still offer some insight into the learning abilities of the shark – several species of which are more intelligent than the average fish.
Experts are particularly keen to dispel the negative perception of sharks as “human-hunting death machines”.
“Gaining a better understanding of this will help grow positive public opinion of sharks and may shift public and political will towards their conservation,” Lobel said.